- A law student starts working as a night watchman at The Department of Forensic Medicine in Copenhagen. His mad friend gets him on a game of dare that escalates. As a serial-killer's victims start piling up at work, he becomes a suspect.
- In order to finance his law studies, Martin starts as a night watchman in a mortuary. When the victims of a serial killer of prostitutes are deposited there, scary things begin to happen. Therefore and because of a strange bet with his fellow student Jens, the police begins to think he is the murderer. Police detective Wormer wants to help him but Martin is more and more suspected.—Joern Richts <richts@informatik.rwth-aachen.de>
- A young law student, Martin (Waldau), takes a job as night-watchman at the local morgue. It seems a good idea as he needs the money, the quiet will be great for studying and the current watchman is retiring. Before he leaves, the watchman shows Martin his duties, one of which is checking on the morgue itself. This seems pretty creepy, especially when the old man won't tell him why he is leaving, but Martin is young and eager. That evening, after leaving his girlfriend, he returns with his radio. As everyone leaves the building silence descends -- the slightest noise makes him jump, the rattle of moths stuck in the lamp seems almost welcoming. Walking the corridors we can feel his apprehension at entering the morgue, being among the eternally silent corpses. Everything is fine, of course, but it's a strange job.
Martin's friend Jens (Bodnia) doesn't seem to mind, but then he's a fairly unusual person. During a boring lecture they fall into a game of dare, where the stakes are that the loser marries his girlfriend. Later on, in a bar, their girlfriends are hassled by some fascist thugs, although they choose to look the other way and stay conscious. Martin then challenges Jens to argue with them, which he does -- deftly insulting them before running away. In return Martin is set up with a prostitute, Joyce (Rikke Loise Andersson), whom Jens knows. Before meeting her Martin works some more nights at the morgue, one of which is disrupted when the latest victim of the local serial killer is brought in. Through talking to the detective (Ulf Pilgaard) on the case of this psycho-killer Martin sees the victim, horribly mutilated through scalping. The circle of characters is completed when Martin meets Joyce, who was a friend of the murdered prostitute.
As time passes in the morgue strange things happen, pushing Martin into doubting his own sanity. It seems that evidence is mounting up which proves that Martin is the serial-killer when corpses are found disturbed (shades of necrophilia). The tension builds higher and higher, to an almost painful level, as Martin walks through darkened hallways with the killer seemingly only one step behind. Everybody seems a possible suspect, both to Martin and to us. The final, extremely bloody, slaying only seems to seal his fate.
The grim and macabre feel of this story seeps through the screen with shots of dim rooms, lit by flickering fluorescent lights, and low-key acting. Although there are some holes in the plot, and it is probably possible to work out the ending early on (if you wish to), this doesn't detract from the incredible level of suspense. It feels as though your whole rib cage will explode under the pressure as we see the serial killer carry out his deadly plan, with a high level of intelligence and cunning. The supporting performances are quite reasonable and add substance to the film, as a welcome contrast to the psychological cat-and-mouse game being played out. Although some of the scenes are extremely disturbing (think: 'Se7en,') they do add to the total impact.
Overall, this is a film worth seeing but be prepared to stop breathing for minutes at a time.
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