A girl group find themselves in the middle of a conspiracy to deliver subliminal messages through popular music.A girl group find themselves in the middle of a conspiracy to deliver subliminal messages through popular music.A girl group find themselves in the middle of a conspiracy to deliver subliminal messages through popular music.
- Awards
- 5 nominations
Alexander Martin
- Les
- (as Alex Martin)
Storyline
Did you know
- TriviaDue to the level of profanity and adult themes, the family friendly Archie comics which published the original Josie and the Pussycats stories, would denounce the film and discouraged people from seeing it. Strangely, many years later, the comics would not only be fine with, but also promote the television series Riverdale (2017) based on their Archie stories (and which features Josie, Melody, and Valerie as secondary characters). Which arguably had much darker adult themes in its storylines than this movie.
- GoofsIn the final concert when Alan M. shows up and Josie is talking to him, she steps away from the microphone but her voice is still amplified as if she was still talking into the microphone.
- Quotes
Alexander Cabot: You know what? I still don't understand why you're here.
Alexandra Cabot: I'm here because I was in the comic book.
Alexander Cabot: What?
Alexandra Cabot: Nothing.
- Crazy creditsThe original Josie and the Pussycats (1970) cartoon theme song plays during the end credits.
- Alternate versionsIn addition to the PG version being released, alongside the bonus features in said version is a "Behind The Scenes" that shows scenes not shown on the "Backstage Pass" featurette, along with more footage during the making of the film. This version is not included on the PG-13 version of the DVD.
- ConnectionsEdited from Sweet Dreams (1985)
- SoundtracksDujour Around The World
Written by Deborah Kaplan, Harry Elfont, Brianz, Anthony President
Produced by Presidential Campaign
Performed by Dujour
Featured review
First of all - this is not a meaningful movie. But it wasn't meant to be. I hate it when I hear critics slam a movie mainly because it doesn't fit into their favorite "Type" of movie. Some movies are made to sit through wincing - leaving you sore emotionally and some are light silly goofball creations that wont change the world, but sure are nice to just zone out with.
This movie will never turn Roger Ebert's crank...its silly and goofy and irrelevant....Its also over time revealing itself to have been at the time...subversive. This movie has a lot of little things about it that are becoming more relevant as the years wear on...
When this first came out I thought "An alright movie with catchy songs" This was before I myself got involved in the Music industry. After living through three bands and two contracts over ten years I would like to say this movie isn't as unrealistic as you may think. It is still a spoof, but close enough to reality to warrant another look. Originally waved away as being pure fluff I now find this movie creepily prophetic.
Since this movie was made we have witnessed the fall out of bands like Back street boys the breakdown of pop-stars like Brittany Spears and a slew of young actors & actresses separated from family & friends whose entire personalities have been written and designed by stylists and are seen battling like some weird "Fashionista" roman gladiators under the tutelage of sycophants and managers.
Media/pop culture, with its out of control emphasis on looks and weight over talent and personality, have resulted in actual government legislation regarding model weights and rampant anorexia amongst young starlets.
Musically there has been a huge increase in management interference (listen to Pink's first album regarding the pressures placed on a young singer to conform to a label's Vision) dictating how the artists shall look and act. If it hadn't been for the internet download revolution of Lime wire and such I think the Music industry would have happily continued to control what consumers were ALLOWED to buy and ALLOWED to see...
This movie was also made prior to the outing of "gay" boy band members Stephen Gately, Lance Bassit, Jordan Knight but the top selling song for the Boy Band "Du Jour" in this movie is the most homo-suggestive song I've ever heard. (Is it really called "In Through Your Back Door"?)
After all this fallout, the world of Josie & the Pussycats seems much less stupid to me.
Again...Not deep, but possibly prophetic...and fun to watch Just don't expect to feel moved. Its popcorn at its best - light and salty, not really a meal...its a snack and as that type of movie...shouldn't't be judged solely for its nutritional value... I'd rate it a 7
This movie will never turn Roger Ebert's crank...its silly and goofy and irrelevant....Its also over time revealing itself to have been at the time...subversive. This movie has a lot of little things about it that are becoming more relevant as the years wear on...
When this first came out I thought "An alright movie with catchy songs" This was before I myself got involved in the Music industry. After living through three bands and two contracts over ten years I would like to say this movie isn't as unrealistic as you may think. It is still a spoof, but close enough to reality to warrant another look. Originally waved away as being pure fluff I now find this movie creepily prophetic.
Since this movie was made we have witnessed the fall out of bands like Back street boys the breakdown of pop-stars like Brittany Spears and a slew of young actors & actresses separated from family & friends whose entire personalities have been written and designed by stylists and are seen battling like some weird "Fashionista" roman gladiators under the tutelage of sycophants and managers.
Media/pop culture, with its out of control emphasis on looks and weight over talent and personality, have resulted in actual government legislation regarding model weights and rampant anorexia amongst young starlets.
Musically there has been a huge increase in management interference (listen to Pink's first album regarding the pressures placed on a young singer to conform to a label's Vision) dictating how the artists shall look and act. If it hadn't been for the internet download revolution of Lime wire and such I think the Music industry would have happily continued to control what consumers were ALLOWED to buy and ALLOWED to see...
This movie was also made prior to the outing of "gay" boy band members Stephen Gately, Lance Bassit, Jordan Knight but the top selling song for the Boy Band "Du Jour" in this movie is the most homo-suggestive song I've ever heard. (Is it really called "In Through Your Back Door"?)
After all this fallout, the world of Josie & the Pussycats seems much less stupid to me.
Again...Not deep, but possibly prophetic...and fun to watch Just don't expect to feel moved. Its popcorn at its best - light and salty, not really a meal...its a snack and as that type of movie...shouldn't't be judged solely for its nutritional value... I'd rate it a 7
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Джозі та Кішечки
- Filming locations
- Virgin MegaStore, Vancouver, British Columbia, Canada(MegaStore scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $39,000,000 (estimated)
- Gross US & Canada
- $14,271,015
- Opening weekend US & Canada
- $4,562,455
- Apr 15, 2001
- Gross worldwide
- $14,866,444
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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