User reviews

Don't be confused by the subject matter of this comedy, this is a very touching movie.

A Shallow man (Jack Black) is obsessed with only dating beautiful women, until he is hypnotised in to only seeing the inner beauty of people he meets. He then meets Rosemarie (Gwyneth Paltrow) and falls in love

This was Jack Blacks first lead role. After roles in 'Cable Guy' and 'Enemy Of The State' and a very good supporting role in 'High Fidelity and he is perfectly cast as the title character. Until 'School Of Rock' two years later, this was his best performance. Oscar winner Gwyneth Paltrow seems to be having fun, and she looks great in a thong. However for me I would have preferred to see her in the fat suit more, to highlight what everyone else was seeing.... But I suppose you don't pay millions to have Gwyneth Paltrow in a movie, and have her hide in a fat suit for the majority of the movie.

Jason Alexender is very annoying (as Blacks bitter best friend, who is annoyed at losing his wing man on nights out) and distracting with his bizarre hairline.

It's silly if course (it's a Farrelly brothers movie) but it's also very very sweet!!

Paltrow's pretty good here, I enjoyed this movie a lot. Not great but certainly good, carries a nice message and it's a good premise.

However, a lot of people did get offended by this. The movie kind of does that to itself-though the theme here is "everybodys' beautiful" etc etc and meant to look at how much women are judged by their looks, the movie wasn't as bold as it could have been. If it REALLY wanted to take hold of this issue there would have been more of the "heavy paltrow" not just a few quick shots. Shows the thin paltrow a lot more and it shouldn't. Does anyone get the feeling the movie was almost afraid of it's own subject matter? That's what takes the "oomph" out of the movie and makes it a sweet little picture rather then an outstanding film. Still, it's OK-I know many people, both heavy and thin who saw this, most were not offended by the picture but had the movie aimed for serious movie making instead of predictable Hollywood fare(the former would have been more appropriate for the subject matter at hand) the movie would have been a lot better.

I had heard all of the critical talk about this film portraying women badly in this film months before it even came out. Generally being turned off to stereotypical plots I was very hesitant to see this movie. Of course all of my friends totally loved this movie. They thought it was sweet and charming and bashed the critics for thinking that it was demeaning to any one type of social group because they felt that since Hal chose to be with Rosemary at the end of the film that that meant that the movie itself was teaching everyone some great beautiful lesson about how you can see the beauty within. Well being a plus size girl myself (Im a size 16-and cute to boot hehe)I made myself watch this movie, and all I can say is that, I beg to differ.

To be fair I do think the Farrelly brothers were trying to send a positive message here. I don't think that their intent was to degrade anyone, but they ended up making the movie a hypocritical mess. Not only did they portray "Ugly" woman as fat with bad skin and big noses,they also portrayed "Beautiful" women as being mega-bitches with a whip. As if we women (and men) don't have enough to feel self conscious about.

I mean think about it. Jack Black, while being a very funny guy and good actor, just isn't "conventionally" Hollywood attractive. But he loved Rosemary. Which is great, however they would never think about putting let's say, Brad Pitt in as playing Hal and have him running off with an obese woman in the end. So therefore Obese women can only get someone like Jack Black to love them???

The other stereotype that irritated the crap out of me was that, not only was Rosemary obese, but she was also a glutton. As if ALL big women eat 5 course meals every time we sit at the table. Anyways, just a big peeve there.

The point is, that everyone knows that movies and Hollywood set this impossible standard on how women and men should look and everyone here admits it's wrong, yet people still feel they have to alter themselves to be something that they are not. I feel that this movie, while trying to mean well...exacerbates this concept and causes hurt feelings.

A valiant effort of the F-Bros part, but it just didn't cut the mustard with me. Sorry

even if it is a new take on an old idea - character sees someone's inner beauty and is shocked when the magical curtain is torn away.

Hal (Jack Black) is someone whose last words from his dying father were dad - under the influence of extreme pain killing drugs - telling him to go after pretty girls and forget about love. The message is almost pornographic. This confuses young Hal, who is all of age ten, since dad had always been an upright citizen and a preacher too. Hal blocks this shocking scene out of his conscious mind, but the message becomes the ruler of his subconscious. As a result, as an adult, he is constantly going to bars with his equally shallow pal (Jason Alexander as Mauricio) and trying to chat up and dance with girls way out of his league, and he's not even subtle about it.

Fate changes when Hal gets stuck in an elevator with Tony Robbins who puts him under a spell that will make him see only the inner beauty in people, not the external packaging. He winds up catching a glimpse of Rosemary Shanahan, who has a beautiful soul, but is also 300 pounds. At first she thinks he is just making fun of her, but when she finds out his interest is real they start seeing each other. The catch here? Her dad is Hal's boss, and he's been getting nowhere lately getting a promotion at work. One day when Hal and Rosemary come over to her house Hal ends up talking one on one with the boss, and ends up getting the promotion he's been wanting. Of course his coworkers see his progress, see him cozying up to Rosemary and think that he is lower than lice - using the girl to advance his career. As for Mauricio, he goes in search of Tony Robbins to try and undo whatever spell has been cast on his friend, because it is disrupting his social life and Hal's new aesthetics makes no sense to him.

When Hal is put back to "normal", everybody now looks how they did before. Their physical being is what he sees. This means that he is doing everything he can to not actually see Rosemary since he is in love with her and doesn't want to lose that feeling. From Rosemary's end it looks like Hal got his promotion and is done with her. This is the same opinion that his new boss - who for some reason doesn't fire him - and his coworkers have. How will all of this work out? Watch and find out.

There is plenty of low brow humor here, but it is seasoned with a bit of empathy...EXCEPT that the film still indicates that being overweight is just about the worst thing that could happen to someone AND that the reason for that is always out of control gluttony. In other words if you are not a size five it is your own fault. I've never been a fan of Jack Black but I think he did a good job here. As for Jason Alexander, as Mauricio he is still playing George Costanza from Seinfeld, but that is fine with me.

"Shallow Hal" was a film that was meant to be both thought-provoking and entertaining when it was originally released in 2001. The romantic comedy, which was directed by Peter and Bobby Farrelly and starred Gwyneth Paltrow and Jack Black, is said to have a deeper message about looking inside rather than outward. Furthermore, even though the film has good intentions and does a great job of spreading certain important lessons, its true morals will inevitably fall short at points.

A self-help guru makes Jack Black's character Hal see only people's inner beauty, and this is the central theme of the story. Hal is captivated by Gwyneth Paltrow's Rosemary, despite her striking physical dissimilarity from Hal's previous experiences. Despite Rosemary's actual physical appearance being far from the ideal standard of beauty, Hal views Rosemary as a stunningly lovely woman, thanks to his newfound perspective. Though it also has some dubious and problematic aspects, the movie presents an intriguing scenario in which inner beauty is contrasted with superficial values.

As a girl who has once experienced and struggled with issues of self-identity and bodily self-worth, I see that "Shallow Hal" gives an important message that we should see and appreciate the inner side of people rather than judging them by their outer appearance. This is a valuable lesson that is particularly relevant in today's society, where we are often fed unrealistic ideals of beauty. The film succeeds in many ways in highlighting the importance of re-evaluating our prejudices and appreciating people for who they really are.

But even with such noble intentions, the film's moral isn't always clear. A few of the scenarios and jokes use cheap humor that could come across as condescending to those who have various body types. Even though Hal's character has an epiphany when he discovers the value of inner beauty, there are moments in the movie when it seems as though the physical attributes of those who don't conform to the conventional beauty standard are mocked. This feature may easily create the idea that when outward beauty remains the standard, inner beauty is of less value.

It's also important to note that the film never fully tackles the emotions of inadequacy and self-criticism that frequently accompany not meeting conventional standards of beauty. People with diverse bodily types often experience issues and insecurities that cannot always be resolved by looking at their insides. While "Shallow Hal" is entertaining, it doesn't often offer a deep enough understanding of the more intricate emotional and psychological aspects of physical self-worth.

In summary, "Shallow Hal" is a film with heart and noble aspirations, although it occasionally tends to address complicated problems pertaining to body and beauty in a superficial manner. Even though the movie aims to help us see past people's outward appearances, it's critical that we acknowledge and address the underlying issues that result from being assessed solely on appearance. While the film's heart is in the right place, there is room for growth in terms of how it is executed to really comprehend and appreciate the diversity of body shapes and self-identity.

A frustrating film in a way. I was hugely disappointed in it for a long while, but as the film progressed I kept wondering if my disappointment was merely a product of my unfair expectations. That's probably the case. I expect a daring comedy from the Brothers Farrelly, but Shallow Hal is surprisingly low-key. It doesn't go for easy laughs, as it easily could have done. The plot concerns a looks-obsessed guy (Jack Black) who is hypnotized into seeing the inner beauty of others. He falls in love with a fat woman who appears to him as Gwyneth Paltrow. When the film came out, a lot of people complained that this was terrible; he only loves her because he is attracted to Gwyneth Paltrow, not the fat incarnation that appears in only a couple of shots in the first 90 minutes of the film. But these people didn't really stick around for the payoff in the third act. What's so surprising about this film is how emotionally involving it is. A lot of this is due to Gwyneth Paltrow, who actually gives one of her best performances. But fans of the Farrelly Brothers, as I am myself, will not be shocked to find that emotional center. It was there in both Kingpin and There's Something About Mary. It's just as fun when the Brothers are mean-spirited, however, as they were in Me, Myself, & Irene and, even better, the unfairly maligned Dumb and Dumber. The serious themes are really on full display here, though. The Brothers have a true and touching affection for physical outsiders. I still wish that they wouldn't have forsaken comedy so much, though. I suppose the only jokes would have been fat jokes, but maybe not. Jason Alexander provides almost all of the good laughs. We wonder why he and Jack Black are so mean about the looks of others when they aren't especially gorgeous themselves. Some people are still asking how such a man as Jason Alexander can be so shallow in this film, but they, as I've said before, didn't stick around until the end. This film may improve on repeat viewings, as it was bothering me for a long while. 7/10.

I could not stop watching this film because I was desperate to know exactly how the Farrelly brothers could possibly get themselves out of the huge pit they had dug for themselves. This film claims to be challenging what is considered beautiful in our society. In one section a character expresses the moral heart of the film by saying that "beauty is in the eye of the beholder" and by suggesting that we are hypnotised into believing what is and is not beautiful by the media etc. Fair enough! However, all representations of inner beauty are portrayed in clichéd and predictable stereotypes of female beauty in exactly the same way you would find in any Hollywood blockbuster. Thus, the film reinforces the same notions of beauty that it claims it is trying to undermine. Also, all fat people are not nice with a "good sense of humour", this is as HUGE stereotype. I am fat, unpleasant and not funny.

Hal Larsen (Jack Black) only ever dates beautiful trophy women on account of advice he received on his death bed from his father. However, a chance meeting with a self-help guru helps him to see inner beauty first and foremost. Soon after, he falls in love with his boss' severely overweight daughter, which as it raises eyebrows everywhere the couple go, Hal is oblivious as to what everyone else is on about.

Tender, sweet and subtle are not words one readily attributes to the Farrelly Brothers, but in Shallow Hal they have managed to blend all three with their penchant for close to the knuckle humour.

Gwyneth Paltrow in the dual role dons the fat-suit and once again showcases her unheralded comic timing, while Jack Black proves ebullient and engaging in a role that calls for him to shut out what he is actually meant to be seeing. In support Jason Alexander gets the weasel best friend comedy sidekick role, and is wonderfully abhorrent and good at keeping the cards close to his chest.

It's never uproariously funny, but it doesn't need to be, it tickles where it needs to, and it prods the emotional psyche with requisite impact. In a world that has become obsessed with the girth and weight of a person, especially with women - and as it happens is led by Hollywood, Shallow Hal is refreshing entertainment. 7/10

From the posters and trailers, you'd expect the Farrelly Brothers to be crude and offensive with this kind of material but it really isn't. It has a much deeper message than it appears. It knows when to be funny and knows when to be serious. Why so many people disliked it and why critics panned it is totally beyond me!

The movie is about a man named Hal, played by Jack Black, who judges women based on their looks. He keeps failing at it and his attractive neighbor, Jill, even turns him down after he begs her to go out with him. The next day at his job, he's bummed that he didn't get that big promotion and happens to bump into Tony Robbins in the elevator while leaving his work. They get stuck in the elevator and Hal explains him his love life. Robbins then puts a spell on him to see the inner beauty in women so that he can judge a woman based on her personality. Suddenly, things starts to change for Hal. His best friend Mauricio (played by Jason Alexander) notices Hal's fresh new standards with his taste in women and doesn't like it one bit. Hal then begins dating a woman who is overweight named Rosemary, played by Gwyneth Paltrow. He sees her as a beautiful, petite woman and they hit it off. Mauricio, who is much more picky with women and more shallow than Hal, can't believe it.

That's the plot for you and I won't spoil anything, but let's just say that the story is predictable and the characters are memorable. I can't give the cast enough credit for doing such a wonderful job and it's interesting to see Jack Black like you've never seen him before, departing from his usual slacker/stoner role that he's given. Shallow Hal is a movie with a lot of brains and heart to it, as well as a great date movie. There's more to this movie than it appears, so watch it before you say negative things about it and you may be surprised!

"Shallow Hal" is yet another fresh, creative, and controversial comedy from the Farrlley Brothers. With Black in the title role as a superficial dating single, the film shows us what happens when self-help guru Tony Robbins gives Hal a post-hypnotic suggestion which changes his perception such that everyone's outward appearance is in rapport with their inner beauty. An intelligent flick which illustrates the strange similarity between comedy and tragedy, "Shallow Hal" is a love it or hate it flick which has left many saying "I don't get it". The only way to find out if you'll get it is to watch it.

Truly disturbing treatment of an OK premise. While sanctimoniously trying to convince viewers that it's wrong to judge

people by outward appearances, it plays on every offensive

stereotype in every godawful movie in which obese people have

appeared. The movie also manages to poke mean-spirited fun at

the physically handicapped, balding, and other targets of

convenience, to no good end. The audience with which I watched

this movie barely laughed at all, and a number of people walked

out. Apparently, to the Farrelly brothers, all appearance-challenged

people are beautiful inside, and everyone good-looking is a

wretch. When are these guys going to figure out that EVERYBODY

is unique, and has something to offer? Forget shallow Hal-

should've called it Shallow Bobby and Peter Farrelly.

It's easy to laugh at this film, because the jokes are so broad, but it's equally easy to be offended. The issue I have with the movie is that, in the course of making the point that we should see the inner-beauty in fat people, the Farrellys are implying that by being overweight you are universally ugly. In fact, in the world of Shallow Hal, if you are fat, you are a well-meaning mammoth who couldn't possibly be fancied unless under hypnosis or after an epiphany.

The movie also seems to suggest that the friends of fat people are ugly, and that uglies keep each other's company because no one else will want to associate with them, which is another reinforcement of social divisions. All of Rosemary's (Paltrow) friends are, as we see at the end, equally fat or gross or otherwise physically undesirable. Most disturbingly, the Farrellys undermine the inner-beauty point they've spent $40 million trying to make through Hal, because Hal's friends betray the judgmental reality. When his buddies see Rosemary for what she is, i.e. grossly fat, they are universally horrified in a "what are you doing with her?" way, which carries a more powerful punch than any of the tepid attempts to suggest she's beautiful because of her personality (moulded, we are told, by years of personal abuse because of her size).

The overall message is correct - inner beauty is ultimately what counts, because a sparkling character will outlast youthful good looks by decades. But the Farrelly's have approached the subject in a way that actually insults, rather than genuinely educates. It's not going to uplift anyone who's overweight, it'll just depress them. The majority of the film perpetuates the idea that being fat or ugly makes you a pariah or the object of sympathy or vulgar fascination.

There are some sweet moments, and a few laughs, so the movie's not a wholly worthless experience. But in the process of making its (valid) point it reinforces, rather than rejects, stereotypes.

The concept of the movie sounds fun and interesting. Have you ever wanted to see the true beauty of each person?

It's a rather interesting question to say the least. The movie starts Jack Black (Kung fu Panda franchise, Jumanji 2) and Gwyneth Paltrow (Shakespeare in love). So the story starts with Hal (Black), who wants to date the prettiest woman on Earth. Recently, he started to date Jill (Susan Ward), but she didn't really like him that much, and she thinks that he only cares about women's appearance rather then personality. But on one average or not so average day he meets a life coach Tony Robbins who "opens" Hal's eyes and now he can see people's inner beauty. Later, Hal falls in love with a person named Rosemary (Paltrow) who seems to him to be the most beautiful girl ever. But she's actually, well, not a model and everyone, including Mauricio (Jason Alexander) are shocked about his decision.

I like the whole moral of the story is that the appearance is not the most important thing in the world, but rather the personality and intentions. Rosie is an extremely nice person, she works at the hospital and helps children with health issues not because of money or popularity, but because she actually wants to help everyone who needs care. Thanks to her, Hal's perspective of view changes on women and just people in general. He was a shallow guy, but thanks to Tony, he became more tolerant. Some people after this review will think that this is just a boring movie about how personality is more important then the looks. But I forgot to mention that it's also a comedy. Sure, it's not laugh out loud, but there are moments that will make you smile. But I must admit, I laughed so hard when both were on a pool party and Rosie jumped into it and the splash was so big, that a little boy somehow fell on a tree. Not saying that overweight people are bad, infact, the movie tells us the opposite, but this scene was hilarious.

Overall, it's a good movie that both men and women need to watch. Sure it's not the absolute best of it's theme (Beauty and the beast is), but a nice story that is both thoughtful and entertaining.

Jack Black and Gwyneth Paltrow have pleasant chemistry. I think this is one of Jack Black's best film roles (aside from King Kong and The School of Rock). His charisma and sense of humor are incredibly vibrant. This is the only film where I find Paltrow likable and she delivers a genuine, heartfelt performance as Rosemary. Rumors or not, the actress has said she hated filming this movie. Yet in retrospect, it's her most affable film performance and I daresay perhaps one of her best? Because other than say the film Emma and The Talented Mr. Ripley films, she is an acutely overrated actress.

If you're a fan of the Farrelly Brothers films or a Jack Black fan, Shallow Hal is worth a watch or repeat viewings.

Quite a non-interesting comedy. Beyond the gag of having the slim Paltrow play an overweight, there is not too much fun in this film.

The saying 'see the interior beauty' is translated ad-literam when a bachelor confesses his problems to a TV host and wizard (?). From this moment he does not see any longer the real physical appearance of the opposite sex persons, but rather their true soul. Is the world better? Apparently yes, for him, but not for the viewer. The story is not convincing, and the film fails where any romantic comedy should succeed - making us identify with the characters, and see the darlings the way they see it. This simply does not happen, and even the excellent Paltrow marks a low in her acting career.

A film to forget. Avoid it! 6/10, and I feel I was generous.

First things first: remember that this movie has quite the big holes internally. The logic it sets out, the world it builds ... a house of cards seems like a concrete and solid strucure if you'd compare them. That is especially true when you think about the perception thing. A very funny (if you are not easily offended) sight gag ... that is not completely thought through or made just for those it feels the jokes are working for.

Again don't overthink it, don't be too PC about the premise either. I doubt the movie could be made nowadays. When Avengers had "fat Thor" the outcry was massive ... what would they say about this then? One can only imagine. And before you say well this is a comedy, Thor is a God (well supposedly, even if not at least not a human)! So if people were mad about that ... and I'm not trying to tell anyone how they should feel about certain things. Perception again is key ... it would be just a waste of your time if you were to be easily offended. I found myself cringing at moments and I do give movies like this some slack to say the least.

It was also important that Hal would not be the shallowest person in the movie ... though with his friend you also don't see him changing ... than again maybe his exterior matches his interior? Or maybe not ... again why am I even thinking about this? I shouldn't ... enjoy this if you can

Hal (Jack Black) is shallow. He runs into a self-help guru who decides to teach him a lesson, and bends his mind so that he can not notice how fat and disgusting women are: he sees them as skinny young hotties.

Problem with this Farrelly Brothers pic is that Hal is not learning any lesson: he's not actually looking beyond their looks, he just sees them as good looking. So as far as Hal is concerned, he's still being shallow.

In order to be funny, Farrellys had to represent his "learning not to be shallow" as just a visual impairment where he hallucinates fat people as skinny. Its the only way the comedy would have worked, yes, but its fairly offensive.

The movie is still saying that these people are disgusting, and that only someone who has been brainwashed would want to be with them. Its ending is implausible, and has no impact on this message.

2/10. Anyone who doesn't look as cute as Gwynyth Paltrow does in real life don't see this film. You will find it offensive.

No contest, I will say this marks the best of the Farrelly Brothers. Not because this film is laugh-out-loud funny--it's funny, but not hilarious--but because it has a great heart and delivers a beautiful message without any corny Hollywood pretentions. Sure, the premise is funny--a shallow guy gets virtually hypnotized into thinking all the unattractive women he sees are foxes and ends up going out with a 500-pound woman who he also thinks is a fox. It's a great premise, but the Farrellys don't fixate on that premise alone, preventing it from turning it into a lame, one-joke slapstick comedy. This is a comedy with heart--a rare finding. In between laughs, you really get wrapped up in the characters and storyline. The gags flow quite naturally, without the Farrellys forcing any humor onto the screen. If a comic opportunity comes along, they take advantage, but there's no random acts of slapstick.

I am pleasantly surprised with Jack Black, who has proved in this movie that he doesn't only have what it takes as a comic actor, but also as a serious actor and a romantic lead. I've always enjoyed seeing him on screen, but he usually plays the same wound-up, hyperkinetic characters. Basically, he's funny, but you still know you're watching Jack Black on screen. This time he exercises his ability as a method actor, he succeeds well. Gwyneth Paltrow is adorable and sweet, capturing the audience's sympathy with her winning smile. Joe Viterelli is amusing as her overweight Irish father, and actually pulls off a fairly convincing Irish accent. The sizzling hot Brooke Burns makes a few appearances. And Jason Alexander is always a joy to watch.

I think "Shallow Hal" does the best job at conveying the message that beauty is on the inside. It has been conveyed before in films like "The Nutty Professor," but I feel this film conveyed it best. This could've easily been a 105-minute fat joke, but it doesn't travel that route. There are no crude or mean-spirited gags. Could it be that the Farrelly Brothers matured? Even of the films of theirs that I liked (ex.: "Dumb and Dumber," "There's Something About Mary") are a little uneven and contain a few gags that are just plain cruel. Like in "Mary," Cameron Diaz's brother is mentally ill and the butt of a few jokes. Here, we have a character that walks on both his arms and legs, but he's portrayed as a normal character, and not as a gimmick for some cheap laughs. There are moments that really tugged at my heartstrings. The "burn victim" scene brought quite a few tears to my eyes. The story is solid, with no boring lulls. And the soundtrack is pretty good--I have criticized the Farrellys in the past for using crappy music in their sountracks.

If you're looking for a good romantic/date movie with some good laughs and a good message, "Shallow Hal" will be an absolute delight.

My score: 8 (out of 10)

It's the sort of mainstream comedy you immediately grasp the concept of just by looking at the poster and tagline. But here, the mere narrative in itself isn't the film. It's not as predictable as anticipated, and despite its total thick mainstream comedy atmosphere it actually isn't that unrealistic, despite the totally far-fetched elements, and the film makers made a real effort to make this stay together fairly plausibly.

The criticism: same as for 'Stuck Together' - another Farelly early 2000's film - this comedy is a tad too long though not boring at any moment, focuses on the story a bit too much and thus forgets about the humor; this really could've used a lot more funny having Jack Black in it and the Farellys behind the set. But the morality sticks out in a healthy, pretty handsome sort of way here in the end, rather than it feeling totally facile or force-fed as in other such comedies.

I have heard how Shallow Hal has such a positive moral to its story: "its what on the inside that counts." The fact is, however, that while it might have that message hidden inside somewhere, the constant mocking references to "obesity" and "ugliness" is too much to take. Don't get me wrong, I am a big Farrelly Brothers fan. I am not discounting this film just because of their brand of humor. Rather, I found this film to not only be misguided with very poor taste even for Farrelly standards, but I don't think it was funny or well acted. Again, I am a fan of both Jack Black and Jason Alexander, yet I found them to have awful roles devoid of any funny lines. Come on is "who let the dogs out?" supposed to be funny?