Sometimes the mood one is in at a given moment is just right for the film you are about to see. This, obviously, has its setbacks. One night you are just not in the mood, and you write a film off as trash; another night, in a more favourable frame of mind, you lap up a film just loving it. This is of course pre-emptive and subjective: but we are all human. We all have our foibles and manias. So if you forgive me for dismissing out of hand all those delightfully dreadful romantic comedies with Richard Gere or Hugh Grant, whoever the delicious young lady may be playing with them, without forgetting Tom Hanks and Meg Ryan, as being pure unadulterated slush, we might meet on level terms and wade in where fools fear to tread.
I just love Salma Hayek.
She is not only superbly gorgeous to look at - those deep Mexican-Lebanese eyes just keep you enchanted throughout - but she is also pretty good at acting. That, together with a nicely-told story with intelligent directing and dialogues which do not fall flat on their face helps make `Fools Rush in' stand out above the rest of the ilk. Firstly the film does not try to be sickly funny. It does not make ireful bile rise into your throat. Perhaps Matthew Perry is not the exact partner for the role, but the chemistry between him and Salma Hayek seems to hold together fairly well. The story is also an indictment into situations which must be arising daily: especially in the United States of America where racial intolerance can become highly murky. A white New-Yorker falls in love with a Mexican girl. Well, if they are all like Salma Hayek, I would not be at all surprised. I would, too. But sociological barriers - in the Mexican family also, with a wonderful interpretation here by Angelina Calderón Torres - produce the logical but hypocritical obstacles which still persist in what for me should be classified as erstwhile societies.
A film I shall see again, which for me must be unique among films called romantic comedies. But there is just that something in the petite thirty-year-old Salma Hayek which lifts me heart and soul into clouds of surrealistic fantasy, that has me fascinated, enchanted.
Therefore any objective commenting on this film is out of the question for me. Tut, tut, my lad.
