IMDb RATING
5.8/10
9.7K
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A soap opera writer gets hit on the head and wakes up as a character in his own show.A soap opera writer gets hit on the head and wakes up as a character in his own show.A soap opera writer gets hit on the head and wakes up as a character in his own show.
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Storyline
Did you know
- TriviaIn the scene at the party, where the characters of "Jack Gable" and "Rachel Hedison" are dancing, John Candy and Emma Samms did the scene without doubles, although it was difficult to tell because of the distance from which it was shot. Samms commented how graceful and talented a dancer Candy was, despite his size.
- GoofsThere seems to be a line missing in the dialogue between Jack Gable (John Candy) and Len (John Michael Bolger). Jack calls Len, but Len automatically knows who's talking and which car is his before Jack says anything.
- Quotes
Jack Gable: I am dead! I'm in Hell! And my punishment, is to spend eternity on my own show!
- Crazy creditsThe opening credits appear as if they are being typed on a typewriter, including some mistakes (cross-outs, use of white out, etc.).
- ConnectionsFeatured in Biography: To John with Love: A Tribute to John Candy (1995)
Featured review
The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
- hatchersan
- Feb 8, 2007
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Details
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $5,546,827
- Opening weekend US & Canada
- $1,803,059
- Aug 11, 1991
- Gross worldwide
- $5,546,827
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