After living life on the edge in London, Rona attempts to come to terms with her troubled past. Hoping to heal, she returns to the wild beauty of Scotland's Orkney Islands where she grew up.After living life on the edge in London, Rona attempts to come to terms with her troubled past. Hoping to heal, she returns to the wild beauty of Scotland's Orkney Islands where she grew up.After living life on the edge in London, Rona attempts to come to terms with her troubled past. Hoping to heal, she returns to the wild beauty of Scotland's Orkney Islands where she grew up.
- Awards
- 1 win & 12 nominations
- Young Rona
- (as Freya Lexie Evans)
- Dr. Rasamalar
- (as Aniya Sek Kanu)
Storyline
Did you know
- TriviaMarks the first time that a film was shot on the off Orkney island Papa Westray.
- Quotes
Rona: In grandiose moments, high on fresh air and freedom on the hill, I study my personal geology. My body is a continent. I grind my teeth in my sleep like tectonic plates. And when I blink, the Sun flickers. My breath pushes the clouds across the sky and the waves roll into the shore in time with my beating heart. The islands' headlands rise above the sea like my limbs in the bathtub. My freckles are famous landmarks and my tears, rivers. Lightning strikes every time I sneeze. And when I orgasm, there's an earthquake.
- SoundtracksOne With the Wind
composed by John Gürtler and Jan Miserre
The film could've been darker and more cumbersome, thus packing more of a wallop. While watching, I was enamored with Saoirse Ronan's performance. But great acting doesn't make a great movie necessarily. At times the film is intoxicating and sobering. And at times it's jejune and tedious. There is no real plot here. We pretty much just follow a young woman dealing with alcoholism and how that affects people, and not much really happens.
I know the film is based on a memoir, and in that format, the travelogue moments work. But on film, it's very jarring to jump from scenes of seeing a young woman in the throes of alcoholism to pictorials of Orkney animals and landscapes. This happens multiple times throughout the film. It just felt really strange and unnecessary. The same thing happens with the random moments of Rona narrating about the island's mythological history feels odd and arbitrary. The narration in general doesn't add much to the film. The editing really sullies the film. There are random jump cuts and things are told out-of-sequence to the point that it's confusing. The change in Rona's hair color is apparently used as a device for the audience to understand where in time she is, but it doesn't help much. The film is supposed to be grounded, poignant, and touching, but much of the time isn't really. It feels kind of cold. The few surreal and lighter scenes of Rona conducting the sea and the weather, of her swimming amongst the seals, of her in a rave that only turns out to be a memory, and of her acting like she's riding a ship when in reality she was in a building overseeing the sea, were interesting and fun.
The film is worth checking out, albeit I'm sure some will find it boring. The acting is great. I mentioned Ronan, who will likely deservedly receive an Oscar nomination for her performance in this, but Stephen Dillane and Paapa Essiedu are also standouts. The cinematography and the film's use of lighting, punctuated by the landscapes and the contrast of the urban London versus the bucolic Orkney, is beautiful.
- filmephile
- Oct 8, 2024
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Details
Box office
- Gross US & Canada
- $988,083
- Opening weekend US & Canada
- $315,173
- Oct 6, 2024
- Gross worldwide
- $4,343,277
- Runtime1 hour 58 minutes
- Color