Biopic about notorious American serial killer Jeffrey Dahmer, taking place in both the past and the present.Biopic about notorious American serial killer Jeffrey Dahmer, taking place in both the past and the present.Biopic about notorious American serial killer Jeffrey Dahmer, taking place in both the past and the present.
- Awards
- 3 nominations
Artel Great
- Rodney
- (as Artel Kayaru)
Dionysio Basco
- Khamtay
- (as Dion Basco)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJeremy Renner was cast because of his resemblance to Jeffrey Dahmer and because not many actors wanted to portray the serial killer.
- GoofsWhen Dahmer gets pulled over by the cop in 1978, he shows a New York State driver's license from post 1995.
- Quotes
Jeffrey Dahmer: You know what the cross was, don't you?
Rodney: Yeah, where Jesus died, right?
Jeffrey Dahmer: A torture device... used to kill criminals. So when you pray to it, it's like praying to an electric chair, or a guillotine.
- Crazy creditsThough the names of Jeffrey Dahmer's victims were changed in this biopic, details of his killing methods were used; yet, the film's closing disclaimer states that any similarities to the history of any actual person, living or dead, or any actual event is entirely coincidental and unintentional.
- ConnectionsFeatured in The 2003 IFP Independent Spirit Awards (2003)
- SoundtracksJust out of Reach
Performed by Patsy Cline
Written by V.F. "Pappy" Stewart
Used by permission from Acuff Rose Music Inc.
Courtesy of The San Juan Music Group
By Arrangement with Media Creature Music
Featured review
Based on real-life serial killer Jeffrey Dahmer, who was active primarily in Wisconsin in the 1980s, this film focuses on a few key episodes in Dahmer's life.
If you're at all familiar with the facts about Jeffrey Dahmer--and probably a hefty percentage of people interested in the film are familiar with Dahmer to some extent--it's difficult to watch this film without strong expectations. The problem is that under those expectations, Dahmer isn't likely to be the film you want it to be. It might work better if you're unfamiliar with the background material, but on the other hand, it might be too disjointed to work in that case. You need a familiarity with Dahmer's life to piece the film together as you watch it.
That's not to say that the film is a complete failure. In fact, I gave it a 7 out of 10. Jeremy Renner, who plays Dahmer, is fantastic. Bruce Davison, as Dahmer's father, and Artel Kayaru, as Rodney, also turn in great performances. Writer/director David Jacobson chose to make the film a psychological portrait, rather than a chronological retelling of Dahmer's misdeeds, and rather than focusing on the lurid details of the crimes. After the first 20 minutes or so, the film becomes non-sequential, and links together a number of events that provide clues (as much of a clue as we can have, at least) into Dahmer's behavior. We see Dahmer interacting with his family (primarily his grandmother and father) in a peculiar, distanced way. We see him discovering and trying to come to terms with his homosexuality in a twisted way. We see his desire for intimacy. We see actions taken by the police that would be unbelievable if we didn't know that they actually happened that way, more or less. We see him constantly drinking alcohol through most of these events. This makes up the bulk of the film. In fact, we only see Dahmer kill two humans during the course of the film, and both are relatively not graphic, and relatively quick events.
All of this was intriguing to me, but I wanted the lurid details to be explored more. Dahmer was a man who conducted experiments on his victims, trying to turn some of them into lobotomized, robot-like companions. He kept vats of acid in his apartment to dispose of body parts. He had a severed head in his refrigerator. He cannibalized victims and engaged in necrophilia. To make a film about Dahmer where these things are not explored not only downplays the severity of his crimes, but it also leaves out fairly essential aspects of Dahmer's character, if this is to be a character study. I found myself regularly checking the running time, wondering how and when Jacobson was going to get to this other material before the film had to end. And for someone unfamiliar with Dahmer, they probably would spend a lot of time trying to figure out why the film keeps jumping from one event to another, frequently going back and forth with the same events.
The bottom line is that while this film is more than worthwhile as a kind of extended footnote, a much better film about Dahmer needs to be made. Let's just hope that we can get someone as gifted in the role as Renner to be in that film.
If you're at all familiar with the facts about Jeffrey Dahmer--and probably a hefty percentage of people interested in the film are familiar with Dahmer to some extent--it's difficult to watch this film without strong expectations. The problem is that under those expectations, Dahmer isn't likely to be the film you want it to be. It might work better if you're unfamiliar with the background material, but on the other hand, it might be too disjointed to work in that case. You need a familiarity with Dahmer's life to piece the film together as you watch it.
That's not to say that the film is a complete failure. In fact, I gave it a 7 out of 10. Jeremy Renner, who plays Dahmer, is fantastic. Bruce Davison, as Dahmer's father, and Artel Kayaru, as Rodney, also turn in great performances. Writer/director David Jacobson chose to make the film a psychological portrait, rather than a chronological retelling of Dahmer's misdeeds, and rather than focusing on the lurid details of the crimes. After the first 20 minutes or so, the film becomes non-sequential, and links together a number of events that provide clues (as much of a clue as we can have, at least) into Dahmer's behavior. We see Dahmer interacting with his family (primarily his grandmother and father) in a peculiar, distanced way. We see him discovering and trying to come to terms with his homosexuality in a twisted way. We see his desire for intimacy. We see actions taken by the police that would be unbelievable if we didn't know that they actually happened that way, more or less. We see him constantly drinking alcohol through most of these events. This makes up the bulk of the film. In fact, we only see Dahmer kill two humans during the course of the film, and both are relatively not graphic, and relatively quick events.
All of this was intriguing to me, but I wanted the lurid details to be explored more. Dahmer was a man who conducted experiments on his victims, trying to turn some of them into lobotomized, robot-like companions. He kept vats of acid in his apartment to dispose of body parts. He had a severed head in his refrigerator. He cannibalized victims and engaged in necrophilia. To make a film about Dahmer where these things are not explored not only downplays the severity of his crimes, but it also leaves out fairly essential aspects of Dahmer's character, if this is to be a character study. I found myself regularly checking the running time, wondering how and when Jacobson was going to get to this other material before the film had to end. And for someone unfamiliar with Dahmer, they probably would spend a lot of time trying to figure out why the film keeps jumping from one event to another, frequently going back and forth with the same events.
The bottom line is that while this film is more than worthwhile as a kind of extended footnote, a much better film about Dahmer needs to be made. Let's just hope that we can get someone as gifted in the role as Renner to be in that film.
- BrandtSponseller
- Jan 11, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Mind Is a Place of Its Own
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $250,000 (estimated)
- Gross US & Canada
- $144,008
- Opening weekend US & Canada
- $16,093
- Jun 23, 2002
- Gross worldwide
- $144,008
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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