Directed by
Frank Coraci |
Writing Credits (in alphabetical order)
Fred Carpenter | ||
Frank Coraci | ||
Steven Peros | ||
Norman Rafsol | ... | (story) |
Cast
Produced by
Phyllis Alia | ... | producer |
Fred Carpenter | ... | producer |
Sid Farber | ... | executive producer |
Gary Inzana | ... | line producer |
Gregory Meyer | ... | line producer |
Leonard Weintraub | ... | executive producer |
Randy Weintraub | ... | associate producer |
Music by
Alan Pasqua |
Cinematography by
William Francesco | ||
Rob Loscalzo |
Editing by
Tom Lewis | ||
Suzanne Pillsbury |
Casting By
John Cameron |
Art Direction by
Jack Parente |
Costume Design by
Loyce Arthur |
Makeup Department
Angela Blumberg | ... | makeup artist |
Tom Denier Jr. | ... | additional hair stylist / additional makeup artist |
Sunha Fajardo | ... | additional hair stylist / additional makeup artist |
Bryan Holt | ... | additional makeup artist (as Bryant Holt) |
Bryant Holt | ... | additional hair stylist |
Alex Lamariana | ... | special makeup effects artist |
Sis Matthews | ... | special makeup effects artist |
Matt Sotis | ... | special makeup effects artist |
Production Management
Nanci Katz | ... | production manager (as Nancy Katz) |
Second Unit Director or Assistant Director
Phyllis Alia | ... | first assistant director |
Brian Zadikow | ... | second assistant director |
Art Department
Michaelene Carpenter | ... | set dresser |
Suzanne E. Cestare | ... | props (as Sue Cestare) |
Lee Duncan | ... | assistant art director |
Tammy Gruttadauria | ... | set dresser |
Alisa Parente | ... | set dresser |
Sound Department
Mark DeSimone | ... | adr engineer / adr mixer |
Michael DiCosimo | ... | stereo sound consultant: Dolby |
Harriet Fidlow | ... | adr editor |
Craig Gabor | ... | sound mixer |
Michael Jordan | ... | re-recording mixer |
Ron Kalish | ... | foley artist / supervising sound editor |
Rachel Leigh | ... | boom operator |
Wendy Martin | ... | assistant sound editor |
Branka Mrkic | ... | sound editor |
Daniella Vidal | ... | boom operator |
Special Effects by
Drew Jiritano | ... | pyrotechnician |
John Stifanich | ... | special effects foreman |
Stunts
Fred Carpenter | ... | stunts |
John Petti | ... | stunts |
Aloysius Wilson | ... | stunts |
Camera and Electrical Department
Robert Alter | ... | steadicam assistant |
Peter Borneous | ... | second second assistant camera |
Albert Buegon | ... | grip |
Lisa Davis | ... | grip |
Alan Farkas | ... | grip |
Robert Fosberg | ... | grip |
Michael Gary | ... | director of photography: second unit |
Steven C. Gladstone | ... | assistant camera: second unit (as Steve Gladstone) |
Craig Paul Harris | ... | electrician |
Gary Haspel | ... | electrician |
Jeff Hirschorn | ... | Steadicam operator |
Zsolt Kadar | ... | assistant camera: second unit |
Mark Labboto | ... | grip |
Adam Latham | ... | grip |
Maddy Lederman | ... | key grip |
Joe Matina | ... | electrician |
Jim McGill | ... | key grip |
Mitch Mittler | ... | grip |
Don Philbricht | ... | grip (as Don Philbrick) |
Leo Santos | ... | key grip |
Abe Slomowitz | ... | still photographer |
Gary Sproul | ... | first assistant camera |
Jeff Weiss | ... | grip |
Bari Winter | ... | grip (as Bari Harelick) |
Martin Zdzinski | ... | assistant camera: second unit |
Ben Zydler | ... | second assistant camera |
Casting Department
Donna McKenna | ... | extras casting |
Editorial Department
Zorie Barber | ... | apprentice editor |
Mark Ginsberg | ... | color timer |
Fred Heid | ... | color timer |
Maxime Laboy | ... | assistant editor |
Tom San Martin | ... | negative cutter |
Amy Seplin | ... | assistant editor |
Arnold Shuster | ... | negative cutter (as Arnie Shuster) |
Bob Wolfrum | ... | negative cutter |
Script and Continuity Department
Nickole Cheron | ... | continuity |
Thom Sciacca | ... | script supervisor |
Additional Crew
Alicia Fitzgerald | ... | production coordinator |
Tanya Mann | ... | production assistant |
Alex McKenna | ... | production assistant |
Jen Pearse | ... | production assistant |
James Salser | ... | title designer |