Los actores emergentes Julia Martínez y Diego Garisa protagonizan la película. © La Zona
Ha finalizado el rodaje de “Subsuelo”, el thriller psicológico de Fernando Franco basado en la novela homónima de Marcelo Luján.
“Subsuelo” sigue a Eva y Fabián, dos hermanos mellizos a punto de cumplir la mayoría de edad. Una noche de verano se verán involucrados en un trágico accidente. Las circunstancias concretas son, sin embargo, opacas y tan sólo parecen conocerlas ambos hermanos y Mabel, su madre.
Protagonizan la película Julia Martínez (“La Promesa”) y Diego Garisa (“Bienvenidos al Edén”) en la piel de los dos hermanos mellizos, junto a Nacho Sánchez (“Mantícora”), Sonia Almarcha (“El Buen Patrón”) e Itzan Escamilla (“Élite”). Completan el reparto Montse Díaz, Íñigo de la Iglesia, Elvira Cuadrupani, Lucía de la Puerta, Gerardo de Pablos y Jorge Cabrera.
Se trata del cuarto largometraje de Fernando Franco, que dirige a partir de un guion...
Ha finalizado el rodaje de “Subsuelo”, el thriller psicológico de Fernando Franco basado en la novela homónima de Marcelo Luján.
“Subsuelo” sigue a Eva y Fabián, dos hermanos mellizos a punto de cumplir la mayoría de edad. Una noche de verano se verán involucrados en un trágico accidente. Las circunstancias concretas son, sin embargo, opacas y tan sólo parecen conocerlas ambos hermanos y Mabel, su madre.
Protagonizan la película Julia Martínez (“La Promesa”) y Diego Garisa (“Bienvenidos al Edén”) en la piel de los dos hermanos mellizos, junto a Nacho Sánchez (“Mantícora”), Sonia Almarcha (“El Buen Patrón”) e Itzan Escamilla (“Élite”). Completan el reparto Montse Díaz, Íñigo de la Iglesia, Elvira Cuadrupani, Lucía de la Puerta, Gerardo de Pablos y Jorge Cabrera.
Se trata del cuarto largometraje de Fernando Franco, que dirige a partir de un guion...
- 7/24/2024
- by Marta Medina
- mundoCine
Gear up for an exhilarating new episode of “Zona’s Awesome Fishing Show” on Outd! Season 14, Episode 8 titled “Zona Solo Windy, Warming Springtime” is set to air at 12:00 Pm on Monday, February 19th.
In this exciting installment, viewers are in for a treat as they join host Mark Zona on one of the most anticipated days in bass fishing: the first warming trend of spring. Despite the windy conditions, Mark ventures out for a solo fishing expedition, and the results are nothing short of spectacular.
As the temperatures rise and nature comes alive, Mark’s outing proves to be a thrilling adventure filled with action-packed moments and impressive catches. From battling the elements to mastering the art of angling, viewers will be on the edge of their seats as they witness Mark’s expertise and passion for fishing in action.
Don’t miss out on the excitement of “Zona...
In this exciting installment, viewers are in for a treat as they join host Mark Zona on one of the most anticipated days in bass fishing: the first warming trend of spring. Despite the windy conditions, Mark ventures out for a solo fishing expedition, and the results are nothing short of spectacular.
As the temperatures rise and nature comes alive, Mark’s outing proves to be a thrilling adventure filled with action-packed moments and impressive catches. From battling the elements to mastering the art of angling, viewers will be on the edge of their seats as they witness Mark’s expertise and passion for fishing in action.
Don’t miss out on the excitement of “Zona...
- 2/14/2024
- by Jules Byrd
- TV Everyday
“It is undoubtedly the best debut in Spanish cinema for years,” Pedro Almodóvar announced of Alauda Ruíz de Azua’s movie “Lullaby,” as it began to prove one of Spain’s liveliest sleepers of 2022, going on to score a Spanish Academy Goya Award for new director.
Having made such an illustrious first feature, what kind of TV debut could Ruíz de Azua make directing her first series? Some large inkling was given on Wednesday as Movistar Plus+ opened up the set of miniseries “Querer” to a select delegation of Spanish press.
In short, if on-set interviews are anything to go by, in her TV debut Ruíz de Azua returns to an eye-opening intimate family drama set in her lush native Basque Country, a story which delivers once more some uncomfortable truths about women’s role in traditional family structures.
One large question which the series may pose is whether the...
Having made such an illustrious first feature, what kind of TV debut could Ruíz de Azua make directing her first series? Some large inkling was given on Wednesday as Movistar Plus+ opened up the set of miniseries “Querer” to a select delegation of Spanish press.
In short, if on-set interviews are anything to go by, in her TV debut Ruíz de Azua returns to an eye-opening intimate family drama set in her lush native Basque Country, a story which delivers once more some uncomfortable truths about women’s role in traditional family structures.
One large question which the series may pose is whether the...
- 11/9/2023
- by John Hopewell
- Variety Film + TV
Andrei Tarkovsky’s bizarre philosophical science fiction epic may be his most successful picture overall — every image and word makes its precise desired effect. Three daring men defy the law to penetrate ‘the Zone’ and learn the truth behind the notion that a place called The Room exists where all wishes are granted. Plenty of art films promise profound ideas, but this one delivers.
Stalker
Blu-ray
The Criterion Collection 888
1979 / Color / 1:37 flat full frame / 161 min. / available through The Criterion Collection / Street Date July 18, 2017 / 39.95
Starring: Aleksandr Kaidanovsky, Anatoly Solonitsyn, Nikolai Grinko, Alisa Freindlikh, Natasha Abramova.
Cinematography: Alexander Knyazhinsky
Film Editor: Lyudmila Feyginova
Original Music: Eduard Artemyev
Written by Andrei Tarkovsky and Arkady Struagtsky, Boris Strugatsky from their novel Roadside Picnic.
Produced by Aleksandra Demidova
Directed by Andrei Tarkovsky
If the definition of film artist is ‘one who goes his own way,’ Andrei Tarkovsky qualifies mightily. Reportedly cursed with a halting career...
Stalker
Blu-ray
The Criterion Collection 888
1979 / Color / 1:37 flat full frame / 161 min. / available through The Criterion Collection / Street Date July 18, 2017 / 39.95
Starring: Aleksandr Kaidanovsky, Anatoly Solonitsyn, Nikolai Grinko, Alisa Freindlikh, Natasha Abramova.
Cinematography: Alexander Knyazhinsky
Film Editor: Lyudmila Feyginova
Original Music: Eduard Artemyev
Written by Andrei Tarkovsky and Arkady Struagtsky, Boris Strugatsky from their novel Roadside Picnic.
Produced by Aleksandra Demidova
Directed by Andrei Tarkovsky
If the definition of film artist is ‘one who goes his own way,’ Andrei Tarkovsky qualifies mightily. Reportedly cursed with a halting career...
- 8/19/2017
- by Glenn Erickson
- Trailers from Hell
Stars: Alexander Kaidanovsky, Anatoli Solonitsyn, Nikolai Grinko, Alisa Freindlich | Written by Boris Strugatsky, Arkadi Strugatsky | Directed by Andrei Tarkovsky
Based on Boris and Arkadi Strugatsky’s novel Roadside Picnic (not to mention the inspiration behind a famous video game series), this 1979 epic is a typically challenging work from Russian auteur Andrei Tarkovsky, but it is worth the effort.
Stalker is ponderous and bleak; demanding without being impenetrable; and guilty of navel-gazing, certainly, but far too intriguing and unsettling to be turned off. Plus, it’s split neatly into two bite-sized parts, so no excuses. The barebones plot involves three men – a Writer and a Professor, led by the titular Stalker – departing the dilapidated city for the forbidden “Zone”, a rural wasteland littered with industrial junk and devoid of people. The Zone is also, perhaps, a sentient entity. The men are searching for the meaning of life. Kinda.
Stalker is true...
Based on Boris and Arkadi Strugatsky’s novel Roadside Picnic (not to mention the inspiration behind a famous video game series), this 1979 epic is a typically challenging work from Russian auteur Andrei Tarkovsky, but it is worth the effort.
Stalker is ponderous and bleak; demanding without being impenetrable; and guilty of navel-gazing, certainly, but far too intriguing and unsettling to be turned off. Plus, it’s split neatly into two bite-sized parts, so no excuses. The barebones plot involves three men – a Writer and a Professor, led by the titular Stalker – departing the dilapidated city for the forbidden “Zone”, a rural wasteland littered with industrial junk and devoid of people. The Zone is also, perhaps, a sentient entity. The men are searching for the meaning of life. Kinda.
Stalker is true...
- 7/25/2017
- by Rupert Harvey
- Nerdly
July 18th Blu-ray & DVD Releases Include Kong: Skull Island, Resident Evil: Vendetta, The Bat People
For the brand new Blu-ray and DVD offerings coming out on Tuesday, July 18th, we have an eclectic assortment of titles, both new and old. As far as cult classics go, The Bat People, Freeway, Stalker, and Stormy Monday are all making their HD debuts on Blu this week, and if you missed Kong: Skull Island, Free Fire or Buster’s Mal Heart during their theatrical runs, now you’ll have a chance to catch up with these films on their home entertainment releases.
Other notable release for July 18th include Resident Evil: Vendetta, Another Evil, Lake Alice, and The Expanse: Season Two.
The Bat People (Scream Factory, Blu-ray)
Half Man, Half Bat, All Terror!
From director Jerry Jameson (Airport 77, Raise The Titanic) comes a high-flying horror from the darkest corner of the drive-in: The Bat People!
When Dr. John Beck and his wife Cathy fall into an underground cave,...
Other notable release for July 18th include Resident Evil: Vendetta, Another Evil, Lake Alice, and The Expanse: Season Two.
The Bat People (Scream Factory, Blu-ray)
Half Man, Half Bat, All Terror!
From director Jerry Jameson (Airport 77, Raise The Titanic) comes a high-flying horror from the darkest corner of the drive-in: The Bat People!
When Dr. John Beck and his wife Cathy fall into an underground cave,...
- 7/18/2017
- by Heather Wixson
- DailyDead
My nightly blood sacrifices seem to have finally paid off — or perhaps the world has finally wised up — for Criterion just announced that Russian slow-cinema maestro Andrei Tarkovsky‘s euphoric, perplexing masterpiece Stalker will be getting the 2K restoration treatment it so clearly deserves. (The same restored version will be screening at the Film Society of Lincoln Center for a one-week run starting on May 5, immediately followed by Solaris.)
With this news comes a new trailer, coated in glorious HD that brings tears of unspeakable joy to my eyes. The definition is so crisp, bringing to life Tarkvosky’s singular vision in such vivid presentation, that even a car blasting T.I.’s “Whatever You Like” out the window in full anachronistic fashion cannot stop me from being transported to a dark, strange place known as The Zone.
All personal digressions aside, Criterion’s restoration is a stunning achievement that...
With this news comes a new trailer, coated in glorious HD that brings tears of unspeakable joy to my eyes. The definition is so crisp, bringing to life Tarkvosky’s singular vision in such vivid presentation, that even a car blasting T.I.’s “Whatever You Like” out the window in full anachronistic fashion cannot stop me from being transported to a dark, strange place known as The Zone.
All personal digressions aside, Criterion’s restoration is a stunning achievement that...
- 4/19/2017
- by Mike Mazzanti
- The Film Stage
The Criterion Collection will venture to the Zone this July, and much more, as they’ve announced their new titles for the month. Andrei Tarkovsky‘s long-rumored sci-fi masterpiece Stalker will arrive with a new 2K restoration. The release will also include a new interview with author Geoff Dyer and newly translated English subtitles. Also arriving in July is Albert Brooks‘ satirical comedy Lost in America, featuring a new conversation with the director and Robert Weide, as well as interviews with the cast and crew.
One of the most notable releases of the month is Robert Bresson‘s masterful final film L’argent, which tracks a counterfeit bill through Paris, and the people it touches. Lastly, Roberto Rossellini‘s powerful War Trilogy is getting a much-deserved Blu-ray upgrade with new versions of Rome Open City, Paisan, and Germany Year Zero. Check out the high-resolution cover art below and full release details.
One of the most notable releases of the month is Robert Bresson‘s masterful final film L’argent, which tracks a counterfeit bill through Paris, and the people it touches. Lastly, Roberto Rossellini‘s powerful War Trilogy is getting a much-deserved Blu-ray upgrade with new versions of Rome Open City, Paisan, and Germany Year Zero. Check out the high-resolution cover art below and full release details.
- 4/17/2017
- by Jordan Raup
- The Film Stage
As a film student, I, like many before me, found myself caught under the mesmerizing spell of Russian auteur Andrei Tarkovsky soon after I watched the opening shot of his seminal Stalker in class. I rushed to find a copy and, sitting on my dorm room bed — laptop open, headphones blasting — I watched, mouth agape, as the sheer poeticism and beauty of his work washed over me. For some, Russian slow cinema is a sleep-inducing slog better left on the dusty shelves of film history. For others (myself included), it proves a rapturous experience through its challenges and subsequent rewards. Steeped in philosophy, dread, and beauty, Tarkovsky’s picture is a staple and lasting example of the medium’s particular powers. With each revisit, Stalker continually unfolds new layers to the attentive viewer: though it was released in 1979, essayists and scholars (not to mention teachers and students) are still having a field day.
- 2/2/2017
- by Mike Mazzanti
- The Film Stage
For the fifth year, IndieWire is co-hosting the Locarno Critics Academy, giving a group of talented up-and-coming critics a chance to help their role in the current climate for film criticism and journalism at the Locarno International Film Festival. With assistance from Penske Media, the Swiss Alliance of Film Journalists and the Film Society of Lincoln Center, participants will engage in a series of activities and then get to work. They will spend the first half of the festival which begins today, in roundtable discussions with working critics and industry figures; beginning next week, they’ll write about films at this year’s festival, as well as topics ranging from television to digital media.
Before then, take a minute to get to know them, and find out what they’re looking forward to checking out. Keep up with their dispatches from this year’s festival here and follow them on Twitter.
Before then, take a minute to get to know them, and find out what they’re looking forward to checking out. Keep up with their dispatches from this year’s festival here and follow them on Twitter.
- 8/3/2016
- by Eric Kohn
- Indiewire
Mubi is celebrating Canadian National Film Day, in partnership with Reel Canada, by exclusively showing Atom Egoyan's Calendar (1993). It is playing on Mubi from April 20 - May 19, 2016. Many thanks to the director, who generously has shared this new introduction to his film.Calendar. Photo © Ego Film Arts.It started with a very simple urge: to go there. Though both my parents are Armenian, I was born in Cairo, raised in Canada, and had never visited my “mother country.” In 1991 my fourth feature, The Adjuster, had been invited to the Moscow Film Festival. It won a prize, which included one million rubles (a fortune back then) to make a film somewhere in the Soviet Union. At the time, Armenia was part of the Soviet Union, and this would be my opportunity to go there.Over the next year, as I began to formulate an idea for a film, fate would work against me.
- 4/18/2016
- by Atom Egoyan
- MUBI
In this era of digital cameras and laptop editing, ambitious video essays and filmmaker documentaries are hardly the uncommon encounter they had been when Claire Denis made her film for the Cinéma, de notre temps television series, Jacques Rivette - Le veilleur—a movie on a lot of our minds with the passing of the New Wave master last week. Yet, as with fiction films, while the increased democratization and affordability of movie-making apparatus has meant more such essays and more such documentaries, the quality of this greater proliferation varies widely. Which is why it was such a pleasure to come in Rotterdam across two stupendous examples of each: Night and Fog in the Zona, Jung Sung-il's long-form documentary on Chinese independent filmmaker Wang Bing, and Juke: Passages from the Films of Spencer Williams, American teacher and filmmaker Thom Andersen’s video essay on the culturally forgotten films by the African American director.
- 2/5/2016
- by Daniel Kasman
- MUBI
Selecting breakout talents from the lineup of this year's New York International Fringe Festival (running through Aug. 24) is a daunting task. Consider the numbers: Now in its 12th year, the festival calls itself "the largest multiarts festival in North America," presenting more than 200 companies from around the nation and the world. Competition to gain entry is keen. And in many instances, fair comparisons between shows cannot be made — it's the proverbial apples versus oranges. Still, here's a sampling of actors whose names you'll want to remember.Bill ConningtonIt's no easy feat making a sexual psychopath understandable, if not sympathetic. In his solo show Zombie, adapted from the Joyce Carol Oates novella, Bill Connington plays Quentin P., a Jeffrey Dahmer-esque serial killer. In graphic detail the character recounts the torture, rape, and murder of his young male victims. Quentin's purpose, he explains, is to create zombie slaves who will serve him.
- 8/13/2008
- by Simi Horwitz
- backstage.com
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