IMDb RATING
6.1/10
3.6K
YOUR RATING
Two cops become compelled to act against corruption and discrimination within their police precinct.Two cops become compelled to act against corruption and discrimination within their police precinct.Two cops become compelled to act against corruption and discrimination within their police precinct.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Detective Gene Baker: Save your judgements for when you make detective. In the meantime, just keep the traffic flowing.
- ConnectionsFeatured in Siskel & Ebert: Congo/The Glass Shield/Pocahontas/Fluke (1995)
- SoundtracksBlack Man Sings the Blues
Performed by Lance Eaton and Ernie Lee Banks (as Ernie Banks)
Music and Lyrics by Stephen James Taylor, BMI
Featured review
Being that I was only thirteen when this film came out, I vaguely remember the promos for THE GLASS SHIELD. As usual, the Hollywood establishment misrepresented this film during its release and I fear no one saw it, and those who expected 1) Ice Cube to have a huge role or 2) Lori Petty to get naked were severely disappointed. (I think this came out very close to CLOCKERS, too, which might have confused some people.)
I've been hearing a lot of underground talk about Charles Burnett, lately, so I picked up this film (thinking it was a usual cop-meets-gangsta film previous to my knowledge that Burnett directed it.) I must say that it is an excellent, incisive picture that manages to duck every convention one expects from Hollywood. I was reminded of IN THE HEAT OF THE NIGHT, but this was without the Mr. Tibbs-like over-the-top innocent; JJ (an excellent Michael Boatman) is truly a real character, with real guilt and real problems. Ice Cube plays his role well, and Lori Petty is good, but it is the creepy fraternity of mustachioed white cops that makes this film truly frightening. They are bad, but not outright evil; they are, instead, men too pumped up on the power of the badge and the sidearm and the encouragement of their peers.
This is a riveting film with less than two "action" scenes; the tension exists instead in the idea that terrible violence awaits every character at every turn, and when the higher-ups descend to the levels of insane criminals, we realize the significance of the title, and the vulnerability of peace.
Highly recommended.
I've been hearing a lot of underground talk about Charles Burnett, lately, so I picked up this film (thinking it was a usual cop-meets-gangsta film previous to my knowledge that Burnett directed it.) I must say that it is an excellent, incisive picture that manages to duck every convention one expects from Hollywood. I was reminded of IN THE HEAT OF THE NIGHT, but this was without the Mr. Tibbs-like over-the-top innocent; JJ (an excellent Michael Boatman) is truly a real character, with real guilt and real problems. Ice Cube plays his role well, and Lori Petty is good, but it is the creepy fraternity of mustachioed white cops that makes this film truly frightening. They are bad, but not outright evil; they are, instead, men too pumped up on the power of the badge and the sidearm and the encouragement of their peers.
This is a riveting film with less than two "action" scenes; the tension exists instead in the idea that terrible violence awaits every character at every turn, and when the higher-ups descend to the levels of insane criminals, we realize the significance of the title, and the vulnerability of peace.
Highly recommended.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Polisbrickan ger inget skydd
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $3,291,163
- Opening weekend US & Canada
- $1,146,748
- Jun 4, 1995
- Gross worldwide
- $3,291,163
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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