Directed by
Rodman Flender |
Writing Credits (in alphabetical order)
John Brancato | ... | (written by) (as Henry Dominic) |
Michael Ferris | ... | (written by) (as Henry Dominic) |
Cast (in credits order)
Brooke Adams | ... | Virginia Marshall | |
Jeff Hayenga | ... | Brad Marshall | |
James Karen | ... | Dr. Richard Meyerling | |
K Callan | ... | Martha Wellington | |
Jane Cameron | ... | Beth Sanders | |
Kathy Griffin | ... | Connie Chicago | |
Wendy Hammers | ... | Gloria Starchild (as Wendy Kamenoff) | |
Laura Stockman | ... | Janet Robinson | |
Jonathan Emerson | ... | Mark Robinson | |
Janice Kent | ... | Cindy DeWitt | |
Matt Roe | ... | Jeff DeWitt | |
Jessica Zingali | ... | Alicia DeWitt | |
Francis Smalls Collier | ... | Bobby DeWitt | |
Rick Podell | ... | Chuck Martinez | |
Lisa Kudrow | ... | Louisa Krelm | |
Angelina Estrada | ... | Isabel Fernandez | |
Elizabeth Burrelle | ... | Sally St. Claire | |
Brad Blaisdell | ... | Globe Reporter | |
Daryl Haney | ... | Officer Lumley | |
Rick Dean | ... | Abortionist | |
Michael Castagnolia | ... | Smiley | |
Jerome Coleman | ... | Edgar | |
Elizabeth Harnett | ... | Clinic Nurse | |
Adam Simon | ... | Priest |
Produced by
Roger Corman | ... | executive producer (uncredited) |
Mike Elliott | ... | executive producer |
Rodman Flender | ... | producer |
Music by
Gary Numan | ||
Michael R. Smith |
Cinematography by
Wally Pfister |
Editing by
Patrick Rand |
Production Design by
Gary Randall |
Makeup Department
Greg Aronowitz | ... | special makeup effects artist: pregnant prosthetics |
Kathleen Karridene | ... | key makeup artist |
John A. McDermott | ... | assistant makeup artist |
Joe Podnar | ... | special makeup effects artist |
Second Unit Director or Assistant Director
Scott P. Levy | ... | second second assistant director |
Art Department
Tony Whyte | ... | carpenter |
Richard K. Wright | ... | property master |
Sound Department
Merry Cheers | ... | sound transfer engineer (as Merry Noel Cheers) |
Michael Clark | ... | Re-recording Mixer / adr recordist / sound: design |
Robert Dadashian | ... | dialogue editor |
Monett Holderer | ... | Re-recording Mixer (as Monette Holderer) / foley mixer (as Monette Holderer) |
Butch Johnson | ... | Re-recording Assistant |
Dave Mallow | ... | special voice fx |
Lisa Michelson | ... | special voice fx |
Bruce Murphy | ... | consultant: Ultra Stereo |
Vince Nicastro | ... | foley artist |
Todd Painter | ... | boom operator |
Ken Regan | ... | FX Editor / Re-recording Mixer |
Bill V. Robbins | ... | sound mixer |
Sean Rowe | ... | foley artist |
Camilla Mauritzson Skjaerbaek | ... | FX Editor (as Camilla Mauritzson) |
Kathy Tanney | ... | dialogue editor |
Camilla Mauritzson Skjaerbaek | ... | Re-recording Mixer (uncredited) |
Special Effects by
Jeffrey S. Farley | ... | prop embryo fabricator |
Stunts
JC Motes | ... | stunts |
Camera and Electrical Department
Kiely Cronin | ... | second assistant camera |
Michael Dronge | ... | grip |
Flavio Martínez Labiano | ... | still photographer |
Ron Schlaeger | ... | assistant camera |
Costume and Wardrobe Department
Christine H. Scott | ... | wardrobe supervisor |
Editorial Department
John Gilbert | ... | assistant editor |
Mato | ... | color timer |
Location Management
Darren Patrick Moloney | ... | location manager (as Darren Moloney) |
Music Department
Paul Di Franco | ... | music supervisor |
Dave Mallow | ... | vocal effects |
Additional Crew
Bundy Chanock | ... | set medic |
John Criswell | ... | animatronic effects |
Rob Hampton | ... | production assistant |
Joseph A. Woo | ... | craft service |