[Editor’s Note: The following review contains spoilers for “Disclaimer” Episode 5 (“V”).]
Throughout the first four episodes of “Disclaimer,” we’ve noted how little Catherine (Cate Blanchett) has been able to speak for herself. The award-winning documentarian has yet to voice her version of the events depicted in Nancy’s (Lesley Manville) book — her attempts repeatedly suppressed as others rush to judgment. Mr. Ravenscroft (Sacha Baron Cohen) is so upset by what he reads about his wife’s alleged affair that he flees their home before evicting her from it. This week, in Episode 5 (“V”), her colleagues have a similar reaction — choosing first to believe the tidbits teased by Stephen Brigstocke (Kevin Kline), and then elevating his printed accusations to emergency status (purportedly out of fear for the company’s reputation). Stephen won’t even hear from Catherine — ignoring her calls, hiding from her in his own home while she peeps through the mail slot, the cowardly professor’s dodgy evasion coming...
Throughout the first four episodes of “Disclaimer,” we’ve noted how little Catherine (Cate Blanchett) has been able to speak for herself. The award-winning documentarian has yet to voice her version of the events depicted in Nancy’s (Lesley Manville) book — her attempts repeatedly suppressed as others rush to judgment. Mr. Ravenscroft (Sacha Baron Cohen) is so upset by what he reads about his wife’s alleged affair that he flees their home before evicting her from it. This week, in Episode 5 (“V”), her colleagues have a similar reaction — choosing first to believe the tidbits teased by Stephen Brigstocke (Kevin Kline), and then elevating his printed accusations to emergency status (purportedly out of fear for the company’s reputation). Stephen won’t even hear from Catherine — ignoring her calls, hiding from her in his own home while she peeps through the mail slot, the cowardly professor’s dodgy evasion coming...
- 10/25/2024
- by Ben Travers
- Indiewire
Are you a fan of clever, suspenseful storytelling paired with a talented cast? Then you need to be watching Disclaimer on Apple TV+ if you aren’t already. The streamer’s gripping new series is one of the year's best shows, and a new episode just dropped.
Episode 5 sees Catherine Ravencrof’s (Cate Blanchett) life plummet quickly, showcasing Stephen Brigstocke’s (Kevin Kline) ruthlessness. He is determined to get his revenge on Catherine and will stop at nothing to achieve her absolute downfall. But before we continue dissecting Disclaimer’s latest chapter, here’s your spoiler warning.
Spoiler alert! Go stream Disclaimer episode 5 as there are spoilers ahead.
Robert (Sacha Baron Cohen) is So done with Catherine. And not to defend Catherine here, but Robert didn’t even allow Catherine to get a word out. He didn’t ask for space or even time. Robert simply kicked Catherine out of the house.
Episode 5 sees Catherine Ravencrof’s (Cate Blanchett) life plummet quickly, showcasing Stephen Brigstocke’s (Kevin Kline) ruthlessness. He is determined to get his revenge on Catherine and will stop at nothing to achieve her absolute downfall. But before we continue dissecting Disclaimer’s latest chapter, here’s your spoiler warning.
Spoiler alert! Go stream Disclaimer episode 5 as there are spoilers ahead.
Robert (Sacha Baron Cohen) is So done with Catherine. And not to defend Catherine here, but Robert didn’t even allow Catherine to get a word out. He didn’t ask for space or even time. Robert simply kicked Catherine out of the house.
- 10/25/2024
- by Sandy C.
- ShowSnob
Episodes 3 and 4 of Disclaimer, Alfonso Cuarón’s Apple TV+ thriller, bring emotional turmoil to the forefront as secrets unravel. As Cate Blanchett’s Catherine navigates her past and present, and those around her wrestle with grief and betrayal, these episodes provide crucial revelations that deepen the mystery. Here are five key takeaways:
1. Catherine’s Silence Was a Shield for Her Son
Catherine reveals that her silence surrounding past events wasn’t for her own protection, but to shield her son, Nicholas, from further pain. The death of Jonathan, an important figure in her past, had sealed her decision. Yet, this act of “protection” seems to ripple outward, causing more suffering as the truth remains buried.
2. Stephen’s Grief Transforms into Vengeful Obsession
Stephen Brigstocke, portrayed by Kevin Kline, is consumed by grief over his son Jonathan’s death. His suffering turns to obsession, driving him to seek vengeance against Catherine.
1. Catherine’s Silence Was a Shield for Her Son
Catherine reveals that her silence surrounding past events wasn’t for her own protection, but to shield her son, Nicholas, from further pain. The death of Jonathan, an important figure in her past, had sealed her decision. Yet, this act of “protection” seems to ripple outward, causing more suffering as the truth remains buried.
2. Stephen’s Grief Transforms into Vengeful Obsession
Stephen Brigstocke, portrayed by Kevin Kline, is consumed by grief over his son Jonathan’s death. His suffering turns to obsession, driving him to seek vengeance against Catherine.
- 10/19/2024
- by Naveed Zahir
- High on Films
‘Disclaimer’ Episode 3 Recap & Ending Explained: Does Catherine Know Stephen Has Published The Book?
In the second episode of Disclaimer, it was revealed that Nancy Brigstocke did confront Catherine Ravenscroft regarding her involvement in her son, Jonathan’s death. Nancy lambasted Catherine for not even showing up at Jonathan’s funeral, even though the teen had died saving Catherine’s son, Nicholas. To make things worse, when the authorities questioned Catherine about whether or not she knew Jonathan, she denied having any connections to that kid, despite having posed for some explicit pictures that were found on Jonathan’s camera. Talking about the photos, Stephen personally sent a copy of them to Robert, which caused him to spiral out and leave Catherine. Stephen had also laid the foundations of furthering the discord between Catherine and Nicholas by delivering a copy of The Perfect Stranger to the young man at his workplace, thereby following through on Nancy’s “a son for a son” crusade. In today’s episode of Disclaimer,...
- 10/18/2024
- by Pramit Chatterjee
- DMT
It’s right there at the beginning of Episode 1 of the Apple TV+ limited series, “Disclaimer” writer/director Alfonso Cuarón all but announces his intentions in a scene in which real-life journalist Christiane Amanpour presents an award to series’ fictional documentarian Catherine Ravenscroft (Cate Blanchett).
“Beware of narrative and form,” says Amanpour. “Their power can bring us closer to the truth, but they can also be a weapon with a great power to manipulate.”
While a guest on an upcoming episode of the Filmmaker Toolkit podcast, Cuarón discussed the pronouncement, “We decided to be bold and to begin with a warning. In other words audiences are warned.” But as Cuarón explained, he’s not worried about proclaiming his storytelling intentions — there’s no reason to hide the ball when the real game, the real discovery is how each viewer will react.
“What Christiane Amanpour says is that the only reason...
“Beware of narrative and form,” says Amanpour. “Their power can bring us closer to the truth, but they can also be a weapon with a great power to manipulate.”
While a guest on an upcoming episode of the Filmmaker Toolkit podcast, Cuarón discussed the pronouncement, “We decided to be bold and to begin with a warning. In other words audiences are warned.” But as Cuarón explained, he’s not worried about proclaiming his storytelling intentions — there’s no reason to hide the ball when the real game, the real discovery is how each viewer will react.
“What Christiane Amanpour says is that the only reason...
- 10/12/2024
- by Chris O'Falt
- Indiewire
It takes quite some time to get the ball rolling in Apple TV’s Disclaimer, which is based on Renee Knight’s 2015 novel of the same name. That’s kind of unforgivable considering the expectation here is humongous—with someone like Alfonso Cuaron behind the camera and Cate Blanchett being the face of the show. There’s no denying that Cuaron is a master storyteller, which starts to show after a while. By episode two, Disclaimer is unputdownable, and you can’t wait to find out what really happened to Jonathan Brigstocke. That’s what seems like the central mystery at this point, but of course, there are many other questions, and I really hope we don’t end up being “lost” by the end of it. The non-linear narrative of Disclaimer is confusing at times, but it also yields a lot of fun. Let us now look into the...
- 10/11/2024
- by Rohitavra Majumdar
- Film Fugitives
Disclaimer is a slow burn.
You’ll understand it within seconds of tuning in as the first two installments go so slowly that there’s a real risk that some will check out before we delve deeper into the plot.
Whether or not that will be a mistake on their part is yet to be determined, but we have Cate Blanchett, and the series is incredibly pretty.
(Courtesy of Apple TV+) Disclaimer’s Identity Crisis is Wildly Fascinating
Pardon the candor, but it’s a cinephile’s wet dream.
Remarkably, Disclaimer somehow simultaneously occupies the space of a prestigious cinematic adaptation with its grandiose stylistic choices and atmospheric execution and a potentially pulpy Lifetime popcorn thriller.
Three Women Season 1 Episode 5 Review: Giaby Laura Nowak Disclaimer Season Premiere Review: A Visually Stunning Exercise in Patienceby Jasmine Blu Pachinko Season 2 Episode 8 Review: The Wheel Of Historyby Paullette Gaudet
For that fascinating merging quality alone,...
You’ll understand it within seconds of tuning in as the first two installments go so slowly that there’s a real risk that some will check out before we delve deeper into the plot.
Whether or not that will be a mistake on their part is yet to be determined, but we have Cate Blanchett, and the series is incredibly pretty.
(Courtesy of Apple TV+) Disclaimer’s Identity Crisis is Wildly Fascinating
Pardon the candor, but it’s a cinephile’s wet dream.
Remarkably, Disclaimer somehow simultaneously occupies the space of a prestigious cinematic adaptation with its grandiose stylistic choices and atmospheric execution and a potentially pulpy Lifetime popcorn thriller.
Three Women Season 1 Episode 5 Review: Giaby Laura Nowak Disclaimer Season Premiere Review: A Visually Stunning Exercise in Patienceby Jasmine Blu Pachinko Season 2 Episode 8 Review: The Wheel Of Historyby Paullette Gaudet
For that fascinating merging quality alone,...
- 10/11/2024
- by Jasmine Blu
- TVfanatic
No one films the ocean as a proxy for emotional extremes like Alfonso Cuarón. In films like “Children of Men,” “Gravity” and “Roma,” the Mexican director — often in conjunction with Oscar-winning cinematographer Emmanuel Lubezki — makes roiling waves a metaphor for everything from rebirth to safety to cathartic release. In this respect, the new Apple TV+ series “Disclaimer,” which Cuarón wrote and directed in its entirety, is a perfect fit for the “Y tu mamá también” auteur. “Disclaimer” centers on competing accounts of a young man’s fatal drowning on an Italian beach, and you can bet your bottom lira there are numerous and lengthy scenes built around the rhythmic crash of water.
But Cuarón is a much less intuitive match for other aspects of “Disclaimer,” which he adapted from Renée Knight’s 2015 novel of the same name. “Disclaimer” is, at its core, a talky, interpersonal drama about grief, self-deception and storytelling,...
But Cuarón is a much less intuitive match for other aspects of “Disclaimer,” which he adapted from Renée Knight’s 2015 novel of the same name. “Disclaimer” is, at its core, a talky, interpersonal drama about grief, self-deception and storytelling,...
- 10/11/2024
- by Alison Herman
- Variety Film + TV
Cate Blanchett‘s Disclaimer role turned out to be much more than an epic performance of a celebrated documentarian watching her life fall apart: She learned to debone a fish and tame cats, too.
It turns out, in Alfonso Cuarón’s AppleTV+ thriller, the animal friends of Blanchett and Sacha Baron Cohen’s characters are integral to the show’s layered symbolism. The cast — including Blanchett, Baron Cohen, Kevin Kline, Louis Partridge, Leila George and HoYeon Jung — spoke to audiences after a BFI London Film Festival screening of the program’s first three episodes Thursday.
The seven-part series follows the acclaimed creative Catherine Ravenscroft (Blanchett) and her wealthy husband Robert (Baron Cohen), whose lives are turned upside down when a book named The Perfect Stranger is posted to Catherine and — to her horror — divulges a secret of hers that she hoped had been long buried. At the same time, the...
It turns out, in Alfonso Cuarón’s AppleTV+ thriller, the animal friends of Blanchett and Sacha Baron Cohen’s characters are integral to the show’s layered symbolism. The cast — including Blanchett, Baron Cohen, Kevin Kline, Louis Partridge, Leila George and HoYeon Jung — spoke to audiences after a BFI London Film Festival screening of the program’s first three episodes Thursday.
The seven-part series follows the acclaimed creative Catherine Ravenscroft (Blanchett) and her wealthy husband Robert (Baron Cohen), whose lives are turned upside down when a book named The Perfect Stranger is posted to Catherine and — to her horror — divulges a secret of hers that she hoped had been long buried. At the same time, the...
- 10/11/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
If the pilot’s how the rest of Alfonso Cuaron’s miniseries is supposed to go, I think what we have in our hands with Disclaimer is one of those really pretty but sort of meaningless things we can’t find a use for. You look at it, appreciate the work that went into it, and in your head, you kinda go, “What am I supposed to do with this?” That is not to say that Apple TV+’s newest adaptation of Renee Knight’s novel of the same name is without substance. The stakes are pretty high for Catherine. The reputation that she’s so painstakingly garnered as a journalist who unmasks uncomfortable truths and the family that she is very evidently insecure about–all of it is under threat when something from her past comes back to wreck her present.
Spoiler Alert
A new kind of grief
Something’s been bothering Stephen.
Spoiler Alert
A new kind of grief
Something’s been bothering Stephen.
- 10/11/2024
- by Lopamudra Mukherjee
- DMT
Unlike most novels, the self-published The Perfect Stranger includes a disclaimer that “any resemblance to persons living or dead is not a coincidence.” Is it fiction or fact? Whatever the case, this slim volume shatters the composure of acclaimed British documentary filmmaker Catherine Ravenscroft (a sublime Cate Blanchett), who sees herself and the exposure of her darkest secret in those pages. That’s the premise of Oscar-winning writer-director Alfonso Cuarón’s mesmerizing seven-part mystery-drama Disclaimer, based on Renée Wright’s brilliant page-turner. Cuarón announces early on to “beware of narrative and form” as this twisty tale unfolds from multiple perspectives and not always reliable points of view, with a mix of first-person and omniscient third-person narrators. Lauded as a “beacon of truth” at an awards ceremony by no less than TV journalist Christiane Amanpour, Catherine panics when The Perfect Stranger appears in her mail, attempting to burn it while telling...
- 10/10/2024
- TV Insider
What if a novel showed up on your doorstep, and you were not only a main character in it, but its villain? And what if copies of the book — which begins by noting that “any resemblance to persons living or dead is not a coincidence” — started appearing in the hands of everyone you knew and cared about?
That’s the nightmarish, addictive premise of Disclaimer, a new Apple miniseries adapted by writer-director Alfonso Cuarón (Roma) from the book by Renée Knight. Catherine Ravenscroft (Cate Blanchett) is an acclaimed documentary filmmaker...
That’s the nightmarish, addictive premise of Disclaimer, a new Apple miniseries adapted by writer-director Alfonso Cuarón (Roma) from the book by Renée Knight. Catherine Ravenscroft (Cate Blanchett) is an acclaimed documentary filmmaker...
- 10/7/2024
- by Alan Sepinwall
- Rollingstone.com
Alfonso Cuarón’s potboiler Disclaimer, an adaptation of the Renee Knight’s 2015 novel of the same name, begins with famed documentarian Catherine (Cate Blanchett) being fêted at an awards ceremony. Scenes of Catherine and her husband, Roger (Sacha Baron Cohen), living a posh life in their gorgeous London rowhouse are intercut with a storyline about a pair of students, Jonathan (Louis Partridge) and Sasha (Liv Hill), having a gap-year escapade in Italy. Meanwhile, a gloomier third narrative tracks Stephen (Kevin Kline), a widowed schoolteacher who seems to have lost every reason for living except for the drive to exact vengeance on Catherine for a crime that he believes she got away with.
These plot strands are at first loosely knit together, but Cuarón pulls the strings tighter and tighter throughout the first few episodes. Catherine receives a novel, The Perfect Stranger, privately published by Stephen, which seems to mirror a...
These plot strands are at first loosely knit together, but Cuarón pulls the strings tighter and tighter throughout the first few episodes. Catherine receives a novel, The Perfect Stranger, privately published by Stephen, which seems to mirror a...
- 10/3/2024
- by Chris Barsanti
- Slant Magazine
Exclusive: Oscar-winning director Alfonso Cuarón is studying the possibility of creating a version of his acclaimed seven hour Apple TV+ production Disclaimer that can qualify for Academy Award consideration.
The phenomenal work directed and adapted by Cuarón from Renée Knight’s 2015 unputdownable novel, about a documentary filmmaker by the name of Catherine Ravenscroft, brilliantly played at different stages of her life by Leila George and Cate Blanchett, whose “mask has fallen” when she receives a manuscript of a supposedly fictional tale called The Perfect Stranger.
There’s something in that book that connects to an incident in Ravenscroft’s life that she has kept secret for two decades.
The seven-part Apple TV+ drama received its world premiere at the Venice Film Festival and was shown in two parts at the Telluride Film Festival over the Labor Day weekend.
I was able to watch the thriller — well, it’s at once...
The phenomenal work directed and adapted by Cuarón from Renée Knight’s 2015 unputdownable novel, about a documentary filmmaker by the name of Catherine Ravenscroft, brilliantly played at different stages of her life by Leila George and Cate Blanchett, whose “mask has fallen” when she receives a manuscript of a supposedly fictional tale called The Perfect Stranger.
There’s something in that book that connects to an incident in Ravenscroft’s life that she has kept secret for two decades.
The seven-part Apple TV+ drama received its world premiere at the Venice Film Festival and was shown in two parts at the Telluride Film Festival over the Labor Day weekend.
I was able to watch the thriller — well, it’s at once...
- 9/3/2024
- by Baz Bamigboye
- Deadline Film + TV
Form trumps function in Alfonso Cuaron’s new, star-studded limited series Disclaimer, a somewhat too obvious piece of narrative sleight of hand, in which the mechanics of the narrative are captivating and the narrative itself is largely perfunctory.
Of course, if you accept that the narrative of this adaptation of Renée Knight’s novel is entirely about how the mechanics of narrativizing can get in the way of the truth … well, the truth is that Disclaimer, driven by tricky and playful lead performances from Cate Blanchett and Kevin Kline, may be one of those shows that’s more fascinating to talk circles around than to actually watch. This is already what critics are going to have to do in order to review without spoiling anything.
Sound frustrating? Perhaps a little.
Blanchett plays Catherine Ravenscroft, an acclaimed documentarian with a blandly wealthy husband (Sacha Baron Cohen’s Robert), a directionless son...
Of course, if you accept that the narrative of this adaptation of Renée Knight’s novel is entirely about how the mechanics of narrativizing can get in the way of the truth … well, the truth is that Disclaimer, driven by tricky and playful lead performances from Cate Blanchett and Kevin Kline, may be one of those shows that’s more fascinating to talk circles around than to actually watch. This is already what critics are going to have to do in order to review without spoiling anything.
Sound frustrating? Perhaps a little.
Blanchett plays Catherine Ravenscroft, an acclaimed documentarian with a blandly wealthy husband (Sacha Baron Cohen’s Robert), a directionless son...
- 8/30/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
A few months ago we shared Anthony Simon’s Pure Flix and Chill, a found footage biography of the Christian movie company’s founder David A.R. White in his own unreliable words. Now we’re pleased to share Simon’s latest Christian found footage work, which is very funny and unsettlingly indelible. Writes Simon, this is “A re-edit of the straight-to-video Christian series The Perfect Stranger, written, directed by and starring Jefferson Moore. In each original episode, Moore seeks out a vulnerable stranger and proceeds to convince them he’s Jesus. Seduced by Jesus functions as a pick-up-artist parody, fueled by the creepy conceit of the […]...
- 9/27/2018
- by Vadim Rizov
- Filmmaker Magazine - Blog
A few months ago we shared Anthony Simon’s Pure Flix and Chill, a found footage biography of the Christian movie company’s founder David A.R. White in his own unreliable words. Now we’re pleased to share Simon’s latest Christian found footage work, which is very funny and unsettlingly indelible. Writes Simon, this is “A re-edit of the straight-to-video Christian series The Perfect Stranger, written, directed by and starring Jefferson Moore. In each original episode, Moore seeks out a vulnerable stranger and proceeds to convince them he’s Jesus. Seduced by Jesus functions as a pick-up-artist parody, fueled by the creepy conceit of the […]...
- 9/27/2018
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
It’s almost the start of a new month and that means Netflix is about to refresh their content by adding a lot of new titles and removing some as well. Some of the titles we’re losing include Fargo, Stand By Me, and Batman & Robin, oh no! But some of the highlights for November include the first season of Bob Odenkirk and David Cross’s new Netflix show With Bob and David; Marvel’s Jessica Jones, and The SpongeBob SquarePants Movie. Check out the full listings below:
All Title Dates are Subject to Change
Netflix U.S. Release Dates Only
Available 11/1
Beethoven’s Christmas Adventure (2011)
Girlfriends’ Guide to Divorce: Season 1
Idris Elba: Mandela, My Dad and Me (2015)
Last Days in Vietnam (2014)
Pasion de Gavilanes (2003)
Robot Overlords (2015)
Seven Deadly Sins: Season 1 — Netflix Original
Smithsonian Channel: The Day Kennedy Died (2013)
The Last Time You Had Fun (2014)
The SpongeBob SquarePants Movie...
All Title Dates are Subject to Change
Netflix U.S. Release Dates Only
Available 11/1
Beethoven’s Christmas Adventure (2011)
Girlfriends’ Guide to Divorce: Season 1
Idris Elba: Mandela, My Dad and Me (2015)
Last Days in Vietnam (2014)
Pasion de Gavilanes (2003)
Robot Overlords (2015)
Seven Deadly Sins: Season 1 — Netflix Original
Smithsonian Channel: The Day Kennedy Died (2013)
The Last Time You Had Fun (2014)
The SpongeBob SquarePants Movie...
- 10/27/2015
- by Graham McMorrow
- City of Films
Halloween is ending abruptly on Netflix: You only have until midnight on October 31st to stream "Scream" and several "Saw" installments as these horror films are all expiring on November 1.
And if you want to watch "Fargo" (1996), "Rudy" (1993), "Stand by Me," or "The Blues Brothers" (1980), they're also vanishing on November 1.
Here's the complete list of what's leaving Netflix streaming in November 2015.
Leaving November 1
"1492: Conquest of Paradise" (1992)
"America in Primetime" (2011)
"Bali": Season 1 (2006)
"Balto 3: Wings of Change" (2004)
"Batman & Robin" (1997)
"Best Kept Secret" (2013)
"Best Laid Plans" (1999)
"Changing Lanes" (2002)
"Cleopatra" (1963)
"Conspiracy Theory" (1997)
"Death Warrant" (1990)
"Fargo" (1996)
"Fela Kuti: Music Is the Weapon" (1982)
"Funny Games" (1997)
"Half the Sky: Turning Oppression into Opportunity for Women Worldwide" (2012)
"Hero and Terror" (1988)
"House of Flying Daggers" (2004)
"Jonah: A VeggieTales Movie" (2002)
"Lunopolis" (2009)
"Move Over, Darling" (1963)
"Norman" (2010)
"Pajanimals": Season 1 (2010)
"Rudy" (1993)
"Saw" (2004)
"Saw II" (2005)
"Saw III" (2006)
"Saw IV" (2007)
"Saw V" (2008)
"Scream" (1996)
"Secrets of Mary Magdalene" (2006)
"Soul Plane" (2004)
"Stand by Me...
And if you want to watch "Fargo" (1996), "Rudy" (1993), "Stand by Me," or "The Blues Brothers" (1980), they're also vanishing on November 1.
Here's the complete list of what's leaving Netflix streaming in November 2015.
Leaving November 1
"1492: Conquest of Paradise" (1992)
"America in Primetime" (2011)
"Bali": Season 1 (2006)
"Balto 3: Wings of Change" (2004)
"Batman & Robin" (1997)
"Best Kept Secret" (2013)
"Best Laid Plans" (1999)
"Changing Lanes" (2002)
"Cleopatra" (1963)
"Conspiracy Theory" (1997)
"Death Warrant" (1990)
"Fargo" (1996)
"Fela Kuti: Music Is the Weapon" (1982)
"Funny Games" (1997)
"Half the Sky: Turning Oppression into Opportunity for Women Worldwide" (2012)
"Hero and Terror" (1988)
"House of Flying Daggers" (2004)
"Jonah: A VeggieTales Movie" (2002)
"Lunopolis" (2009)
"Move Over, Darling" (1963)
"Norman" (2010)
"Pajanimals": Season 1 (2010)
"Rudy" (1993)
"Saw" (2004)
"Saw II" (2005)
"Saw III" (2006)
"Saw IV" (2007)
"Saw V" (2008)
"Scream" (1996)
"Secrets of Mary Magdalene" (2006)
"Soul Plane" (2004)
"Stand by Me...
- 10/21/2015
- by Sharon Knolle
- Moviefone
By Jeffrey Matulef
Remember Perfect Strangers? Of course you do! Who could forget the quirky antics of Bronson Pinchot as Balki Bartokomous, his uptight, but well meaning Cousin Larry Appleton, and that song? Oh god, that song! I recall very little about my life prior to my teenage years, but that theme song permanently burned itself into my long term memory like no other.
Now, you can vicariously live through Balki as he chases his dream in a celebration of all that is good and pure in this world in Perfect Strangers: Nothing's Gonna Stop Me Now. In a brilliant touch, you're able to change Balki's dream to whatever your heart desires. Unless your dream is to forget The Perfect Stranger's Theme song. Good luck with that.
Sometimes, the world looks perfect.
[Source: Joystiq]
Related Posts:
Play it Now: Gorgeous Cyberpunk Adventure 'The Desolate Hope'
Persona 4 Golden Coming to North...
Remember Perfect Strangers? Of course you do! Who could forget the quirky antics of Bronson Pinchot as Balki Bartokomous, his uptight, but well meaning Cousin Larry Appleton, and that song? Oh god, that song! I recall very little about my life prior to my teenage years, but that theme song permanently burned itself into my long term memory like no other.
Now, you can vicariously live through Balki as he chases his dream in a celebration of all that is good and pure in this world in Perfect Strangers: Nothing's Gonna Stop Me Now. In a brilliant touch, you're able to change Balki's dream to whatever your heart desires. Unless your dream is to forget The Perfect Stranger's Theme song. Good luck with that.
Sometimes, the world looks perfect.
[Source: Joystiq]
Related Posts:
Play it Now: Gorgeous Cyberpunk Adventure 'The Desolate Hope'
Persona 4 Golden Coming to North...
- 5/3/2012
- by MTV Video Games
- MTV Multiplayer
'Parked', the directorial debut from Irish director Darragh Byrne (Starstruck, The Suicide Club) starring Colm Meaney (The Perfect Stranger, Whole Lot of Sole) and Colin Morgan (Merlin) has won the top prize at the Mannheim-Heidelberg film festival, a festival dedicated to up and coming new directors. The award was collected by producer Dominic Wright and Colin Morgan at the festival on Sunday night.
- 11/23/2011
- IFTN
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