IMDb RATING
5.5/10
174
YOUR RATING
During WW2, it's not wise to be a mayor chosen by the fascists with the Americans' impending arrival.During WW2, it's not wise to be a mayor chosen by the fascists with the Americans' impending arrival.During WW2, it's not wise to be a mayor chosen by the fascists with the Americans' impending arrival.
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Gérard Herter
- L'ufficiale tedesco
- (as Gerhard Herter)
Piero Vivaldi
- Vernazza
- (as Pietro Vivaldi)
Antonio Acqua
- Un paesano
- (uncredited)
Silla Bettini
- Il soldato fascista
- (uncredited)
Gustavo De Nardo
- Il consigliere comunale
- (uncredited)
Mimmo Poli
- L'autista dei fascisti
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFinal film of Amelia Perrella.
- ConnectionsReferenced in Marc et Sophie: En avant la musique (1989)
Featured review
The movie offers a captivating portrayal of Italy during World War II, presented through a comedic lens that reflects the early 1960s' introspection and reconstruction. While it may have been created to capitalize on the success of the "Don Camillo" series, featuring the beloved pairing of Fernandel and Gino Cervi, the film emerges as a distinctive piece of cinema with its own charm and perspective.
Set in a small Italian town nearing American liberation, the film follows a cowardly fascist mayor (Cervi), who tries to avoid responsibility by persuading his innkeeper friend (Fernandel) to take over his duties. This setup leads to a series of comedic mishaps, as characters, preoccupied with self-preservation, navigate their chaotic situation. The film cleverly depicts a microcosm of opportunism, with characters more concerned with saving their own skins than with heroic acts.
"Il cambio della guardia" excels in its exploration of wartime opportunism and cowardice, presenting a nuanced view of life under fascism through humor and satire. The film subtly addresses the moral complexities faced by individuals living under fascist rule, without overtly condemning the period's actions. The comedic tone is evident throughout, with humorous schemes such as repurposing German helmets and playing American tunes to welcome the liberators.
Visually, the film captures the era with a distinctive realism. Its cinematography uses light and shadow to evoke the tension and uncertainty of the wartime period, although occasional inconsistencies in lighting and camera work can disrupt immersion. The production design is notable for its attention to period detail, effectively recreating the 1940s atmosphere, despite minor anachronisms that may momentarily pull viewers out of the historical context.
The chemistry between Fernandel and Cervi, already established in previous films, adds a layer of familiarity and charm to the movie. This dynamic, while successful, does not elevate the film to critical heights but provides an engaging and entertaining experience. The film's light-hearted approach contrasts with the more serious aspects of wartime Italy, offering a snapshot of a town's humorous attempts to adapt to changing circumstances.
Additionally, "Il cambio della guardia" marks a notable moment for Jimmy il Fenomeno, who, in a departure from his usual minor roles, plays the town's all-around worker, adding local color and further enhancing the film's charm.
The movie is a modest yet enjoyable film that leverages familiar actors and a comedic perspective to explore wartime Italy. While it may not offer deep critical commentary, its strong performances, realistic visuals, and playful approach provide a meaningful and entertaining look at a nation navigating its recent past with humor and ingenuity.
Set in a small Italian town nearing American liberation, the film follows a cowardly fascist mayor (Cervi), who tries to avoid responsibility by persuading his innkeeper friend (Fernandel) to take over his duties. This setup leads to a series of comedic mishaps, as characters, preoccupied with self-preservation, navigate their chaotic situation. The film cleverly depicts a microcosm of opportunism, with characters more concerned with saving their own skins than with heroic acts.
"Il cambio della guardia" excels in its exploration of wartime opportunism and cowardice, presenting a nuanced view of life under fascism through humor and satire. The film subtly addresses the moral complexities faced by individuals living under fascist rule, without overtly condemning the period's actions. The comedic tone is evident throughout, with humorous schemes such as repurposing German helmets and playing American tunes to welcome the liberators.
Visually, the film captures the era with a distinctive realism. Its cinematography uses light and shadow to evoke the tension and uncertainty of the wartime period, although occasional inconsistencies in lighting and camera work can disrupt immersion. The production design is notable for its attention to period detail, effectively recreating the 1940s atmosphere, despite minor anachronisms that may momentarily pull viewers out of the historical context.
The chemistry between Fernandel and Cervi, already established in previous films, adds a layer of familiarity and charm to the movie. This dynamic, while successful, does not elevate the film to critical heights but provides an engaging and entertaining experience. The film's light-hearted approach contrasts with the more serious aspects of wartime Italy, offering a snapshot of a town's humorous attempts to adapt to changing circumstances.
Additionally, "Il cambio della guardia" marks a notable moment for Jimmy il Fenomeno, who, in a departure from his usual minor roles, plays the town's all-around worker, adding local color and further enhancing the film's charm.
The movie is a modest yet enjoyable film that leverages familiar actors and a comedic perspective to explore wartime Italy. While it may not offer deep critical commentary, its strong performances, realistic visuals, and playful approach provide a meaningful and entertaining look at a nation navigating its recent past with humor and ingenuity.
- GianfrancoSpada
- Aug 7, 2024
- Permalink
Details
- Release date
- Countries of origin
- Language
- Also known as
- Cu muzica înainte!
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
- Sound mix
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Top Gap
By what name was The Changing of the Guard (1962) officially released in Canada in English?
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