60
Metascore
15 reviews · Provided by Metacritic.com
- Binoche’s naturalistic performance marries itself beautifully to the ensemble while grounding, in reality, a character unbelievable, yet true.
- 80Time OutDave CalhounTime OutDave CalhounAlthough Binoche is the film’s star, her presence is smartly muted, allowing us time and space to discover the world as she does, and providing room for complexity in considering the ethics of his character’s work and of Carrère’s film itself.
- 75Slant MagazineWilliam RepassSlant MagazineWilliam RepassEven when the film becomes something like a spy thriller, it never loses sight of its political themes.
- 68TheWrapBen CrollTheWrapBen CrollBetween Two Worlds is highly self-aware, at some points simply playing up the odd dissonance of seeing as glamorous a figure as Juliette Binoche scrubbing toilets, and at other points making more caustic commentary on the impossible task the book and adaptation set out to accomplish.
- 63Movie NationRoger MooreMovie NationRoger MooreIts predictability doesn’t break Between Two Worlds, but it does soften the blows it intends to deliver.
- 50VarietyPeter DebrugeVarietyPeter DebrugeThe movie provides some nice, memorable bonding moments between Marianne and her subjects, including Cédric (nonactor Dominique Pupin), a decent if slightly pathetic middle-aged man also looking for work. But its portrayal of cleaning women ultimately feels flat, and it’s not clear whether watching Binoche scrub a few toilets is meant to dignify/humanize those stuck doing such chores, or to underscore the lengths to which she’ll go as an actor.
- 40The GuardianPeter BradshawThe GuardianPeter BradshawNeither of the two worlds of the film’s English title is illuminated clearly enough
- 40EmpireDavid ParkinsonEmpireDavid ParkinsonDespite the nobility of its intentions and commitment of its cast, this would-be treatise on gig economical iniquity winds up patronising the very ‘invisible people' it's supposed to be championing.
- 40The Irish TimesTara BradyThe Irish TimesTara BradyMarianne may learn to “pass” for a cleaner – kind of – but she can never experience the precariousness faced by her subjects. Her idea that these people are entirely invisible is bogus from the get-go. The script wrestles with these problems but it simply cannot overcome them.