Directed by
| Sara Sugarman | ||
Writing Credits (in alphabetical order)
| Sasha Hails | ... | (writer) |
| Kathy Lette | ... | (novel) |
| Sara Sugarman | ... | (writer) |
Cast (in credits order)
Produced by
| Christopher Ball | ... | executive producer |
| Jane Barclay | ... | executive producer |
| Liz Bunton | ... | co-producer |
| Sara Giles | ... | associate producer |
| Sharon Harel | ... | executive producer |
| Frank Mannion | ... | producer |
| Tom Pridmore | ... | associate producer |
| Aaron Simpson | ... | producer |
| William Tyrer | ... | executive producer |
Music by
| Mark Thomas | ||
Cinematography by
| Pierre Aïm | ||
Editing by
| John Jympson | ||
Casting By
| Danielle Roffe | ||
Production Design by
| Joseph C. Nemec III | ||
Art Direction by
| David Lee | ||
Set Decoration by
| Jille Azis | ||
Costume Design by
| Trisha Biggar | ||
Makeup Department
| Francesca Crowder | ... | chief hair stylist |
| Amanda Knight | ... | chief makeup artist |
| Chris Lyons | ... | special effects teeth |
| Nicola Matthews | ... | assistant hair stylist / makeup assistant |
Second Unit Director or Assistant Director
| Giles Butler | ... | assistant director |
| Jules Powell | ... | assistant director |
| Francesco Reidy | ... | first assistant director |
Art Department
| Barry Abbot | ... | carpenter |
| Dave Ball | ... | carpenter |
| Geoff Carveth | ... | construction manager |
| Julian Checkley | ... | painter |
| Bruce Cheesman | ... | stand-by propman |
| Pascal Contos | ... | stand-by propman |
| Flora Daneman | ... | storyboard artist |
| Katy Harvey | ... | art department trainee (as Katy Pain) |
| Terry Howard | ... | dressing propman |
| Robert Irvine | ... | stand-by painter |
| Kirstie King | ... | art department coordinator (as Kirstie Stephenson) |
| Nick Milner | ... | dressing propman |
| Joe Monks | ... | stand-by painter |
| Brian Morris | ... | painter |
| Graham Thomas | ... | carpenter |
| Steve West | ... | property master |
Sound Department
| Brigitte Arnold | ... | dialogue editor |
| Colin Chapman | ... | supervising sound editor |
| Pauline Griffiths | ... | foley walker |
| Peter Holt | ... | foley editor |
| Jenny Lee Wright | ... | foley walker (as Jenny Lee-Wright) |
| Jamie McPhee | ... | adr editor |
| Clive Osborne | ... | boom operator |
| Alan Snelling | ... | adr mixer / re-recording mixer |
| Ken Somerville | ... | foley mixer |
| Ian Voigt | ... | sound |
| Nick Watson | ... | sound consultant: Dolby |
| Mark Kenna | ... | consultant: Dolby film sound (uncredited) |
Visual Effects by
| Andrew Eio | ... | CG supervisor: Bionics |
| Ole Dieter Sturm | ... | computer graphic artist: Bionics |
Stunts
| Marc Boyle | ... | stunt coordinator |
| Ray De-Haan | ... | stunt double (as Ray de Haan) |
| Tony Lucken | ... | stunt double |
| Paul Weston | ... | stunt coordinator |
Camera and Electrical Department
| Joss Barratt | ... | still photographer |
| Jim Busby | ... | stand-by rigger |
| Georges Diane | ... | camera operator |
| Darren Harvey | ... | electrician |
| Dai Hopkins | ... | grip |
| Mark Hutchings | ... | best boy |
| Clive Mackey | ... | focus puller |
| Peter Mountain | ... | special still photographer |
| James Offord | ... | clapper loader |
| Gary Parnham | ... | rigging electrician |
| Ben Perry | ... | assistant camera: "a" camera / clapper loader |
| Mark Taylor | ... | gaffer |
Costume and Wardrobe Department
| Ann Maskrey | ... | wardrobe supervisor |
| Michael Mooney | ... | wardrobe assistant |
| Marnie Ormiston | ... | wardrobe assistant |
Editorial Department
| Greg Fisher | ... | colorist |
| Brian Mann | ... | first assistant editor |
| Steve Spencer | ... | second assistant editor |
| Nick Stainer | ... | color grader |
Location Management
| Giles Edleston | ... | assistant location manager |
| Pat Karam | ... | location manager |
| Tracey Tucker | ... | assistant location manager |
Music Department
| Tim Binns | ... | music supervisor |
| Craig Dormer | ... | music editor |
| Craig Dormer | ... | music editor |
| Paul Golding | ... | music scoring engineer |
| Rupert Lord | ... | music supervisor |
| Tom Parkinson | ... | music supervisor |
Script and Continuity Department
| Marissa Cowell | ... | script supervisor |
Additional Crew
| Sandra Butterworth | ... | dialogue coach |
| Debra Coleman | ... | video-to-film transfer: opening titles (as Debra Smith) |
| Wendy Ellerker | ... | production accountant |
| Lynne Hazelden | ... | set runner / utility stand-in |
| Nick Hopkins | ... | set runner |
| Stephen Kear | ... | orchesta contractor |
| Fry Martin | ... | assistant accountant |
| Ruta Ozols | ... | production coordinator |
| Roger Phillips | ... | title designer |
| John Sargent | ... | post-production accountant |
| Aimee Weston | ... | production office runner |
| Andrew White | ... | title designer |
