A lawyer becomes targeted by a corrupt politician and his N.S.A. goons when he accidentally receives key evidence to a politically motivated crime.A lawyer becomes targeted by a corrupt politician and his N.S.A. goons when he accidentally receives key evidence to a politically motivated crime.A lawyer becomes targeted by a corrupt politician and his N.S.A. goons when he accidentally receives key evidence to a politically motivated crime.
- Awards
- 5 wins & 16 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Independence Day (1996) bargain price because he wanted to work with Hackman.
- GoofsWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
- Quotes
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Alternate versionsAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConnectionsEdited into 24: 12:00 a.m.-1:00 a.m. (2001)
- SoundtracksO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
Featured review
I remember when this came out and how much it freaked people out. Could we really be living in such a surveillance state? Could the government really be monitoring us whenever they want?
Well, over 20 years later and... Yeah, that's probably all true and then some. Still, this was a fun movie with a compelling enough story, solid acting and a surprisingly deep cast of comedians playing serious computer nerds.
Biggest downside to me was the tech itself. Movies of this nature can't help themselves from reaching into the nonsense handbag and pulling out things like the "zoom and enhance" cliché or the ability to tell exactly where someone is at all times with pinpoint accuracy among others.
Dated though it may be, this was still a pretty enjoyable watch. I'd say it's worth checking out if you have it streaming somewhere.
Well, over 20 years later and... Yeah, that's probably all true and then some. Still, this was a fun movie with a compelling enough story, solid acting and a surprisingly deep cast of comedians playing serious computer nerds.
Biggest downside to me was the tech itself. Movies of this nature can't help themselves from reaching into the nonsense handbag and pulling out things like the "zoom and enhance" cliché or the ability to tell exactly where someone is at all times with pinpoint accuracy among others.
Dated though it may be, this was still a pretty enjoyable watch. I'd say it's worth checking out if you have it streaming somewhere.
- questl-18592
- Sep 27, 2020
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Enemigo público
- Filming locations
- 1633 Connecticut Avenue Northwest, Washington, District of Columbia, USA(Zavitz gets hit by a car)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $111,549,836
- Opening weekend US & Canada
- $20,038,573
- Nov 22, 1998
- Gross worldwide
- $250,849,789
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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