A murder spree in Montreal, with the killer embracing his victims' identities, leads to an investigation by the FBI agent Illeana Scott. Her bond with an art dealer is crucial to solving the... Read allA murder spree in Montreal, with the killer embracing his victims' identities, leads to an investigation by the FBI agent Illeana Scott. Her bond with an art dealer is crucial to solving the case.A murder spree in Montreal, with the killer embracing his victims' identities, leads to an investigation by the FBI agent Illeana Scott. Her bond with an art dealer is crucial to solving the case.
- Awards
- 4 nominations
Storyline
Did you know
- TriviaA scene was shot in which Illeana drives back to her house with the old pick-up and a branch from a tree falls and breaks the windshield. It took several takes to get the shot, and apparently destroyed the last remaining windshields for the pick-up available anywhere in North America at the time. The scene was not used.
- GoofsThe three lead police investigators all speak with Parisian French accents. Quebec French is as distinct from Parisian French as British English is distinct from New York English.
- Quotes
Martin Asher: That guy was nothing, alright? I didn't take his life, I lived it. I was the best thing that ever happened to that guy. You looked at him, and you saw me, and I looked at you, and I saw you, and we are the same.
- Alternate versionsAvailable in both its R-rated theatrical version (103 min.) and in an unrated director's cut (109 min.).
The film begins in the '60s with a brutal murder and then jumps to the present. An FBI profiler (Jolie) is out to nab a serial killer in Montreal who takes on the identity of his victim. A witness to one of the killings, an art gallery owner (Hawke) is cleared of suspicion. While under special protection by the police, he falls for Jolie. A woman (Gena Rowlands) comes forward, claiming to have seen her dead son, which leads the investigation to the true identity of the killer.
As others have pointed out, it's fairly derivative stuff. The filmmakers would have been better off delving more into Jolie's character - a beautiful, unmarried woman who wears a wedding ring to keep the men away and sits in her bath staring at autopsy photos and also pastes them around her bed so she can study them. Jolie gives us the inability to read the profiler but the script doesn't offer much else.
There are a couple of Swiss-cheese sized holes in this film, but mentioning them would give away the plot. For all of its lack of originality, "Taking Lives" offers some suspenseful moments and some good acting.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Đoạt Mạng
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $32,682,342
- Opening weekend US & Canada
- $11,458,465
- Mar 21, 2004
- Gross worldwide
- $65,470,529
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1