User reviews

I have sat through below average movies several times because I have always believed in something 'keep your expectations low and you are in for a positive surprise'. However, I have been reading the pre release media coverage on this one and had it on in my watch list. I had expectations on this set already and usually it contrives the other way round, but this one proved me wrong. I still get to gain, since this is something which I rate as a rare cinematic experience as far as bollywood goes. I believe its a very brave effort to even think about a plot and to give it the look it has. With more of fantasy driven plots doing the rounds at bollywood box office, movies which venture in to unexplored territories always score better with me. Not just that, this one has quite a few reasons. Cinematography - It takes you to the retro era of the 70's. The color combinations of black and blood red, with the tall fonts for cast and the posters is very pleasing and reminiscing of the era of not so technical but still gruesomely intense thrillers of the 70's. Its a real tribute to that era.

Music - The title track is one of the best and looks like to be a big hit already. The blend of the old and the contemporary techno music is very refreshing.

Plot - The unpredictability is something which has not been seen in a while considering that you know the culprit through out. It makes you see the movie through the eyes of the characters. Its like a anti-climax repeated several times. It keeps your brain cells on the toes and you better not sit back and relax if you don't want to appear dumb after wards.

The performances have been superb and still it manages to have its own humorous moments as well. It reminds me of 'Sholay' since there are so many scenes which appear so discretely superb but blend in perfectly.

Highly recommended to the metro-plex audiences.

There have been very few proper thrillers in Indian film industry, and counting few good ones in them is easy task. However here comes a movie that has the potential to redefine the genre. Most probably this movie will prove to be a dud at Box office, however it will sure go down as a cult for generations to come.

In most of the thrillers that I have seen, I am able to second guess the director on what he is going to show. However this movie is something that didn't let me do that. Even though the pacing seemed to be slow in parts, however it actually was never slow. Every few minutes the events took a dramatic change, and even though you realize that this could have been expected, however it was not.

This is type of cinema that I prefer to enjoy alone, not with friends Or with family. Simply go into the theater and immerse yourself.

My only regret is the way the music was used. Initially only the title track was released but later there was an elaborate album. And it was one of the best score to hit the shelves in a long time. The album gave an impression that it was not typical Bollywood fare, however would be used in background. It had some excellent themes and instrumental pieces and sometimes it gave an impression if modern day Hollywood themes were inspired from Bollywood of 70's, and one expected those pieces to play a pivotal role to elevate the movie. However they were hardly used in the movie, except for couple of occasions.

Since I have heard the original album, that is the reason my expectations were sky high from the background music and theme music of the music, but still its a rare masterpiece coming out of Bollywood. This one deserves an elaborate DVD version.

***** HIGHLY RECOMMENDED at ANY COST !! *****

This seems to be a watershed year or at least month so far as thrillers in Hindi movies are concerned. First there was Manorama 6 Feet Under and now I saw Johnny Gaddar, which totally ROCKS!! A tight and layered script that pays a lot of homage to erstwhile thrillers (tons of 70's references here) but remembers to have its own identity, absolutely SUPERB direction and performances that are indicative of the relish all the actors took in their parts. Even Shankar-Ehsaan-Loy provide some measure of compensation for the emasculation of 70's songs they did in their remix albums by coming up with a background score that's booming with the meaty brass sounds of that era. If there is any flaw I'd say the lead pair of Neil Mukesh and Rimi Sen are kinda vacuous but even that mostly works in the film's favor because they play characters that remain under everyone else's horizon.

Unquestionably one of the smartest films I've seen recently, the biggest strength of Johnny Gaddaar is its unpredictability. Unlike most conventional thrillers with a heist at its core, this one's not a whodunit – it can't be, because you know all along who's done it – the question instead is, how's he going to get away with it? Really the film's biggest accomplishment is the manner in which it compels you, the viewer to think differently – midway through the film you've got the drift, you begin to expect the unexpected, you even begin to predict what's going to happen next. That's the level of involvement you're able to muster up for this film.

Dharmendra as leader of the gang, Zakir Hussain as the crass club-owner, Vinay Pathak as the smarmy card-shark, and Neil Nitin Mukesh as the rookie, the youngest member of the gang – you couldn't find better actors to fill out these roles.

Zakir Hussain in particular, stands out with a performance that is ingenious in every sense of the word. And Neil Nitin Mukesh makes an inspired debut; he's clearly an actor to look out for.

it's a thriller very unlike his own previous film Ek Hasina Thi, and very unlike most thrillers you've seen recently. Watch it because it's that rare film that actually expects you to use your brain.

8/10..!

Sriram raghavan again throws an ace with this movie. This man has incredible talent and is the director to watch out for. Best thing about the movie is it keeps u thinking throughout the movie what will happen next.Good thing is that he has not added any boring songs which could have ruined this movie instead used it as background score in most scenes.This movie is closet anyone can get to Hollywood thrillers. Niel Mukesh is a great find and the star to look out for. Sadly when i watched this yesterday half the theater was empty. But each and every person in the theater enjoyed it and gave a standing ovation when movie was over. Unfortunately the movie is released at the wrong time. Imagine so many good films hitting the screens like dhol,dhamal,loins of punjab,Manaroma and to add Chak de India. But this is one of a kind and i enjoyed every bit.

Here is a film directed by someone whose previous directorial venture (Ek Hasina Thi), though stylishly executed, was a box office dud. A film which has Dharmedra as the biggest name in the credits. The second biggest is perhaps Shankar Ehsaan Loy, who are favorite composers for big banners these days. They have done a neat job here as well. A film which has a debuting actor with musical genes in lead role (he is grandson of legendary singer Mukesh). So what would be expected from such a venture? Not much I reckon. And that's the biggest strength of the film. Low expectations, high returns. The film is classic thriller by all standards. Be it acting, script, direction… anything.

Commenting anything about the storyline would be a sin for this genre of cinema. Though its not suspense of "Who did it" sorts, but still its best that story is left untold. But it deserves to be told that unfolding and turn of events is gripping. It keeps you glued to your seats.

Technically the film is a jewel. Cinematography is top notch. Editing is crisp, narrative fast paced. There is hardly a dull moment. Background score is racy and innovative. Sriram Raghvan proves that the promise shown in his directorial debut was not fluke. He is a director to look out for. And thanks to him, we now have an actor too to look out for in Neil Nitin Mukesh.

So, some may call Johnny Gaddar a cult classic, some call it style exemplified. But in simple terms, it's a good film. Go and watch it.

Now this is something hits unexpectedly. Johnny Gaddar quite thoughtfully titled like 70's hard-boiled thriller spins a devious plot and pulls off a fantastic thriller. This is one of those relentless movies just refuses to slow down. Having said that is a complement in itself. Bollywood always has flavor for romance and comedy but thriller is still not first class citizen here. In old days B R Chopra gave us real good mysteries and thrillers, in our time Abbas-Mastaan used to deliver but they have lost their way terribly these days. Writer-Director Raghvan's last venture was brilliant Ek Haseena Thi with Saif's snaky performance- his best till date. With Johnny Gaddar he exercised in the same genre and maturating it more and more. He penned a clever on-the-edge thriller and then got in director's chair doing a through job.

Plot is a classic crime setup. Five regular partners going for a deal splitting profit five ways as usual. It is fine until one of guys (of course Apana hero Neil) wants all and elope with his mistress(Rimi Sen). But of course plan will not be executed without flaws and none of the member of the crew is a rookie or push-over. Then onwards film is a gripping tale with twists and turns. It pays-off and it is also not timid to avoid contemporary cliché conclusion.

Film doesn't have A-list stars to draw attention but has actors doing their job nifty making this kind delight. Star of the show is Neil Mukesh. This is a very bold, confident feature debut for the talented actor, certainly Lambi Race Ka Ghoda for the industry. Film offers some real good scenes. I really liked the scene when a cop sitting beside the rat in the gang suggests changing the topic and talk about his favorite actor extracting a virtual confession out. And there is another scene shows glimpse of gray in human carnival when one character held on gun-point and asked about how others solve the mystery earlier and met their demise. He bleeding, about to die, smiles wicked; refuses to answer saying that will puzzle and torment him rest of the life.

Film got a vintage treatment and several references are made to some classics. One of things I admired most here, hero is not sly or wicked but the script is. There seems so many innocent thread suspended loosely initially to pay attention but double backs in as crucial smart clues later. Altogether film is a darn dandy pleasure. Full entertainment all over. Strong Thumps up JohnnyO!!

It's the retro age - Recently i saw this Tarantino film (must admit I'm a huge fan of his!!) on the Grindhouse backdrop and it amazed me because of the recreated era - sublimely yet effectively treated and brought on screen. I kept wondering whether I will ever lay my eyes on any such film in the Hindi Film Industry.

Sriram Raghavan (of "Ek Hasina Thi" fame) has much the same treatment for us - Shock and Awe. Yes!! It is a complete disappointment for the people' who can predict every twist and turn while watching a Thriller - because the film is genuinely UNPREDICTABLE, right till the credits flash across your gaping faces. (I'm sure you will be staring in sheer disbelief at the audacity of the Director) It is the treatment that blows you off - and the director is not even shy to reveal his "inspirations" for he surpasses them! The plot is about a supposedly well planned and organized barter of things gone wrong - "The Gang" of Five wants to get hold of something which requires a payment of 2.5 crores, an investment which shall get doubled with time. But someone among them betrays. You get to know about who the betrayer is, but not the other four in the gang. It sets off a chain of events that involves five underhand dealers, their families, a cop has a perfect denouement. It is almost like a short story - leaves you yearning for more, just as you thought you knew it whole! Fast and slick - right from the credits which is sexy and suave, through the images - that of Johny's transition from warmth exuding from the eyes to that cold glimpse which petrifies, from Pune to Goa and back again, the bars, the "in-built" and "in-sync" songs, the promises made only to be broken, the message is clear - Evil begets Evil and consumes Evil too.

The actors are brilliant (except for Neil who does a good job, but somehow he seemed to be emulating rather than delivering originality). Be it VInay Pathak, Dharmendra or Zakir Husaain, their characters have been sketched to perfection. Watch out for the ironies and the metaphors that have sublimely been blended into the film (say for instance, Why the name "Johny Gaddar" ?)...

The camera work has to be seen to be believed. The editing is absolutely A-class. The soundtrack is a perfect foil to the hectic pace of the film. Yes it might have its share of flaws (a particular thread which has no "suitable" ending), but they are an iota to the grandiose treat that I'm sure you shall relish for years to come...

I might just add - Watch it on the Big Screen. It's a perfect fit. Hats off to you Mr. Raghavan!!

A combination of slickness and intelligence is rare in Hindi cinema. 'Johnny Gaddaar' is one such film. Not only is it slick and intelligent, it has a gripping fast-paced plot, impressive performances (none bad), keeps you at the edge of the seat and entertains. It just kept me so involved! I loved the numerous reference to Indian classics (like 'Bandini', 'Johnny Mera Naam' and so many more) and the Chase novels. The dark humour provides several laugh out loud moments e.g. during the second scene Dharmendra turns on the stereo to listen to his wife sing. Raghavan's inspiration clearly shows (note inspiration NOT ripoff) and the man did one hell of a job in creating an Indian pulp fiction!

The cast itself is a smartly gathered unusual ensemble that works very well. Dharmendra rocks as the leader of the gang. This guy has brought a wise freshness in his last three films (the other two being 'Life..in a Metro' and 'Apne'). Zakir Hussain, Govind Namdeo and Vinay Pathak are great in their parts. Ashwini Kalsekar is natural while Rimi Sen is no good. However, 'Johnny Gaddaar' rests on débutant Neil Nitin Mukesh. The actor isn't fully comfortable in front of the camera but his awkwardness and novel presence fits the character (who is the newest member of the gang).

The background score deserves special mention. The instrumental tracks heard in spy movies, the trance music...all add a nice and cool touch. The item number in the end could have been shortened but the songs give a feel of the wild 70s.

Raghavan's debut film 'Ek Hasina Thi' happens to be one of my favorite thrillers. Now I can add his second film to my favorites! Even though the plot becomes slightly predictable during the last 45 minutes, it doesn't lose its charm. It's a howdunnit rather than a whodunnit. Undoubtedly, one of the most enjoyable films of the year and one of the best of its genre to come out from India.

Great effort at making a suspense thriller. This movie is a welcome change from the usual fare dished out. Thank you Shriram Raghavan ! The movie holds yours attention right from the starting credits, and does not disappoint later. The lead Niel, though wooden at times carries his character well, Vinay Pathak and Zakir Hussain are superb. Check out the train sequence and the blurred effects which enhance the viewers perception. Parts of the movies are reminiscent of some Tarantino flicks, and have some similarities with 'the usual suspects' but this is no copy paste job. One of the few original stories in Hindi cinema this year. A good watch, anytime the movie bug bites you.

Sriram Raghavan has made some thrillers like Badlapur with Andhadhun being his best in my opinion. Johnny Gaddaar was his second film and I could sense talent within him.

Johnny Gaddaar follows Vikram, a man who decides to steal the money collected by his partners for a drug deal which leads to lies, deceit and betrayal.

Andhadhun is one of the greatest thrillers to come out of India and whilst Johnny Gaddaar isn't as good as that, Sriram Raghavan does show off his talent in crafting a thriller. What I liked about this film was the neo-noir feel of it all. There's somewhat of a classic and old school feeling to this film that worked well with the story it was presenting. The opening credits themselves pay a great homage to the neo-noir genre and there are moments throughout that clearly feel influenced by Quentin Tarantino and past Indian thrillers. What works in the film's favour the most is its unpredictability. Aside from the ending, which can be guessed as it's shown at the beginning, the film went in ways I didn't expect which kept me invested and culminated nicely by the end. Despite that, there were times where characters didn't make the best of decisions and moments where I questioned whether they could happen or not.

The acting was also well done. Neil Nitin Mukesh does a decent job. At times I thought he could've been better but considering this was his debut, he did a good job. Dharmendra was pretty good and same goes for Rimi Sen. The best out of the lot were Vinay Pathak, Ashwini Kalsekar and Zakir Hussain. These three did a fabulous job especially Hussain.

Overall, Johnny Gaddaar was a decent thriller. Improvements could've been made but I enjoyed it regardless and it was a great stepping stone for Sriram Raghavan to perfect his skill as director and writer in the thriller genre which I feel he did with his future film Andhadhun.

If you grew up reading James Hadley Chase and his prototype stories of the not so bad (but not good) protagonists, who always fell for the wrong woman, tried to make it big, but things went wrong in a very bad way - then this is a must watch for you! I am still stunned by the sheer quality, charisma and entertainment of this film. Dharam was Garam, Neil is a heart-throb and he can act, even Rimi Sen was competent. Dharam made me so nostalgic for the 70s - "It is not about age but mileage" LOL!!! I liked Rasika, Govind Namdeo, Zakir Hussain - in fact it is safe to say that no one turned in a bad performance. Neil Mukesh is one to watch out for - best when he played the innocent, but also great when he was the schemer. Move over Hritik, forget it Ranbir, the new man about town is certainly Neil Nitin Mukesh.

There were more references to everyone's favorite moments in books (Hadley Chase mostly) and films (of course the ubiquitous Johnny Mera Naam, and many many Bachchan films including the early and all important Parwana) than I can remember (and it might take another viewing to capture them all!), there was your favorite music from yesteryear's (Aage bhi jaane Na tu for one) and some cool new stuff, there was blood and gore galore, and there was an inevitability to the story (just like your favorite Hadley Chase book had).

And after you are done watching Johnny Gaddaar then go back and watch Jewel Thief and Johnny Mera Naam, maybe even Parwana, to get even more out of the film!

I highly recommend this film to all lovers of pulp fiction (and I do not mean the film alone), the noir genre, heists, double-crosses, and just unusual cinema that is very well done. Kudos to Sriram Raghavan, I wish I could get into his head to see where all this came from.

A fast-paced thriller, Johnny Gaddaar is ample testimony that you can make a gripping Bollywood movie without any of the big names.

Also, as long as you have a decent story you don't have to go gallivanting around the globe filming in locales like Namibia, Australia, Switzerland or Brazil.

Without doubt, Johnny Gaddaar comes with a nice story and a tight script. No meandering or sloppy detours here.

Most Bollywood movies are unwatchable despite the presence of big name heroes and sultry sirens because of the wafer-thin stories. That is when our Bollywood bozos are not shamelessly stealing from Hollywood. Fortunately, Johnny Gaddaar is different.

In the late British author James Hadley Chase tradition of providing a strong protagonist who is usually a criminal but not really a completely evil or loathsome figure, Johnny Gaddar offers us the criminal Vikram. Bad but not repulsive and carried along mostly by the tide, Vikram holds our attention throughout the movie.

Johnny Gaddar packs all the ingredients of a fine thriller - love, crime, sexy girls, action, unexpected twists and betrayal.

Newcomer Neil Nitin Mukesh (grandson of the famous singer Mukesh) does a decent job as the young lad Vikram in a haste to get rich. Only in one crucial scene featuring a confrontation with Dharmendra does Neil Nitin Mukesh falter and fails to deliver the goods.

Besides Neil Nitin Mukesh, Dharmendra, Zakir Hussain, Vinay Pathak and Ashwini Kalsekar deliver solid performances too. Even that Bollywood clown Rimi Sen has thrown in an acceptable performance here.

The story centers around a gang of five criminals headed by Seshadri (Dharmendra) who embark on an assignment that is supposed to net them a hefty profit in just a few days.

But one member of the gang has other ideas.

He wants all the money for himself so that he can make a new beginning in a far off place with his girl friend Mini (Rimi Sen). So the double crosser sets in motion a train of events with deadly consequences for the others.

Johnny Gaddaar is easily one of the best Bollywood movies we've seen in this year.

10/10

It is an awesome thriller even though I know from the start who the killer is! I liked the movie a lot. It is like the Hitchcock movie "North By Northwest" or like the movie "Phone Booth" - when you start watching it you cannot stop, you have to see the whole movie.

Sad but a true fact that non-masala good movies always fail at box office, so it is no surprise that Johnny G didn't do well at Box Office.

I wasn't aware of this film director before, but the way the movie is directed and the bits and pieces are displayed - I am really impressed! Each and every detail are so nicely laid out, even the titles at the start are really impressive. Don't forget the way the word "Intermission" is shown. It is a work of a genius and very rare movies display such nice details.

Adding it to my "must watch" movies list.

Johnny Gaddaar is an original, honest, well-made and truly "different" attempt. It has a gripping storyline with twists paced out evenly every 15-mins. You will see shades of Tarantino'ism including the retro music played in the background. And the movie does transport into the 70's era.

Johnny Gaddaar and then Om Shanti Om! Is the "70's era" the new buzzword in Bollywood today?

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Performances::

Dharam-paaji:: Role shorter than expected. And why a South Indian name?

Niel Nitin Mukesh – Promising indeed. Needs to polish his skills as he progresses and choose wisely – or else risk himself turning into poor-man's Hritik.

Rimmi Sen – Confident.

Zakir Hussain – As usual dependable. Liked his flamboyant shirts.

Vinay Pathak – Piece of advice:: Don't just stick to comedy, your versatility in this role speaks for itself.

Govind Namdeo – Reminds of Danny's role in "Aitbaar".

Ashwini Kalsekar – Gives her heart and soul into every little she does.

Daya Patel – Short role, but leaves an impact (he is macko-man "Shiva", btw).

Rasika Joshi – Well suited role (unlike Aag or Bhool Bhulaiya)

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I thought Sridhar Raghavan's "Ek Hasina Thi" was a fluke owing to two factors namely RGV banner backing it (flying high then) and Sidney Sheldon's novel which it heavily borrowed the basic premise. With Johnny Gaddaar, Mr. Raghavan proves that he can pull off a spectacular feat.

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Shortcomings::

Too much of reference to Faraar

Dev Anand's howling got better off me a while later

If the movie is trimmed by about 20-minutes it can translate into a sleek, edge-of-seat entertainment.

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Moral of the story:: Plain-lucky Johnny shouldn't press his luck too far.

The debut movie of Niel Nitin Mukesh,grandson of legendary singer Mukesh. The USP of the movie is definitely not the debut, but the story. It is well scripted and equally well told. Writers have taken a lot of effort on the script and it shows as the final result is very polished and engaging.

Casting also was good, being a low budget movie no mega stars acts in the movie, except mega star of his days Dharamendra(surely not a mega star of today), also one would not find any foreign locales in dreamy song sequences, although cinematography could have been lot better.

The debutant actor Niel Nitin Mukesh acts very well for a debutant, he could be the next girl charmer of Bollywood, with great looks, physique and good acting abilities he is here to stay for long time. Dharamendra does a pretty good job and this was expected from an actor of his stature. Its refreshing to see Vinay Pathak in not a full blown comedy role, he shows of his acting abilities to the fullest. The background score of the movie is great; Shankar Ehsaan Loy does a wonderful job yet again. The visual effects and editing should have been better as this steals the charm of the movie Story does become predictable at few instances but overall it keeps you glued to your seats till the end. Surely a one time watch movie.

Recently saw this movie when one of my friend told me that it is an adaptation of James Hadley Chase's novel. I have read most of the JHC books and will vouch for it that if you read all of his books and act on them you'll one day end up a big fraud. There are so many innovative ways which JHC come up with to con people. Now being an ardent fan of JHC, I made it a point to see this movie but had some apprehensions at first because some years ago even Ketan Mehta tried to adapt a JHC novel, 'The Sucker Punch' into AAR YA PAAR, even some of the dialouges were lifted from the book but i guess he failed in the script. He went too far from what was there in the novel.

Coming back to Johnny Gaddaar I found the story is not lifted from any of JHC's novels, it does follow a somewhat similar plot though. I feel it is Sriram Raghavan's (Of 'Ek Haseena Thi' fame) tribute to many personalities, Vijay Anand, R K Narayan (Rimi Sen is reading 'Guide' in the film), Rama Gopal Verma (Sriram was RGV's assistant), Hitchcock etc. In the opening credits he mentions some of the names like JHC and Vijay Anand.

The movie features the grandson of the legendary singer Mukesh, Neil Nitin Mukesh and what a debut!!!!! I was amazed by the way he has carried out his role. Flawless. Also another brilliant performance by Vinay Pathak after Bheja Fry.

The movie is about a gang whose members are involved in some kind of shady deals. One such deal promises the gang a lot of money, but one member of the gang is lured by the 'Whiff of Money' (Another JHC novel which Neil Mukesh is reading in the train) and began to hatch his own secret plans, leading to unforeseen situations for the group. The things go wrong when his plans goes astray. The movie is a relentlessly rigorous take on the wages of crime and what evil men do to their conscience for the sake of money.

Johnny Gaddaar is not a compelling thriller but its witty direction and sincere performances make it a fine thriller, among the best in recent years. It is a much needed respite from song and dance type of movies which are being churned out these days. The soundtrack is groovy, Vishal-Shekhar has done justice to some old song references by mixing them well. Even the songs are a tribute to the olden era (Read Navketan Productions) of thrillers. Songs like Johnny Breakbeat Mera Naam aka 'Johnny Mera Naam', 'Bhule Bisre Geet', 'Revenge of the 70's', are well done.

It is sad that the movie didn't got its due share commercially. But after the movie was well received by the critics, it mustered some figures commercially. I feel it was the most underrated movies of 2007.

The entire movie has just one word - Awesome!!!! Cheers to director, he has evolved from better to best since his last movie- Ek Hasina Thi . I cannot wait for his next venture Cast: The team of crooks has really done a nice job. Dharmendra is no longer in a wasted role. The three other actors (Shiva, Shardul and Prakash) fit well in their roles. But rarely do you find an actor who can make such a lasting impression in his first movie, Neil. He easily fits as Vikram, the young charming hero (Anti-Hero????) having romance with one of the characters wife. His plan to steal the money from the entire team leads him to become a murderer. The movie then goes through lots of twists that it keeps you guessing what next. Thankfully the romance doesn't go beyond whats necessary. Songs don't take you away from the script. Collector's movie!!!

First thing that came to my mind while watching this movie was, am i watching a Hindi movie or a Hollywood movie? Sriram Raghvan does a fantastic job, making a movie which is so much better and different than the most Hindi movies. An edge-of-the-seat thriller which is helped by good acting from all the actors. Especially Neil Mukesh does very well in his debut movie. Zakir Hussain also gives a performance much beyond the expectations of viewers. Where the movie fails is the suspense part. The viewer knows right from the beginning who is the "gaddar"? The ending too, fails to satisfy. But, nevertheless, the movie is a great watch. I recommend it for everyone.

This one is a sheer treat to watch. It really makes you think and praise all of them who contributed to the script, because besides the actors and the movie, script is a winner here. It has three things which I look for in a movie - crisp, slick and most importantly engaging. So, even after the audience knows everything here right from the outset ,it still keeps you glued to see the next frame. Neil Nitin Mukesh is simply outstanding and he deserves all the praise for enacting his complex part with élan. Dharmnedra, Vinay Pathak and Zakir Husaain are all brilliant in their roles. Rimi is good, though she doesn't have much to do. And she may be thinking in the end - Why Boys have all the fun in the movie? But hold on, boys don't have all the fun here. Watch the climax and find it for yourself. And last - Sriram Raghavan, I loved Ek Haseena thi. And you have bettered it this time.

There is no dispute on Vijay Anand being the de facto Master of Suspense/Thriller in Indian Cinema history. So when we have a movie that pays tribute to this master (starting from quite an obvious title), purists like me sit up and get ready to tear apart any failings. Consider the astonishment when the movie not only lives up to the name, but dignifies it! That this movie actually got made, and then received a wide-release is in itself a surprise - hardly are any studios or distributors in India who support movies that do not conform to the fabric of established norms of Bollywood. Yet we have this movie. Raghavan gives us a genuine film-noir that is so rare that it is easy to lose it in the mêlée of mediocrity that Bollywood blockbusters represent.

An almost gray-scale visual theme with shocks of Red (very Sin City - nobody is innocent), no break-out sessions for song&dance and a crisp running time (135 minutes) alienates it from regular cinema. The movie revels in what it is, and religiously refers to the works it inspires from. Yet, and in doing so, it establishes a unique identity that would live through the said mêlée.

The casting choices of the movie also make for a great ensemble, especially with the presence of Dharamendra, whose stature and age are also put to great use. Neil Nitin Mukesh makes his debut, and is already lost in the shadows while lights shine on other star-kids. Yet he plays the most daring and convincing maiden role to establish a sure-fire position on the "to-be-watched" list.

Raghavan makes the most inherently "cool" movie of the year, complete in 60's retro garb of film-making (cinematography, editing, character focus, color grading) that fits right in with the film-noir subject. If not for the obvious anachronisms, this could easily have been a movie from the 60s, if not from the Master himself.