Metacritic reviews

Yes, it's fundamentally business as usual, but it's the best kind of business as usual, and it finds everyone working in top form. Abrams imports and enlarges "Alias'" smooth, stylish, yet remarkably visceral approach to action, and the actors pack a satisfying amount of drama into the moments between action scenes.

A gratifyingly clever, booby-trapped thriller that has enough fun and imagination and dash to more than justify its existence.

Bury the nostalgia. Like the rap twist Kayne West puts into the film's classic theme, this movie is best when it stirs it up.

Against sizable odds -- a sense that the franchise is played out and its star over-exposed -- Mission: Impossible III delivers.

In his feature debut, "Lost" creator J.J. Abrams, who got the job on the basis of "Alias," takes the driver's seat with both feet on the accelerator.

For all its far-fetched formulations, this new entry maintains more of a dramatic throughline and has the bonus of a villain played with unsparing meanness by Philip Seymour Hoffman.

Cruise is probably the most graceful physical performer to occupy the screen since Burt Lancaster, and in this sort of action role, he's just about peerless...He may not be a great actor, but to find a greater movie star would be a nigh impossible mission.

Mission: Impossible III hasn't the kinks or the oddball Continental chic of the first "Mission: Impossible," but it's less pretentious and obsessively pretty than the second movie.

An inspired middle-hour pumped by some solid action gives you an idea how good the franchise could be, but we now live in a post-Bourne, recalibrated-Bond universe, where Ethan Hunt looks a bit lost.

While all the "Mission" plots are convoluted and slightly preposterous -- the keyword in the title is "Impossible" -- the latest is just this side of insultingly stupid. The longer you think about it, the less sense it all makes.