When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.
- Awards
- 6 wins & 5 nominations
Megumi Hayashibara
- Paprika
- (voice)
- …
Tôru Emori
- Inui Sei-jiroh
- (voice)
Tôru Furuya
- Tokita Kohsaku
- (voice)
Kôichi Yamadera
- Osanai Morio
- (voice)
Hideyuki Tanaka
- Guy
- (voice)
Satomi Kôrogi
- Japanese Doll
- (voice)
Daisuke Sakaguchi
- Himuro Kei
- (voice)
Mitsuo Iwata
- Tsumura Yasushi
- (voice)
Rikako Aikawa
- Kakimoto Nobue
- (voice)
Shin'ichirô Ôta
- Reporter
- (voice)
Satoshi Kon
- Jin-nai
- (voice)
Yasutaka Tsutsui
- Kuga
- (voice)
Brian Beacock
- Hajime Himuro
- (English version)
- (voice)
- …
Doug Erholtz
- Dr. Morio Osanai
- (English version)
- (voice)
Michael Forest
- Dr. Seijiro Inui
- (English version)
- (voice)
Shin'ya Fukumatsu
- Magician
- (voice)
- (as Shinya Fukumatsu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Paprika interviews Konakawa in his filmmaker guise, his mannerisms and appearance resemble that of Akira Kurosawa.
- ConnectionsFeatured in WatchMojo: Top 10 Beautiful Animated Movies (2014)
- SoundtracksParade
Composed and Performed by Susumu Hirasawa
Featured review
Paprika isn't for the faint-hearted. Don't expect a story for children.
The story opens with a cop who's plagued by a recurring nightmare, so he seeks psychological help. If you've ever seen and enjoyed Alfred Hitchcock's Spellbound, it'll help you understanding what's going on in the film.
The cop forms a relationship with Paprika, a dream character who becomes his guide in helping him understand what happened in his past that makes him feel such shame in the present. Paprika assumes many forms in the everchanging dreamscape to relate to the other characters.
This seems all good at the beginning, but the device that enables dream analysis is stolen. This creates an even bigger problem than just nightmares; what happens when people can't control their dreams and has them hijacked by evil? Paprika isn't the easiest movie to sum up. On one level, it's like watching dreamy, fantastical animation, but there's also a deeper psychological question being asked: What is a dream exactly and to what extent does it affect your consciousness and waking life? How much fantasy is good for a person whether it be in dreams or spending time on the Internet? If you bury guilt and desire into your subconscious, how will it manifest in your dreams?
Paprika is definitely a visual spectacle. I don't recommend waiting to see it on video. I had the honor of catching it on the big screen, which I believe is necessary to capture the depth of the imagery. Parts of it really seemed like dreams I've had (times when I've tried to walk, but couldn't get anywhere and the harder I tried, the worse it got).
I put Paprika up there with Pan's Labyrinth. A lot of people will be turned off from it by the subtitles and another set of people will be lost by the mythology in it. If you don't have problems with these kinds of things, you will probably have a delightful viewing experience.
It takes a person with an analytical mind to put the plot together. If you follow the recurring images, the mythology will make sense. A lot happens on the screen. I didn't have a problem understanding what was going on and I enjoyed putting the puzzle together. I don't think most moviegoers are like that these days, so I can see them getting bored or annoyed because they can't figure out what's going on. If you prefer the Disney genre of animation, avoid Paprika, it will just frustrate you. If you're crave more than a simple plot, Paprika will satisfy that hunger.
The soundtrack is quite good too. It's a refreshing break from Elton John power ballads.
The story opens with a cop who's plagued by a recurring nightmare, so he seeks psychological help. If you've ever seen and enjoyed Alfred Hitchcock's Spellbound, it'll help you understanding what's going on in the film.
The cop forms a relationship with Paprika, a dream character who becomes his guide in helping him understand what happened in his past that makes him feel such shame in the present. Paprika assumes many forms in the everchanging dreamscape to relate to the other characters.
This seems all good at the beginning, but the device that enables dream analysis is stolen. This creates an even bigger problem than just nightmares; what happens when people can't control their dreams and has them hijacked by evil? Paprika isn't the easiest movie to sum up. On one level, it's like watching dreamy, fantastical animation, but there's also a deeper psychological question being asked: What is a dream exactly and to what extent does it affect your consciousness and waking life? How much fantasy is good for a person whether it be in dreams or spending time on the Internet? If you bury guilt and desire into your subconscious, how will it manifest in your dreams?
Paprika is definitely a visual spectacle. I don't recommend waiting to see it on video. I had the honor of catching it on the big screen, which I believe is necessary to capture the depth of the imagery. Parts of it really seemed like dreams I've had (times when I've tried to walk, but couldn't get anywhere and the harder I tried, the worse it got).
I put Paprika up there with Pan's Labyrinth. A lot of people will be turned off from it by the subtitles and another set of people will be lost by the mythology in it. If you don't have problems with these kinds of things, you will probably have a delightful viewing experience.
It takes a person with an analytical mind to put the plot together. If you follow the recurring images, the mythology will make sense. A lot happens on the screen. I didn't have a problem understanding what was going on and I enjoyed putting the puzzle together. I don't think most moviegoers are like that these days, so I can see them getting bored or annoyed because they can't figure out what's going on. If you prefer the Disney genre of animation, avoid Paprika, it will just frustrate you. If you're crave more than a simple plot, Paprika will satisfy that hunger.
The soundtrack is quite good too. It's a refreshing break from Elton John power ballads.
- zerogirl42
- Jun 21, 2007
- Permalink
Details
Box office
- Budget
- ¥300,000,000 (estimated)
- Gross US & Canada
- $882,267
- Opening weekend US & Canada
- $35,593
- May 27, 2007
- Gross worldwide
- $961,196
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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