A squad of U.S. Marines becomes the last line of defense against a global invasion.A squad of U.S. Marines becomes the last line of defense against a global invasion.A squad of U.S. Marines becomes the last line of defense against a global invasion.
- Awards
- 1 win & 4 nominations
- 2nd Lt. William Martinez
- (as Ramon Rodriguez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAaron Eckhart broke his arm while filming a stunt. He never missed a day of work because of it.
- GoofsAt the mission briefing, pictures taken by the Hubble telescope of the "meteors" falling to Earth are shown to the marines. Hubble is a deep space telescope, virtually useless for taking pictures of anything in Earth's atmosphere.
- Quotes
SSgt. Michael Nantz: All right, Lockett. You wanna go there. Let's go there. I commanded men and men died. Kids. 19 years old. The best men I ever led. Do you think for a second I wouldn't rather trade places with them? I know you think I got my men killed. They're dead. I'm here. Like the punchline to some bad joke. You think I like that? Do you think a minute goes by that those faces aren't right here
[points to head]
SSgt. Michael Nantz: seared into my brain?
SSgt. Michael Nantz: Dante, Thomas T. Corporal. 1-5-6-5-0-9-3-8-6.
SSgt. Michael Nantz: Ambruster, William R. Private. 8-7-6-6-6-2-3-5-4.
SSgt. Michael Nantz: Wharton, Jeffrey H. Lance Corporal. 8-7-4-2-7-3-9-9-3.
SSgt. Michael Nantz: Lockett, Duane G. Corporal. 1-5-6-8-7-0-9
SSgt. Michael Nantz, Cpl. Jason Lockett: 5-5.
SSgt. Michael Nantz: Your brother was an outstanding Marine. He was my friend. And I miss him every day. And you remind me of him.
- Crazy creditsThere are no opening credits, except for the film's title.
- ConnectionsFeatured in Half in the Bag: Battle: Los Angeles and The Galaxy Invader (2011)
- SoundtracksCalifornia Love
Written by Joe Cocker, Chris Stainton, Roger Troutman, Larry Troutman, Mikel Hooks and Ronnie Hudson
Performed by Tupac Shakur (as 2Pac) featuring Dr. Dre and Roger Troutman
Courtesy of Wideawake-Death Row Entertainment LLC
Under license from Evergreen Copyrights, Inc.
We get a fairly brisk introduction to some of the cast before being thrust into the fight at-hand within the film. Down time is in short supply as the conflict with an invading (or as is referred to within the film, "colonizing") extraterrestrial force reigns over the runtime. Battle: Los Angeles stays in relation to its name as it takes place entirely within the city, but these Californians aren't the only people facing a new threat. A number of other areas throughout the globe deal with the same issue, though we never see anything on their end beyond brief TV broadcasts. As a result, the film takes on a feeling of being a smaller part of a potentially bigger conflict.
Since the vast majority of Battle: Los Angeles is action, the standards it's held to aren't terribly demanding. And thankfully, we're treated to some good scenes, namely the final fight just before the end which, though not epic or revolutionary by any stretch, does feel nicely built up towards. Other stretches, primarily the first few, don't hold up quite so well; suffering from the all-too-familiar Michael Bay-esque directing style of quick cuts without showing much, if anything. Fortunately, by the time the antagonists have been revealed full-well, things are seen in a far more cohesive manner.
When looking at how the film stands up on a more fundamental and less action-oriented level, the cracks begin to quickly show. Probably the easiest issue to pinpoint is that everything here is incredibly derivative of other films (and even videogames). Independence Day, District 9, Terminator, Ghost Recon Advanced Warfighter, Modern Warfare, Resistance, Battlefield; the list of friends goes on. Another shame to find is that little-to-nothing is revealed about the invaders themselves. Most of the supporting characters also come and go without much development to find. Needless to say, this isn't much of a thinker's film, especially since most of what occurs on-screen is predictable.
Battle: Los Angeles is an easy film to figure out. If you like what you saw in the trailer(s) and are fine with getting 2 hours of that, then you should be content with what's present. But a detailed story and question-answering with regards to who, what and why are MIA, unfortunately. This is a shame since the film does show potential and even gives hints at being something more elaborate, but they're never delved into. Everything here is fundamental or, if you prefer, shallow. As an action film primarily judged on the on-screen conflicts, it suffices and holds up better than most of its typically-average precursors. Thus, junkies of the said genre will likely get what they're looking for while everyone else is better off waiting until the (good) summer releases.
- Hellrazr360
- Mar 11, 2011
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Battle: Los Angeles
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $83,552,429
- Opening weekend US & Canada
- $35,573,187
- Mar 13, 2011
- Gross worldwide
- $211,819,354
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1