IMDb RATING
4.2/10
4.4K
YOUR RATING
A shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girlA shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girlA shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girl
- Awards
- 4 nominations
Dan Montgomery Jr.
- Brady
- (as Dan Montgomery)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsWhen Abbey and Kevin kiss at the end of the movie, Abbey is wearing a blue-jean jacket. When the picture of this scene appears in the newspaper, she's wearing a black leather jacket.
- Crazy creditsJust as the credits begin, there is a sound effect for the reels stopping and then titles signifying a "Behind the Scenes" of On the Line appear. We see Lance Bass and Emmanuelle Chriqui in their respective make-up chairs along with a cameo of two make-up artists, played by Justin and Chris from NSync. They exchange "N'Sync is N-Stink" comments with praises for Kevin.
- ConnectionsFeatures Tetris (1984)
- SoundtracksTwo Princes
Written by Chris Barron (as Christopher Barron Gross), Aaron Comess, Eric Schenkman and Mark White
Performed by Granite
Featured review
Promising set up, attractive (but not TOO attractive) leads, a solid supporting cast, excellent technical work. . . . all with a screenplay that is made out of just a bit too much fluff.
Fluff is good. Too much fluff is bad. Kevin lacks the "un nice" undertones to be believable-- even the best among us have some real flaws, not just a pseudo flaw of "choking" when dealing with the opposite sex. Kevin is 99% pure fluff, and the attempt to make the character into a creative person fails because a creative person is more multi dimensional than pretty boy Kevin. His friends are also painted in one or two dimensional strokes, and the Abbey role winds up painted so shallowly that it is difficult to conceive of why someone, even those as shallow as her fiancee and Kevin, would pursue her.
Their instant connection soul mate behavior simply does not have enough questioning, enough basis for existing. Even a child's balloon has more substance than what they created in their first meeting. There has to be more than a smile, a list of presidents, or a love for a baseball team to make a connection.
When it is finally revealed to him that he was betrayed, Kevin becomes violent toward a friend-- without really exhibiting anger, a perfunctory physical attack coming short of a playground fight. The entire movie was surface gloss and fluff, but with the promise of meat and potatoes.
I wanted to believe.
Wish I could have.
Fluff is good. Too much fluff is bad. Kevin lacks the "un nice" undertones to be believable-- even the best among us have some real flaws, not just a pseudo flaw of "choking" when dealing with the opposite sex. Kevin is 99% pure fluff, and the attempt to make the character into a creative person fails because a creative person is more multi dimensional than pretty boy Kevin. His friends are also painted in one or two dimensional strokes, and the Abbey role winds up painted so shallowly that it is difficult to conceive of why someone, even those as shallow as her fiancee and Kevin, would pursue her.
Their instant connection soul mate behavior simply does not have enough questioning, enough basis for existing. Even a child's balloon has more substance than what they created in their first meeting. There has to be more than a smile, a list of presidents, or a love for a baseball team to make a connection.
When it is finally revealed to him that he was betrayed, Kevin becomes violent toward a friend-- without really exhibiting anger, a perfunctory physical attack coming short of a playground fight. The entire movie was surface gloss and fluff, but with the promise of meat and potatoes.
I wanted to believe.
Wish I could have.
- How long is On the Line?Powered by Alexa
Details
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $4,365,455
- Opening weekend US & Canada
- $2,307,063
- Oct 28, 2001
- Gross worldwide
- $4,544,601
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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