IMDb RATING
5.7/10
9.6K
YOUR RATING
After his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.After his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.After his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.
- Awards
- 2 wins & 2 nominations
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Did you know
- TriviaKelly Rowland was originally cast as Sara Tidwell.
- GoofsWhen Noonan touches the tree with his right hand and gets hurt by whatever, he jogs away; in the next scene his left hand is in pain.
- ConnectionsReferenced in Gerald's Game (2017)
Featured review
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Novelist Mike Noonan (Pierce Brosnan) suffers terrible writer's block following the death of his wife and finds himself drawn by terrible dreams in the aftermath to Dark Score Lake, the serene little area where he and his wife own a summer house. He runs into Mattie (Melissa George) a young mother who's locked in a bitter custody battle with local millionaire Max Devore (William Schallert) who has the place in his grip. But Kyra (Caitlin Carmichael) the young girl at the centre of the battle, Devore himself and the tale of Sara Tidwell (Anika Noni Rose) a local blues singer from the 1930s, and the memory of his dead wife are all drawn together in one devastating revelation.
Having very recently finished reading Bag of Bones, I was very eager to see this film adaptation of it, despite Stephen King novels having a poor history of translating in to films, with a handful of exceptions. The warning lights sort of felt on with this one from the off set, but I was willing to give it a chance. While staying pretty faithful to the source material, director Mick Garris has taken some creative licence with some of the material here, which anyone who has read the book will notice. This is just to be expected, though, and fundamentally the film (the first part, anyway) does nothing wrong, with a fairly decent lead performance from Brosnan and a more than willing supporting cast.
The troubles become more clear in the second part, where the translation difficulties become more apparent and the script fails to hold up to the book, from which memorable events appear on screen without half their dramatic impact, which just leaves an impression of lameness. There's also the TV movie constraints, in the shape of some laughable special effects.
It's a shame that the bad stuff lets it down, because a worthy go has been had here and the film is capable of some intense, dramatic writing and style. It's simply a case that, as ever with King, reading the book will be so much better. **
Novelist Mike Noonan (Pierce Brosnan) suffers terrible writer's block following the death of his wife and finds himself drawn by terrible dreams in the aftermath to Dark Score Lake, the serene little area where he and his wife own a summer house. He runs into Mattie (Melissa George) a young mother who's locked in a bitter custody battle with local millionaire Max Devore (William Schallert) who has the place in his grip. But Kyra (Caitlin Carmichael) the young girl at the centre of the battle, Devore himself and the tale of Sara Tidwell (Anika Noni Rose) a local blues singer from the 1930s, and the memory of his dead wife are all drawn together in one devastating revelation.
Having very recently finished reading Bag of Bones, I was very eager to see this film adaptation of it, despite Stephen King novels having a poor history of translating in to films, with a handful of exceptions. The warning lights sort of felt on with this one from the off set, but I was willing to give it a chance. While staying pretty faithful to the source material, director Mick Garris has taken some creative licence with some of the material here, which anyone who has read the book will notice. This is just to be expected, though, and fundamentally the film (the first part, anyway) does nothing wrong, with a fairly decent lead performance from Brosnan and a more than willing supporting cast.
The troubles become more clear in the second part, where the translation difficulties become more apparent and the script fails to hold up to the book, from which memorable events appear on screen without half their dramatic impact, which just leaves an impression of lameness. There's also the TV movie constraints, in the shape of some laughable special effects.
It's a shame that the bad stuff lets it down, because a worthy go has been had here and the film is capable of some intense, dramatic writing and style. It's simply a case that, as ever with King, reading the book will be so much better. **
- wellthatswhatithinkanyway
- May 23, 2012
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