A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
- Awards
- 1 win & 1 nomination
Nicholas Sadler
- Homeless Basher
- (as Nick Sadler)
Stephen Welch
- Tow Truck Guy
- (as Steve Welch)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaImmediately after shooting was completed, the house that was used in the movie burned to the ground.
- GoofsPete and the sheriff refer to Pete's shotgun as a "rifle". A rifle would not be used for skeet shooting, nor would a skeet shooter or the sheriff confuse the two firearms.
- Quotes
Norman Arbuthnot: I'm the first to admit we took this country from the indians but what were they doing with it anyway; shooting off bows and arrows and using seashells for money.
- SoundtracksI'm Your Boogie Man
Written by Harry Wayne Casey (as Harry W. Casey) & Richard Finch
Performed by KC & The Sunshine Band
Courtesy of Rhino Records
By Arrangement with Warner Special Products
Featured review
This is a film that can be viewed on two levels.
The first level is that of a straightforward black comedy. Five liberal students, who think they have the answers to all the world's ills, have their comfortable world invaded by a redneck racist who is invited in for supper after coming to the aid of one of the students when he has car trouble. Naturally there is a clash of politics and, after a violent argument, the racist is accidentally killed. They decide to bury him in their garden instead of reporting the killing. What follows is a continuation of an earlier debate they had been having; would people be justified in murdering someone if they knew he was evil? Their answer is yes, and soon they are inviting other rightwingers for an evening of dinner, debate and death. On the first level the film is okay.
It is on the second, more cerebral level, that the film really succeeds. The great irony is that the liberals become intolerant, revealing the dangers of political correctness and the very real possibility of a left-wing police state in which alternative views are crushed in the name liberal values.
A good soundtrack, some sparkling cameos by the dinner guests, and a knockout performance by Ron Perlman as the conservative commentator make this largely overlooked comedy well worth a gander.
The first level is that of a straightforward black comedy. Five liberal students, who think they have the answers to all the world's ills, have their comfortable world invaded by a redneck racist who is invited in for supper after coming to the aid of one of the students when he has car trouble. Naturally there is a clash of politics and, after a violent argument, the racist is accidentally killed. They decide to bury him in their garden instead of reporting the killing. What follows is a continuation of an earlier debate they had been having; would people be justified in murdering someone if they knew he was evil? Their answer is yes, and soon they are inviting other rightwingers for an evening of dinner, debate and death. On the first level the film is okay.
It is on the second, more cerebral level, that the film really succeeds. The great irony is that the liberals become intolerant, revealing the dangers of political correctness and the very real possibility of a left-wing police state in which alternative views are crushed in the name liberal values.
A good soundtrack, some sparkling cameos by the dinner guests, and a knockout performance by Ron Perlman as the conservative commentator make this largely overlooked comedy well worth a gander.
Details
Box office
- Gross US & Canada
- $459,749
- Opening weekend US & Canada
- $33,824
- Apr 7, 1996
- Gross worldwide
- $459,749
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