User reviews

I thoroughly enjoyed this collaboration between Tim Burton, Andrew Kevin Walker and Washington Irving. Combining such incredible talents as Mr. Burton and Mr. Walker proved quite the appropriate recipe for recreating the Irving classic. I have read may other comments about this movie and I find it very disturbing that most people either compare it to Star Wars: Phantom Menace or complain that it is too far removed from the original story.

For these people I have a few comments. First, the only connections and comparisons to Star Wars are the actor Ian McDiarmid and the actor/stuntman Ray Park. Beyond that there is nothing within this movie that comes remotely close to a comparison to Star Wars. In my opinion this movie was better than that box office behemoth. If *****had spent as much time on his script for ***, perhaps it would have been as intriguing as Sleepy Hollow. Next, for those who were not satisfied with the movie's departure from the Irving classic I have but one piece of advice: read the story again. Washington Irving was masterful at creating scenes and setting atmosphere but The Legend of Sleepy Hollow was a 20 page examination of the little village and the loves of Ichabod Crane (women, food, writings et al) The Horseman, though mentioned a handful of times, did not appear until the last couple pages and then it alluded to the idea that Brom Bones was the culprit, in disguise, to frighten the poor hero Ichabod.

There have been other writings and interpretations of the Sleepy Hollow story that focus more on the spectral form of the Headless Horseman. I believe this movie was done in the spirit of those other works and is among the best. It brings to life the setting of this little valley and attempts to recreate the feeling that Washington Irving described best in his story. It was indicated that Sleepy Hollow was a magical and dream like place, thus the name "Sleepy Hollow." In this little upstate valley the strangest things occur and such ghosts and goblins roam freely if only in the mind of the inhabitants. Tim Burton manages to capture that sensation and allows the audience to feel as if they stepped not into a theater, but another world.

Andrew Kevin Walker's workup and translation of the story also makes for a compelling movie. Allowing the changes for the movie adaptation were a sign of genius. Displacing the hero and introducing him to the Sleepy Hollow atmosphere along with the audience, enhanced the experience. Giving a clear background for the Horseman, which is only briefly provided in the original story, was also an improvement to the movie's story. Let's face it, if they had made a 105 minute movie that tried to replicate the original short story there would have been whole theaters full of "sleepy" patrons.

The acting was also superb giving a hand to Johnny Depp and Christina Ricci for fabulous performances. As for the rest of the cast? Fantastic. To see all of these wonderful actors in secondary roles was a treat. Starting with Christopher Lee as the chief magistrate in New York; Jeffrey Jones, Michael Gough, Ian McDiarmid, Michael Gambon, Miranda Richardson and even Casper Van Dien all did magnificent work.

Though the story lagged at moments, they were few and far between. The editing in the beginning was a bit choppy but ran more fluently after the 20-30 minute point. An excellent adaptation of a great story. This was definitely a movie that Burton was born to make.

SLEEPY HOLLOW (1999) ***1/2

Starring: Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon, Casper Van Dien, Jeffrey Jones, and Christopher Walken Director: Tim Burton Running Time: 102 minutes Rated R (for graphic horror violence and gore, and brief sexuality)

By Blake French:

Tim Burton is just about as good as they get in the movie business when it comes to creating an atmospheric world to inhabit specific characters. "Sleepy Hollow" is the perfect kind of movie for his directional Midas touch; it resembles the best of Burton in every way. In the film, an adaptation based on a story by Washington Irving called The Legend of Sleepy Hollow, he captures the slumbering, creepy village of Sleepy Hollow with vivid details and imaginative description. The way everything is presented, the trees look like something out of a fairy tale and the scenery represents deception in a mysterious wonderland, is what makes this production one of the years most captivating and magical film experiences.

Some of the visual credit should also be given to the film's Cinematographer, Emmanuel Lubezki, and the credited production designer, Rick Heinrichs. These elements contribute a great deal of success to Burton's masterpiece. Both the design and Cinematography are some of the best seen all year, and deserve a hard earned Oscar Nomination. They make the film intriguing and visually stimulating.

The film takes place in the late 1700's, in New York. Constable Ichabod Crane, a timid and but smart man played by Johnny Depp, is assigned to investigate a series of grizzly murders in a nearby town called Sleepy Hollow. He's rather concerned about his latest task, however, due to the content of the killings. The victim's heads have been sliced, in one clean sweep, straight from their bodies. He accepts his duties, and travels by horse and carriage to the isolated village.

Once Ichabod arrives, the locals, including Lady Van Tassel (Miranda Richardson), Baltus Van Tassel (Michael Gambon), Brom Van Brunt (Casper Van Dien), and Reverend Steenwyck (Jeffrey Jones), greet him with eagerness. They explain the legend of the headless horseman, who is supposedly causing the murders in their town. At first he is skeptical. Then, after witnessing a victim losing their head personally, he arrives at the conclusion that a headless horseman is responsible for the tragic catastrophes accruing. Ichabod soon meets Katrina Van Tassel, an innocent looking, self spoken young woman who may have some advice, as well as several secrets of her own.

The Headless horseman is a perfect portrayed villain for "Sleepy Hollow." He is brute, oversized, and roughly textured with outwear. The actor who brings him to life when his head is on is perfect for the role; Christopher Walken. For some odd reason, however, popular film critic Roger Ebert reluctantly refused to tell his readers the name of the actor, thinking it would give something away. Well, I am sorry, Mr. Ebert, but it isn't that hard to find this information elsewhere. The filmmakers are not trying to hold Walken as a secret. Stating he stars as the headed horseman gives nothing away. One must see his performance and make up for themselves to even imagine what material the film's bad guy brings forth.

Tim Burton's direction is focused and wonderfully observant here. The murder sequences are gory and violent, but never way over the top. Burton never losses sight of his main characters, has a good idea about what he wants to place in film, and the special effects do not distract his ability to do so. He has a knack for allowing an audience to become involved with his pictures. We must think for ourselves, figuring out nuggets of the plot on our own, without the projectors help. He has demonstrated these techniques before in such films as "Edward Scissorhands," "The Nightmare Before Christmas," and even the best Batman film yet, "Batman Returns."

Johnny Depp offers an Oscar worthy performance as Ichabod Crane. He brings the squeamish role to life effortlessly with striking details and perfect form. He is flawlessly cast, as well as Christina Ricci, who also acts with style and poignancy. Compliments also go out to splendid costuming the actors are permitted to wear.

Although "Sleepy Hollow" offers lots of creepy impressions, the film is far from being very scary. Some moments do generate some minor thrills, but for the most part, the production is not as terrifying as it could have been. Much of it lacks momentum and build-up for the dozen or so graphic beheadings that take place. Burton could have easily loaded his picture with bombarding amounts of shock value, suspense, and tension filled fright, but instead goes for all out violence, plot, and mystery. Not that this effects the overall production. This is more of an atmospheric movie than a scream feast. The atmosphere is certainly above the average.

The conclusion of "Sleepy Hollow" works in a bizarre, but unpredictable fashion. The climax occurs unexpectedly and excitingly, with much surprise and special effects. The film's foreshadowing is effective, but regardless of how experienced of a filmgoer you are, this is one ending that is not meant to be figured out before it takes place. It is one of the preferred closings I've seen in a while. Despite a few personal objections, "Sleepy Hollow" is a brilliantly crafted work of art--one of the years better films.

Brought to you by Paramount Pictures.

I just saw Sleepy Hollow in an advanced Preview show in the UK. I went with a couple of mates, all of whom had seen some Tim Burton before but only I was a big fan. I simply love Tim Burton's surreal style of directing and of all the films I've seen of his (Pee Wee's Big Adventure, Beetlejuice, Edward Scissor Hands, Ed Wood, Mars Attacks!, etc.) I thought only Mars Attacks! Was less than superb. ESH for example has a superbly innocent atmosphere to it but it extremely dark at times. So now, with the release of a new Tim Burton film (of a story I remember fondly from the old Disney Cartoon of the 50's) I was rather excited to see it! And so, I sat in the darkened cinema at my local Multiplex and was amazed. From the dark and mysterious opening to the more humour-spiked yet no less horrific end this is one of my favourite films ever! I'm a big horror film fan and was so looking forward to seeing what take Tim Burton would have a true horror film. My god, he did well. The look of the piece is both extremely dark and evil (the Horseman kills men, women and children with equal relish) but it retains scenes of beautiful, dreamlike states once again making good use of Mr. Burton's own thoughts and visions. It's a very funny film too. Depp is great as an Englishman (only slipping into American twang in one syllable early on in the movie) who will battle the horseman and inspect headless, beetle filled corpses with gusto but then leap onto a chair, screaming when he sees a spider! Christina Ricci was also very good. Usually, her parts are beautiful yet rather evil characters that look innocent and pure until you look into her eyes…not this time though. She just looks, well, sweet! She's softly spoken, and very caring and that's it, no daggers in the pupils, no sly frowns to the camera. Christopher Walken made the small role he had in the headless horseman (he played him on the few occasions he actually had a head) his own with his usual evil visage and a load of screaming! Plus nastily shaved down teeth. The real masterstroke of this film though, or at least its main bad guy is the use of Ray Park. For those of you who saw Episode One and enjoyed the lightsabre battle at the end, Ray Park was Darth Maul! He brings a very modern look to the fighting, most scenes are fought with a sword in one hand and an axe in the other! Its like a medieval John Woo! But almost every time that he gets hold of a weapon he does some kind of stylish one-handed flip to the sound of wonderfully over-the-top swish sounds! The deaths, most of which decapitations of course, are all seen onscreen in their full, gory glory. Not a single piece of blood escapes the cameras here! The film really does have a lot of blood in it but it's a kind of comic book redder than red blood, which adds to the whole films not quite real feel. The cinematography is once again, from Burton, superb. The vile smog0filled 18th century New York and the Scarecrow at the beginning. My god, the scarecrow, its so evil! Onscreen for a second but its image lasts… But anyway, in short, this is a fantastic film. Burton has never done anything this visually eye-popping before (take a bow Industrial Light & Magic). The plot is both intriguing and whimsical, the acting excellent, it has a cameo from Hammer Horror master Christopher Lee and it boasts one of the most evil, most frightening, most superbly realized supernatural baddies I've ever seen…and I've seen plenty! Go see this film if you like horror or you just want some fast-paced fun… 9 out of 10

Tim Burton has brought this timeless classic to life! "Sleepy Hollow" is a very fine film, with horrific delights, a touch of romance, and witty humor. I was very impressed with the cinematography and the elaborate costumes in this film. Also, the music and sound effects complimented this frightening and legendary story of the murderous Headless Horseman. Overall, I believe this is an excellent film and will definitely be remembered as a landmark in the thriller/horror genre of film.

Enjoyable version about known Washington Irving's novel, titled ¨The legend of Sleepy Hollow¨. It concerns on Ichabod Crane(excellently personified by Johnny Depp). He's a N.Y. constable assigned to investigate brutal murders in a little town named Sleepy Hollow. Crane is housed by Balthus Van Tassel(Michael Gambon), whose beautiful daughter(Christina Ricci) falls in love for him. At the beginning Crane denies to believe that a rider without head committing the grisly killings, but he's early convinced when seeing the graphic evidence of his own hands. Meanwhile, wealthy authorities and rich proprietaries (Richard Griffiths,Ian McDiarmid,Michael Gough,Michael Gambon) from village reunite to planning and defending against the amazing beheaded creature.Finally, all it leads to an unexpected twist and breakthrough ending on what's happened before.

This is an agreeable and effective film, still has shock value from grisly killings .It's proceeded with a Burton style and containing colorful images and wonderful dreams with Burtonized narrative. The movie is plenty on suspense, thriller, grisly terror and sensationalistic set pieces horror when the decapitations take place. Wide use of gore and now famous decapitation , for those who like this kind of things. Casting frankly extraordinary with several famous actors and exceptional secondary cast and special cameos by Martin Landau and Christopher Lee .Glimmer cinematography by Emmanuel Lubezki and sensational musical score by Danny Elffman, both are Burton's usual. The film is lavishly produced by Francis Ford Coppola-Zeotrope studios- and Kevin Yagher-famous makeup expert- .The motion picture is marvellously directed with visual style and fair-play by the great Tim Burton. Rating : Magnificent flick and better than average.

The movie, Sleepy Hollow, embodies Tim Burton's unique take on one of the most well-known horror tales of all time, with a few new plot twists and greater character development, including a dark past for Ichabod Crane and a "story behind the story" of what's going on in the haunted town, which is beautifully rendered, dark and foggy for an eerie atmosphere.

The dream cast puts in great performances, but obviously it's Johnny Depp who steals the show with his intuitive and sometimes over-the-top portrayal of the anti-hero, Ichabod Crane, who displays admirable bravery while at the same time often succumbing to fear.

The lavish production, masterful acting, background music, beautiful periodic sets and costumes and the careful attention to detail, most notable in the special effects used to bring the headless horseman "to life", if you will, all come together to tell the tale of Sleepy Hollow's plight and deliverance as it's never been told before. It's unlikely that this cinematic version will ever be surpassed. Superb!

I found this a little hard to pin down but if there is a problem with Sleepy Hollow then it probably lies with Johnny Depp and the depiction of supernatural fantasy here without ever making it convincing. Depp is all over the place in this one, adopting a comic tone in a movie that really shouldn't have one, and coming across like a poor man's Bob Hope than anything else. His frequent fainting is ridiculous.

To make the supernatural convincing in movies you need to build up to it and handle it carefully; but Tim Burton just throws it at the viewer, making it far less believable (and effective) than it could have been.

The main compensations in the film are how jaw-droppingly Gothic-gorgeous it looks (almost taken for granted when Tim Burton's the director), and the chance to see some great old actors do their stuff. Christopher Lee, Michael Gambon, Michael Gough (yayy the star of Konga is back!) etc give it an air of class, and Christopher Walken is genuinely creepy as the horseman.

Burton's main weakness is that he struggles to tell his story as well as he might - probably only in Edward Scissorhands and Ed Wood (maybe he should film MR. ED next!) does he keep the narrative on an even keel. And yet his love of horror films is so genuine it comes through in every frame. The windmill used at the film's climax is surely an homage to both Frankenstein and The Brides of Dracula. If only Depp had played it straight the movie might have worked much better.

Any reservations that I had about the film being be a turkey, were almost immediately quelled upon seeing the movie. From the offset Mr. Depp throws himself into the role of Icabod Crane with enthusiasm and gusto; portraying excellently a man of "science" suddenly out of his depth in legend. Christina Ricci also plays the role of Katrina van Tassel superbly; a sure sign of good things to come from this talented young actress.

I would be reluctant to call this film an outright horror film - the special effects are used primarily to enhance the plot and visual appearence, and the gore level is low. The visual detail is a masterpiece - the sets are fantastic and lighting brilliant. Tim Burton has superbly used music and suspense to build the thrill in the film. However, the comical interjections provide the required break-up of the suspense.

All in all a very well put together film, with solidly good acting, and most of all a superb plot. Well worth seeing!

First of all, the so-so parts: While Christina Ricci's cool portrayal of Katrina gives the character an appropriately otherworldly aura, she really could have used more fire at emotional moments. Some scenes are unduly rushed, including a few with crucial exposition, making the plot hard to follow at some points. Finally, Danny Elfman's music is too intrusive at times, distancing viewers when they should be drawn in.

That's ALL that's wrong with this picture; everything else is perfect or nearly so. Tim Burton's films are always visually rewarding, and this one has terrifically moody atmosphere. Having lived in hilly, wooded areas close to rivers and creeks, I can testify that there are indeed places that look and feel a lot like the Sleepy Hollow of this movie. Many scenes have so little color that they might almost as well be in black-and-white; this makes the few splashes of color (flames, witchcraft symbols, and of course blood) much more striking. One understands how the movie got an Oscar for art direction.

The plot, which as you probably know varies drastically from Washington Irving's original story, is diabolically complex and closer to a mystery/thriller than horror as such. It reminded me of the fiction of Avram Davidson, a noted fantasist with a penchant for complex mystery plots.

Anyway, back to the movie. Except for the rushed scenes alluded to above, Burton handles the plot (perhaps the most complex in any of his movies) with exceptional grace, dropping in telling visual details along the way that come back in unexpected places later on. I especially liked the underlying theme about science vs. superstition, and note that while many details of this particular case lie beyond the realm of science, it is still science and reason that crack the case open in the end. The bits of ca. 1800 cutting-edge (so to speak) technology were fascinating as well; my favorites were the magic lantern that threw lighted shapes on the walls, and the thaumatrope toy which combined pictures of a bird and a cage. (It's probably not a coincidence that both of these are ancestors to the motion picture.)

Finally, I loved Johnny Depp's performance as Ichabod Crane. Even though the character's situation and background were quite different from Irving's version, Depp, Burton, and scriptwriters Kevin Yagher and Andrew Kevin Walker remain true to the spirit of the original Ichabod Crane. He could almost be a Buster Keaton-type character, an awkward wimp who accomplishes great feats of derring-do by the end of the movie, and for me Depp's portrayal recalls "Sherlock, Jr.", in which Keaton dreams that he is the world's greatest detective. Even though Irving wrote no sequels to "Sleepy Hollow", I'd love to see more of this film version of Ichabod Crane; while the movie looks great and has a terrific script, it's Depp and Crane who put it over the top.

Tim Burton has done it again. It seems he can't really go wrong; especially when he's paired with Johnny Depp. Sleepy Hollow is the most visually stunning movie I have seen this year. The production is gorgeous in every way; the cinematography is hauntingly beautiful, the set design is incredible and the way Burton uses the color red to accentuate the lack of color and dreariness otherwise experienced in Sleepy Hollow is a visual treat. This movie is just absolutely beautiful to watch. The performances are flawless, I have to commend Burton for using such a great array of underappreciated character actors, such as Jeffrey Jones and Michael Gough.. and even poor little Casper Van Dien; the man just can't seem to get any respect (and he doesn't here either). Ricci is wonderful in a role totally against type, and Depp is refreshing as ever. Christopher Walken is just the coolest guy ever, and as the Headless Horseman he's even scarier than normal. The best thing, though, is Danny Elfman's music. Why on earth doesn't the man have an Oscar yet? What is going on?? He should at least get a nomination for this one.

These days, there aren't a lot of directors working in Hollywood that have a style all their own. Tim Burton is definitely one of them. His brand of quirky, often gothic-inspired filmmaking is ideally suited for a property like "Sleepy Hollow" with its legendary headless horseman.

Based on Washington Irving's classic short story "The Legend of Sleepy Hollow", this movie adaptation definitely falls into the category of 'loosely based on'. The iconic Ichabod Crane is here in the form of Johnny Depp but instead of a schoolmaster he's a police constable dispatched from the big city in order to investigate a series of decapitations. I think this was a step in the right direction in refashioning the story for a modern audience. Depp's Crane is still a less than heroic character but his futuristic (at the time) methods of detection make him a more palatable protagonist. However, I think that the script goes too far with the mystery angle by presenting us with an altogether too convoluted plot.

Luckily, a fine cast was put in place to prevent the movie from completely losing its audience. As always, Tim Burton brings out the best in Johnny Depp and here he has no problem carrying the movie. Christina Ricci, on the other hand, seems miscast and fails to leave much of an impression. Instead, it's the fine supporting cast that stands out with the likes of Michael Gambon, Richard Griffiths, Jeffrey Jones & Michael Gough all contributing greatly to the film's atmosphere.

Speaking of atmosphere, this movie is shrouded in a rich gothic atmosphere from beginning to end. The Oscar-winning art direction is exquisite, as are the Oscar-nominated costumes & cinematography. Add in a score by Danny Elfman and you've got a movie that unmistakably bears the imprint of Tim Burton. The only complaint I have is that some of the special effects are a bit cheesy, which may have been intentional.

"Sleepy Hollow" is a movie that does a lot of things right but its effectiveness is crippled by a meandering story that fails to keep you on the edge of your seat. As a horror movie it's fairly tame (despite all of the decapitations) and as a mystery it's not really that satisfying. It's definitely worth watching for fans of Tim Burton but it fails to wring all that it could have out of Washington Irving's template.

If you enjoy Tim Burton movies, you will certainly enjoy this one. Although not particularly true to the original story, or even the Disney version, the movie does contain all the elements that make Sleepy Hollow a classic scare story. Also throughout the movie are little touches that just scream Tim Burton. Edward Scissorhands, Batman, Nightmare Before Christmas, and Beetlejuice all receive a nod in this movie (whether intentional or not I don't know).

Sleepy Hollow does deserve the rating it has been given due to a few instances of gore. It certainly isn't the Disney story we all remember from childhood. Although, there are just as many laughs as there are squirms. A definite must see if you enjoy black comedy with a dash of real horror thrown in.

Having seen Beetlejuice and Edward Scissorhands, as well as knowing about other Tim Burton films (Nightmare Before Christmas, Pee-Wee's Big Adventure, Mars Attacks, etc.), you'd think going into a film such as this that not much could really put you off. Wrong. Despite how I rate it, this film is entirely watchable...maybe even two or three times compared to some other films out there. But, to me, it falls short on several fronts.

First, I'm a big-time reader and I thoroughly enjoyed Washington Irving's short story, "The Legend of Sleepy Hollow." So I was disappointed in that this film made more or less no attempt whatsoever to follow that story. In Irving's story, Ichabod Crane moves to the area and is a school teacher. In this movie, he is a constable sent from New York to investigate three murders by decapitation.

Second, part of the allure of the short story is Crane's infatuation with Katrina Van Tassel and the friction this causes between him and Katrina's would-be lover "Brom Bones" (Abraham van Brunt). The story alludes to the fact that perhaps the headless horseman is indeed Brom Bones scaring Crane (the Disney cartoon actually hints at this as well); the movie allows no such character interplay.

Third, the whole point of this movie seems to be the mindless decapitation of people. And there is a lot of it. A LOT. Men, women, and one child (though the child's decapitation takes place, thankfully, off-screen). And it is gory. Not a whole lot of blood, but plenty of flesh. If you're squeamish at all, that's a good enough reason to avoid this film.

Fourth, the evil character's recitation of motivation (a staple among Saturday morning cartoons from 20 years ago, but grossly out of place in a 21st Century movie) at the film's end is drivel. It could have been shortened, "figured out," and almost entirely left out -- although it did allow for one more beheading on camera. Whopee.

Fifth, the script (and acting) is pretty poor. Now, I like Johnny Depp (Edward Scissorhands, Pirates of the Caribbean, etc.) and I think the guy is great at playing unusual characters, but his performance here reminds me of an Al Gore speech. Because he's done so much so well, I'll give him the benefit of the doubt and just blame the script. In fact, you can pretty much blame the script for the whole movie.

Not all is bad in this film. The swordplay by the horseman is excellent. The special effects are pretty well done (some are meant to make you laugh, but just come across as cheesy). And there is the neat bow-tie at the end as the villain gets it and the good guy goes home happy. Again, it's entirely watchable, just not that good.

Drawing from his Gothic roots (Edward Scissorhands, Nightmare Before Christmas) Burton has created a truly chilling horrific fantasy that keeps you guessing at every turn. The use of special effects is seemless and yet again, as in his other films, Burton excels at creating a whole look and feeling for the piece. He has managed to re-work the classic horror genre staying true to his own highly personal style and catering to post- Wes Craven cinema audiences' cynicism without taking itself too seriously a la Blair Witch. It is so refreshing to see the work of an art-house genius who hasn't let a big hollywood budget get to his head. Johnny Depp and Christina Ricci give charming performances as ever, as do rest of the assembled anglo-Brit. star-studded cast. They all look like they had a ball, as will you!

Pretty good if you expect to see a rather thrilling fairy-tale for kids. Really awful if you expect to see a good thriller for grown-ups. Acting is rather poor, and Johnny Depp is at his worst performance I've ever seen. They could have got anybody for his role!

Tim Burton has again proved his worth with a masterpiece of gothic horror. The whole way the film is made is excellent, from the way the special effects are used to enhance the story, rather than sell the movie, to the superb acting of the entire cast. I must confess I was a little reluctant at first to see Johnny Depp in the lead role, but from the outset my mind was changed as he threw himself enthusiastically into the part with exactly the right mix of assumed self confidence tempered by a realistic portrayal of a man hopelessly out of his depth in the situation in which he finds himself.

The story, the sets, the special effects and most of all the cast and director make this a film well worth seeing, definately the best thing out of Hollywood in a very long time. Other directors take note..it's not how big the budget, it's what you do with it. A turkey stuffed with gold is still a turkey, but this film is pure gold, without a hint of poultry.

Why are you still here? Go and see this film immediately.

Another somewhat dark and fairytale like type of film from Tim Burton, but it's also a fairly fun film. It's a pretty strong outing from both Burton and Johnny Depp. Christina Ricci is also interesting in a number of films, and well, Christopher Walken is acting royalty, is he not? Not that he really gets to show that acting off much here, but anyway, legends are legends nonetheless. Here, two legends, the Headless and the Walken unite. This isn't my favorite Tim Burton feature film, but it's among my favorites of his overall. As Burton films basically always do, his creative visuals here fit the film extremely well. 7.5/10

Some days, I may even feel that this film is more like an 8/10.

Tim Burton has to be one of the best filmmakers in recent memory. He set the standard for the first 2 Batman films, he astounded us with his visual creativity with Edward Scissorhands, and he made everything that appeared in A nightmare before Christmas seem believable. Now he has brought us Sleepy Hollow which has to be one of the best films he has directed thus far. his vision for this film made it a truly great one.

Here's the basic plots. In the small town of Sleepy Hollow murders are being committed where the killer is claiming the heads of it's victims. Constable Ichabod Crane is sent there to investigate and he believes the killer is of flesh and blood but the towns people know of the true horror in sleepy hollow and it's in the form of a headless horsemen. Soon crane discovers that all the victims are connected and that there is a conspiracy at hand.

The acting in this film is great. Johnnt Depp is the most versatile actor of our generation. Crane is by far one of the best characters he has ever played. Chrstinna Ricci is good also but i do agree with the other comments that she needed just a bit more energy but she was good nonetheless.

I truly recommend this film, but beware you might lose your head. j/k.

This makes a good commercial film.

And the acting of Johny Depp and Christina Ricci were good. The music works well with the scenes and the content of the movie. That's it. to me, Christina seems a little bit younger than Johny, hence the not very perfect couple!

I couldn't think of any good words to say about this movie. Nothing special. Sleepy Hollow is the kind of movie that helps neither sink nor raise the career of the actors.

at some point, i think that the clothes of the character kind of inappropriate, especially the mom of Johny's character.

7 out of 10. couldn't be more

I was first introduced to "The Legend of Sleepy Hollow" by Washington Irving at a very early age, when I started hearing an audio book version of it. Not long after that, I saw the short animated Disney adaptation of the story. I remember both hearing the audio book and watching the Disney cartoon several times as a kid, it must have been in the early 90's, so I had been familiar with the story for years by the time this adaptation from Tim Burton was released in 1999. However, for some reason, it took me ten years to get around to watching the whole film (I saw just a bit of it years ago), even though I've seen every other Tim Burton film with Johnny Depp. I was expecting "Sleepy Hollow" to be a good movie, and my expectations may have been slightly surpassed!

In 1799, there has recently been more than one mysterious murder in the American town of Sleepy Hollow, and the bodies of the victims have all been found with their heads missing! A police constable named Ichabod Crane is sent from New York City to investigate, and soon after arriving in Sleepy Hollow, he is told of the Headless Horseman, the ghost of a Hessian mercenary sent during the American Revolutionary War who was caught and beheaded with his own sword! It is believed that he is the one responsible for these murders, but Ichabod doesn't believe this, and begins his investigation believing the murderer is a "man of flesh and blood." The constable is boarded in the home of the wealthy Van Tassels, and quickly falls in love with the family's daughter, Katrina. As he continues to investigate, he eventually sees the Headless Horseman himself, and learns that the story is true!

One of the things that make this film great is Burton's dark visual style, added to the scenery, full of leafless trees. These visuals are amazing and really fit the haunting atmosphere of this horror movie! The acting here also helps the quality of the film, as Depp puts on a noteworthy performance in the lead role of Ichabod Crane, and the performances from a number of supporting cast members stand out as well, including Christopher Lee as the Burgomaster, who sends Ichabod to Sleepy Hollow, and Christopher Walken as the Headless Horseman. For the vast majority of the film, there's a lot of tension, which makes most of it consistently entertaining and really keeps the adrenaline pumping! The haunting musical score adds to this. The first romance scene with Ichabod and Katrina is probably the weakest part, but after that, the scenes involving the relationship between those two characters aren't so bad, and don't hurt the film.

I know this has obviously been said many times in the past ten years, but Tim Burton's "Sleepy Hollow" does take liberties with the story. Long before sitting down to watch the whole movie, I knew they changed Ichabod's profession from schoolmaster to police constable, and now that I've watched it, I realize there are more differences than that, from what I remember about the story (which certainly isn't everything). However, I'm not complaining. Since the movie is so entertaining, I really don't think it matters how much it follows the source material! Now, unlike some versions of "The Legend of Sleepy Hollow", this one is not for kids, which I'm sure one would assume with the R rating. But for adult viewers who like horror movies and admire creative filmmakers like Burton, watching this 1999 box office hit could easily be a hauntingly entertaining experience, and not likely a film one could easily forget!

which was to make a homage to the old British Hammer films of the 60s. The film could have been following a checklist:

Does it have dark, gothic set design? Check

Does it share a title with a work of classic literature? Check

Does it bear absolutely no resemblence to said classic? Check

Is it instead a needlessly complicated whodunnit with an anticlimatic resolution? Check

As far as costume design, does it think mainly of tight corsets straining to contain amply endowed women? Check

Does it contain overwrought and melodramatic dialogue straight from a penny dreadful novel? Check

Does it conain oodles of blood? Check

And Christopher Lee? Check

With "Sleepy Hollow" Tim Burton forgets the cardinal rule of homage; refer but do not recreate. The film's main fault is that it is not so much a homage to Hammer horror as a carbon copy. Fidelity is not always a virtue, for while the film manages to capture all that was good about Hammer horror, it also manages to capture all that was bad.

I have to say that "Sleepy Hollow" had one advantage over its source, there were moments in this film that were genuinely scary and suspensful, and I can't remember being scared once while watching any Hammer film. However, Hammer's failings ultimately undermine it. Most of the cast deliberately camped up their roles, and so did disservice to themselves (Miranda Richardson, Michael Gambon, Christina Ricci, and Johnny Depp are all excellent actors and it is a bit depressing to see them as they are here) but Christopher Lee, who only appears briefly, reminds the world why he is and always has been the greatest conveyor of primal menace in the history of film; a fact Burton makes all the clearer by pairing him with his lesser modern counterpart, Christopher Walken. I find it interesting that Lee's career shot into the sky after this film was released.

Given its aims, "Sleepy Hollow" could be called a success. But since it was aiming so low I can really only call it a failure.

Director Tim Burton's elaborate take on Washington Irving's tale of Ichabod Crane and the Headless Horseman doesn't have much in common with Irving but excels as a Gothic exercise in atmosphere and dark humor.

This rich visual feast demands a viewer's attention with its stunning photography and art direction, with countless memorably framed shots of 18th Century New York, with its foggy woods and small town cobblestone streets. Lurking about, too, of course, is the legendary Headless Horseman who seems to be collecting an increasingly large number of heads of his hapless victims.

This brings about the arrival of Crane, transformed by Burton from Disney's spindly school teacher of animation fame into an analytical would be Sherlock Holmes type detective. Only this detective is decidedly squeamish about blood (not to mention spiders) and, on at least one bloody occasion, will pass out. The role is an ideal showcase for Johnny Depp, whose Crane is both darkly handsome and a bit prissy. Depp is truly endearing in his part, an engagingly idiosyncratic individual who will eventually turn reluctant hero.

None of the rest of the cast, while capable, make much of an impression next to Depp. A few old timers occupy that cast, however, including Christopher Lee, Michael Gough and Martin Landau. However, Christopher Walken also appears, chillingly, in a significant role.

It's a shame, of course, that Burton's skills with narrative story telling are not nearly as effective as his flair for visual dramatics (as unquestionably impressive as the latter are here) and, as far as the story itself is concerned, the film is confused and falls a bit flat. Nor are the horror elements of the story all that horrifying, though this is a film in which the decapitations by the Horseman will keep the heads a rolling. Burton largely treats these moments of bloodshed and "terror" as darkly humorous more than anything else.

More than any of the special effects involving the Headless Horseman, what stays with me are Depp's performance and, particularly, the Gothic elegance of this production. That alone makes Sleepy Hollow well with the investment of a viewer's time.

One day, a board of movie studio executives were gathered around a big, big table. One of them burst out: "Guess what! I just signed a deal to make the Sleepy Hollow story into a movie!"

• "Get out!", said the others, "that cool story with the headless knight?"

• "The very same", the first one said, "and guess who will be writing the screenplay? Andrew Kevin Walker!"

• "No way!", the others shouted, "the guy who wrote Se7en and 8MM? That guy is a true master of the dark and the suspenseful! He'll make that story into the true underbelly of sleaze and grit it deserves! WOW!"

• "Wait a second", said one of the others, even though he was as excited as the rest, "won't the story lose the essential storybook feel if a realist like Walker is writing the screenplay?"

• "Never fear!", proclaimed the first, "because to direct this movie, I have none other than... Tim Burton! Complete with Johnny Depp and Danny Elfman, as always!"

• "Fantastic!", screamed one of the others, knocking his chair over backwards in excitement, "That's simply perfect! Burton's off-beat style will complement the story and Walker's gritty take on the story and make this the movie of the year!"

• "The decade!", screamed another.

• "The century!", shrieked a third.

• "Marvellous!", they cried. "Splendid! Wonderful! How did you do it?"

But one of the others, a reedy little man with spectacles, said: "I don't think it will be that good after all."

• "Not that good?", exclaimed the others, furiously, "weren't you listening? Burton! Walker! Depp!"

• "Furthermore", the reedy man carried on, "I think the end result will be disappointingly tame. There will be no sparkle, the actors will look like they don't really care about anything, and the whole thing will feel like a made-for-TV movie with a special effects budget."

• "Ridiculous!", hissed one.

• "Preposterous!!", seethed another.

But the reedy man was absolutely right.

Johnny Depp as Ichabod Crane was a good choice, and he was able to play a character who is odd and quirky, yet not stupid or insane. It's a much more subtle version of some of the Johnny Depp characters we've seen in the past decade. Most of the supporting cast was pretty good too, especially Christopher Walken as the Head-having Horseman and Gorgeous Christina Ricci is his beau. The look and feel of the film was one of the highlights, as Burton was able to make everything look authentic, yet give the feeling of unease. Lots of scenes, if not all of them, were filmed with blue-tinted filters that gave everything a cold and detached look.

Gothic fantasy movies just don't come more lush than Tim Burton's efforts, and in this thinly disguised slasher film, based on the novel by Washington Irving, a legendary headless horseman lops off the noggins of the inhabitants of the small north eastern town of Sleepy Hollow in 1799. Everything you'd expect from a gored-up Tim Burton flick.