It's very popular to "hate" the nowadays trend of horror movie remakes, but you always have to bear two things in mind. 1) If we would collectively stop watching them, Hollywood wouldn't make them anymore and 2) there exist some remakes that are truly worth watching even though they still can't hold a candle to the original. Steven R. Monroe's update of the one of the most notorious cult movies ever made is such a remake. Meir Zarchi's original is a bona fide cult monument. You either love or hate it, but you can't deny it's a powerfully shocking and unforgettable film. The remake is perhaps not as memorable, but it definitely does contain a few sequences that are extremely brutal and hard to digest. Especially in comparison to the remake of that other notorious 70's classic – "Last House on the Left", which is rather soft and intended for wider audiences – this film is exclusively meant for experienced horror fanatics with a strong stomach and nerves of steel. The plot is commonly known, I presume. Jennifer, a young writer in search of inspiration for her second novel, withdraws herself to a remote cabin in the Louisianan backwoods area. Upon her arrival, she immediately draws the attention of the local "tough" guys working at the gas station as well as from the mentally handicapped handyman Matthew. Few days later, Jennifer gets humiliated and brutally gang-raped by the four men and even a local authority figure. What follows is her hardcore-to-the-bone vengeance, clearly executed with a deep hatred and zero morality whatsoever. The "I spit on your Grave" remake blends the raw atmosphere of the original with the more modern horror trend of torture-porn. The revenge that Sarah has prepared for her assailants are carefully planned and imaginative death traps to assure a maximum of agony. Some of the death sequences, like for example the acid bathtub or the eye-picking, would even make the Jigsaw killer of "Saw" jealous. Sarah Butler makes a strong impression in her role as not-so-vulnerable young girl and it's definitely a courageous performance. I hope she'll still find other roles without forever being known as the "I Spit on your Grave" girl. The rapists, on the other hand, are not as repulsive as they ought to be. Their performances aren't too memorable either, with the exception of Andrew Howard as the rotten sheriff. His whole character is a nice addition to Zarchi's original script, as a matter of fact.
