Flatland

The premise had me gripped, as did the opening five minutes. But execution is disappointing and I can't help feel that here is a film of potential genius wasted by bad voice talent, bad script editing and a lack of proper characterisation.

Flatland, let's be brutally honest, is a film for geeks by geeks. The idea just appeals to nerds and if you're a nerd, chances are you'll love this film. The whole mathematical purity will just hit the right buttons and you'll enjoy telling your friends all about the innovative 'angles' (excuse the pun) and clever 'parallels' with modern philosophy. But truth is, nerds don't write good scripts because they forget that behind every great story idea is a driving engine called character. And in Flatland, it ain't just the graphics that are two dimensional.

There are other reasons you can tell there are nerds at the steering levers. The producers just don't know what to do about women. Nerds see. Women are dangerous, incomprehensible, flat lines with no substance. When they get in the way of the plot, the women eat themselves. When the men in the movie display chauvinism its dismissed with a knowing wink and a few lines of humour.

Then there's the plot. Politics, oppression and war wrapped up with a Messiah prophecy. It's not exactly ground breaking.

Visually the film is interesting. But there's just too many dimensions missing to make this as good as the other reviews suggest.

As a cheap, badly voiced, badly directed indy attempt its good for a look-see. But you'll go away wondering if, out there somewhere in a parallel universe, there's another version of you enjoying a much better, more 'rounded' film where women actually have active roles, the characters have personalities instead of plots to further and there's a bit more to the whole thing than just 'oh wow, lets have fun with dimensional space'.

A missed opportunity. But possibly worth a look simply because it's so... different.