Directed by
| John Crowley | ||
Writing Credits
| Peter Harness | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Rosie Alison | ... | co-producer |
| David Heyman | ... | producer |
| Mark Hubbard | ... | line producer |
| Christine Langan | ... | executive producer |
| Peter Saraf | ... | producer |
| David M. Thompson | ... | executive producer |
| Marc Turtletaub | ... | producer |
Music by
| Joby Talbot | ||
Cinematography by
| Rob Hardy | ||
Editing by
| Trevor Waite | ||
Casting By
| Fiona Weir | ||
Production Design by
| Kave Quinn | ||
Art Direction by
| Lynne Huitson | ||
Set Decoration by
| Gemma Ryan | ||
Costume Design by
| Jane Petrie | ||
Makeup Department
| Fae Hammond | ... | hair designer / makeup designer |
| Belinda Parish | ... | additional hair stylist / additional makeup artist |
| Gemma Richards | ... | hair stylist / makeup artist |
| Gemma Richardson | ... | hair stylist: crowd dailies / makeup artist: crowd dailies |
| Karen Sherriff-Brown | ... | hair stylist (as Karen Sheriff-Brown) / makeup artist (as Karen Sheriff-Brown) |
Production Management
| Tania Blunden | ... | post-production supervisor (as Tania Windsor Blunden) |
| Alice Dawson | ... | production manager |
| Amie Tridgell | ... | unit manager |
Second Unit Director or Assistant Director
| Dan Gill | ... | additional crowd third assistant director (as Daniel Gill) |
| Heidi Gower | ... | third assistant director |
| Martin Harrison | ... | first assistant director |
| Chris Stoaling | ... | second assistant director |
Art Department
| Mark Adams | ... | painter |
| Lee Biggs | ... | standby carpenter |
| Paul Bowring | ... | construction manager |
| Keith Connolly | ... | stand by painter |
| Garry Dawson | ... | stand-by props |
| Kevin Day | ... | stand-by props |
| James Enright | ... | prop making supervisor: c/o propshop |
| Gavin Grant | ... | props |
| Douglas Ingram | ... | storyboard artist |
| Dean Lee | ... | trainee props (2008) |
| Loretta Lipworth | ... | art department trainee |
| Chris Lunney | ... | graphic designer |
| James Mannell | ... | props |
| Steve Register | ... | property master |
| Oliver Roberts | ... | stand-by art director |
| Dorothy Sullivan | ... | assistant set decorator |
| Carl Wilson | ... | senior propmaker |
| Matthew Parsons | ... | scenic painter (uncredited) |
Sound Department
| Oliver Brierley | ... | adr mixer |
| Alexander Fielding | ... | mix technician (as Alex Fielding) |
| Arthur Graley | ... | foley editor |
| Nigel Heath | ... | re-recording mixer |
| Alex Hudd | ... | sound consultant: dolby |
| Dan Morgan | ... | supervising adr & dialogue editor |
| Paul Munro | ... | boom operator |
| Colin Nicolson | ... | sound recordist |
| Marc Sampson | ... | sound trainee |
| Julian Slater | ... | supervising sound editor |
| Chris Sturmer | ... | sound consultant: dolby |
| Jessica Ward | ... | assistant sound editor |
| Ross Wissbaum | ... | adr recordist |
| Mark Wyllie | ... | recording & mixing engineer |
| Nick Foley | ... | adr mixer (uncredited) |
Special Effects by
| James Davis III | ... | special effects senior technician |
| Hugh Goodbody | ... | special effects technician |
| Mark Holt | ... | special effects supervisor |
| Chris Reynolds | ... | senior special effects technician |
Visual Effects by
| Matthew Bristowe | ... | digital lab producer: MPC |
| Kelly Bruce | ... | compositor |
| James Cundill | ... | online editor |
| Philip Greenlow | ... | visual effects coordinator |
| Charley Henley | ... | visual effects supervisor |
| Jeremy Hey | ... | digital compositor |
| Max Horton | ... | digital colourist |
| Michael Illingworth | ... | visual effects artist |
| Begoña Lopez | ... | digital lab producer: MPC |
| Fredrik Nordbeck | ... | titles design |
| Sona Pak | ... | visual effects producer |
| Chris Shaw | ... | visual effects set supervisor |
| Giuseppe Tagliavini | ... | digital compositor: MPC |
| Pat Wintersgill | ... | online editor |
Stunts
| Nick Chopping | ... | stunt double |
| Bradley Farmer | ... | stunt driver |
Camera and Electrical Department
| Simon Baker | ... | steadicam operator |
| Richard Donnelly | ... | first assistant camera (as Richie Donnelly) |
| Alan Hall | ... | first assistant camera |
| Graham Hall | ... | camera: b |
| Daniel Laviada | ... | grip: dailies |
| Chloë Thomson | ... | assistant camera |
| Roger Tooley | ... | camera operator: "b" camera / steadicam operator |
| Nick Wall | ... | unit & specials photographer |
| Lee Walters | ... | gaffer |
Casting Department
| Abigail Barbier | ... | adr voice casting |
| Louis Elman | ... | adr voice casting |
| Ruth Key | ... | casting assistant |
| Alice Searby | ... | casting assistant |
Costume and Wardrobe Department
| Karen Beale | ... | costume assistant |
| Anne T. Delaney | ... | costume maker |
| Lucy Donowho | ... | costume assistant |
| Poli Kyriacou | ... | costume buyer |
| Rachael Low | ... | wardrobe trainee (as Rachael Forde) |
| Richard Sale | ... | assistant costume designer |
| James Smith | ... | dresser: Michael Caine (as Jim Smith) |
| Julie Telfer | ... | costume assistant |
Editorial Department
| Nina Bradley | ... | assistant editor |
| Faye Morgan | ... | post-production coordinator (as Faye Stevens) |
Location Management
| Jonah Coombes | ... | location manager |
| Dorothee Freytag | ... | location assistant |
| Charlotte Wright | ... | location scout |
| Josh Yudkin | ... | assistant location manager |
Music Department
| Alison Butters | ... | music clearance |
| Peter Clarke | ... | preview music editor |
| Ben Foster | ... | orchestrator |
| Dave Foster | ... | music preparation |
| Liz Gallacher | ... | music supervisor |
| Isobel Griffiths | ... | orchestra contractor |
| Catherine Manners | ... | music score coordinator |
| Wendy Nieper | ... | piano consultant / singing consultant |
| Joby Talbot | ... | conductor / music arranger |
| Paul Thomson | ... | composer: stock music |
| Mark Wyllie | ... | recording & mixing engineer |
Script and Continuity Department
| Sylvia Parker | ... | script supervisor |
Transportation Department
| Steve Hammick | ... | driver: stand-by prop truck |
| Jerry Hamshar | ... | unit driver |
| Stuart Morgan | ... | picture vehicle co-ordinator |
| Colin Morris | ... | Personal driver: Michael Caine |
Additional Crew
| Danielle Bennett | ... | floor runner |
| Sam Blackmore | ... | floor runner |
| Oliver Butler | ... | base runner |
| Michael B. Clark | ... | assistant to producer |
| Valentina Coccia | ... | production coordinator |
| Paul Dray | ... | laboratory liaison |
| Jon Duncan | ... | production accountant |
| Scott Eaton | ... | assistant production coordinator |
| Adrian Hubbard | ... | production runner |
| Diana Lander | ... | unit nurse |
| Jill McCullough | ... | Dialect Coach / dialect coach |
| Daniele Tate Melia | ... | assistant: producer |
| Sharon Milton | ... | tutor |
| Paul Murphy | ... | assistant accountant |
| Shailini Vijay Naik | ... | production assistant |
| Claire Oakley | ... | assistant to director |
| Scott Penrose | ... | magic consultant |
| Benjamin Perkins | ... | chaperone |
| Mike Phillips | ... | head of physical production |
| James Smith | ... | personal assistant: Michael Caine (as Jim Smith) |
| Serena Tona | ... | runner (as Serena Tona-Wade) |
| Liam Winn | ... | runner |
| Oliver Wiseman | ... | assistant: David Heyman |
Thanks
| Luke Alkin | ... | special thanks |
| Jeb Brody | ... | special thanks |
| Jacqueline Eckhouse | ... | special thanks (as Jackie Eckhouse) |
| Mrs. Ros Garrow | ... | special thanks |
| Tricia Newman | ... | thanks |
| John Sloss | ... | special thanks |
| Elizabeth Spriggs | ... | in memory of |
| Sacha Wares | ... | extra special thanks |
| Jane Wright | ... | special thanks |
