369 reviews
I'm currently watching this film and honestly, it's so bizarre. These are all incredible actors but in this film... I just don't know what is happening. However, I cannot stop watching it. I just need to understand what the hell is going on and what the aim is. The dialogue between characters are all over the place, not sure if it's supposed to be humourous or not either way I'm not laughing but then again... I am because it's such a ridiculous film lol. Even this review sounds so scrambled because of what this film is doing lol.
- CherryMarie9
- Jan 20, 2020
- Permalink
This film has an all-star cast... and not much else. The story meanders around and never really goes anywhere interesting. This was particularly disappointing coming from the writer/director behind As Good as It Gets, one of the best romantic comedies of the past few decades. This film cost a shocking $120 million and made very little at the box office, hence becoming one of the biggest bombs of all time. I only checked it out because it was getting popular on Netflix, I somewhat regret my decision. Just as Jack Nicholson likely regrets having this, as of 2020, be his final film.
It's almost unfathomable that this movie stinks...but it does, sadly. Confused characters bumbling through scenes, awful development of backstory, no chemistry, hardly any laughs and just a mishmash of WTF-ery :(
- ctinsureme-96940
- Jul 13, 2020
- Permalink
I can't believe the low rating of this movie. I guess it's because it does not give you usual polished Hollywood story of romance: boy meets girl, girl has a boyfriend/fiancé who at first seems perfect but then turns out to be douche bag and/or evil and there steps in this new perfect guy, they kiss and live happily ever after, the end.
Here, both guys trying to get the girl are screwed up in some way or another. Boyfriend (Owen Wilson) is not a bad guy. He is not too sensitive, he sleeps around, but the point is he doesn't try to hide it. He is honest about himself. And throughout the relationship he tries to better himself and the relationship with his girlfriend (Reese Witherspoon). On the other hand the "new guy" (Paul Rudd) is depressed, has no job or money and is facing prison time. And at the beginning the girl he's chasing considers him weird. His slime-ball/businessman father (Jack Nicholson) I think just adds likability to Rudds character.
Also, what I like is there is no perfect ending. There is sort of a feel-good ending but it's not perfect. Although, for that you'll have to see the movie.
Here, both guys trying to get the girl are screwed up in some way or another. Boyfriend (Owen Wilson) is not a bad guy. He is not too sensitive, he sleeps around, but the point is he doesn't try to hide it. He is honest about himself. And throughout the relationship he tries to better himself and the relationship with his girlfriend (Reese Witherspoon). On the other hand the "new guy" (Paul Rudd) is depressed, has no job or money and is facing prison time. And at the beginning the girl he's chasing considers him weird. His slime-ball/businessman father (Jack Nicholson) I think just adds likability to Rudds character.
Also, what I like is there is no perfect ending. There is sort of a feel-good ending but it's not perfect. Although, for that you'll have to see the movie.
- ferguson-6
- Dec 18, 2010
- Permalink
I was expecting to be very disappointed with this film because I'd heard that most people disliked it. I really really liked it. I think that audiences these days have to have a joke every 30 seconds to be entertained. Maybe audiences feel short changed if there isn't a huge obvious wrap up off the plot at the end of the film. I liked that everything wasn't black and white in the film. There are many unanswered questions. The characters' intentions and feelings weren't absolutely clear. That's what I loved about it.
It's sad that so many people disliked this film, but I think it's very courageous of James l. Brooks to write a film that pleased him and not have to pace it like most other "successful" Hollywood crap movies. This film makes you think unlike many other huge hit comedies these days.
It's sad that so many people disliked this film, but I think it's very courageous of James l. Brooks to write a film that pleased him and not have to pace it like most other "successful" Hollywood crap movies. This film makes you think unlike many other huge hit comedies these days.
- Johnny-113
- May 2, 2011
- Permalink
It has great cast but unfortunately, there's one very weak script. It's an example for having such a great cast as this one but unfortunately, it was misused.
By the way, that's a fine work by Janusz Kaminski the cinematographer.
By the way, that's a fine work by Janusz Kaminski the cinematographer.
It was winter and i was alone home. I was anticipating there will be no wifi for a couple of days so i had some movies downloaded on my Netflix. Seeing Owen wilson and Paul Rudd on the cast, i thought this movie would be Rom Com. But as i start watching, i found out it's a Romantic Drama with lots of life lessons. I am lucky there was no Internet connection on that afternoon. It's a movie i am gonna suggest to everyone who is having a bad day. I am gonna watch it again.
In Arlington, Virginia, the supportive softball player Lisa (Reese Witherspoon) is cut from the national team by the coach since she is thirty-one years old and has lost her speed. She is upset and her friend Riva schedules a blind date for her with the Chief Executive Officer George Madison (Paul Rudd). However, George is committed to his girlfriend and he calls off their date. Out of blue, George receives a subpoena and finds that he is facing a process of security fraud and the company will not give legal support to him. Further, his girlfriend and friends abandon him. Meanwhile Lisa is upset and she dates the successful and womanizer baseball star Matty Reynolds (Owen Wilson) and sooner she moves to his apartment.
When Lisa stumbles with George in the elevator, they have a long conversation and Lisa feels divided between Matty and George. The bachelor Matty decides to change his behavior and promises a monogamous relationship with Lisa. George learns that his father Charles (Jack Nicholson) is the responsible for the fraud and he requests his son to assume the responsibility and spends three years in prison to save him. George tells his father that he is in love with Lisa and he will propose her; if she accepts, he will not accept to take the blame for the fraud.
"How Do You Know" is one of the most deceptive romantic comedies that I have recently seen, considering the cast with the names of Jack Nicholson, Reese Witherspoon, Paul Rudd and Owen Wilson that are wasted in a poor screenplay. The pointless story is illogical and uninteresting, with Paul Rudd performing a naive executive with the behavior of an intern or student; Reese Witherspoon performing a softball player with an erratic behavior that does not justify the profile of her character; and Owen Wilson completely lost in a dull character. The worst, there is no chemistry among these characters. The talented Jack Nicholson performs maybe the most ridiculous role of his successful career. My vote is three.
Title (Brazil): "Como Você Sabe" ("How Do You Know")
When Lisa stumbles with George in the elevator, they have a long conversation and Lisa feels divided between Matty and George. The bachelor Matty decides to change his behavior and promises a monogamous relationship with Lisa. George learns that his father Charles (Jack Nicholson) is the responsible for the fraud and he requests his son to assume the responsibility and spends three years in prison to save him. George tells his father that he is in love with Lisa and he will propose her; if she accepts, he will not accept to take the blame for the fraud.
"How Do You Know" is one of the most deceptive romantic comedies that I have recently seen, considering the cast with the names of Jack Nicholson, Reese Witherspoon, Paul Rudd and Owen Wilson that are wasted in a poor screenplay. The pointless story is illogical and uninteresting, with Paul Rudd performing a naive executive with the behavior of an intern or student; Reese Witherspoon performing a softball player with an erratic behavior that does not justify the profile of her character; and Owen Wilson completely lost in a dull character. The worst, there is no chemistry among these characters. The talented Jack Nicholson performs maybe the most ridiculous role of his successful career. My vote is three.
Title (Brazil): "Como Você Sabe" ("How Do You Know")
- claudio_carvalho
- Apr 29, 2011
- Permalink
From looking at the casting, you would immediately think this to be a romantic comedy, and I guess that's where it starts going wrong.. from people going in to see this movie, expecting a chick flick and being disappointed.
I believe the reason for the poor reviews of this movie are due to the fact that is has been advertised and delivered as a romantic comedy.
True, it is fit for the romance genre, comedy.. not so much. But as far as romantic drama's go, this is an excellent picture for the modernized crowd.
That's because it is so much more. It is ideal for viewing of a well- intended inspiring somewhat-romantic movie. Humour is few and far between for a comedy-seeking crowd, however for those who connect to the characters, the humour is purely intended for those devised from caring for the characters.
Reese Witherspoon has perfected the role of Lisa, this is the movie that I would beg girlfriends to watch, due to her total delivery of the character throughout the entire picture, which is something most girls and women can relate to (whether they've reached that hurdle yet or not).
Which is where I feel the script originated from, life lessons. The script of the movie is all relatable in one aspect or other. It's moving to view a capture of these 'life lessons' within a movie, and I think if a movie can deliver that, then they have succeeded in making a good movie. Although the writing could have been sharper, better presented and wittier, it was decent enough for one to be indulged in the plot.
Paul Rudd, I thought, was a fantastic casting. Again, writing could of been better for a few of his lines where comedy was intended and some of his reactions.. but still I found him to be excellent and I enjoyed watching him.
Nice to see Jack Nicholson again, (huge fan of One flew over the cuckoo's nest!), his part was suitable if not a little long winded. I felt (again) wittier writing would have improved his character and performance hugely, however he delivered his part.
And Luke Wilson.. okay so we all know what kind of movie's he's known for now, and fair enough, he was a good casting for the part. My only itch is I'd like to see him doing more roles similar to Hutch, ala Starsky&, dry detective types.
Moving on, as said above, this is not a movie to make you lol or rofl, merely a movie to be enjoyed from watching these character's journey of self-revelation's throughout.
I believe the reason for the poor reviews of this movie are due to the fact that is has been advertised and delivered as a romantic comedy.
True, it is fit for the romance genre, comedy.. not so much. But as far as romantic drama's go, this is an excellent picture for the modernized crowd.
That's because it is so much more. It is ideal for viewing of a well- intended inspiring somewhat-romantic movie. Humour is few and far between for a comedy-seeking crowd, however for those who connect to the characters, the humour is purely intended for those devised from caring for the characters.
Reese Witherspoon has perfected the role of Lisa, this is the movie that I would beg girlfriends to watch, due to her total delivery of the character throughout the entire picture, which is something most girls and women can relate to (whether they've reached that hurdle yet or not).
Which is where I feel the script originated from, life lessons. The script of the movie is all relatable in one aspect or other. It's moving to view a capture of these 'life lessons' within a movie, and I think if a movie can deliver that, then they have succeeded in making a good movie. Although the writing could have been sharper, better presented and wittier, it was decent enough for one to be indulged in the plot.
Paul Rudd, I thought, was a fantastic casting. Again, writing could of been better for a few of his lines where comedy was intended and some of his reactions.. but still I found him to be excellent and I enjoyed watching him.
Nice to see Jack Nicholson again, (huge fan of One flew over the cuckoo's nest!), his part was suitable if not a little long winded. I felt (again) wittier writing would have improved his character and performance hugely, however he delivered his part.
And Luke Wilson.. okay so we all know what kind of movie's he's known for now, and fair enough, he was a good casting for the part. My only itch is I'd like to see him doing more roles similar to Hutch, ala Starsky&, dry detective types.
Moving on, as said above, this is not a movie to make you lol or rofl, merely a movie to be enjoyed from watching these character's journey of self-revelation's throughout.
- xcharxcharx
- Mar 25, 2011
- Permalink
This was a total waste of money. With such great actors I expected much more. I was so disappointed. There was not much of a plot. There was no spark between the actors. The best part of the movie was the pregnant secretary, who, all in all, had a very minor role. Her role is the only reason I gave this move a 2 rather than a 1. I love Jack Nicholson. I have loved every movie I have ever seen him in. I did not like him in this movie. I am amazed that he agreed to take on such a weak character. Reese Witherspoon is as cute as ever and Paul Rudd is is still the wholesome boy next door but even with these three actors, the movie was a total waste of time and money.
- maureenrosullivan
- Dec 25, 2010
- Permalink
Everyone has times when things gets tough and they need to toughen up but life keeps moving on and we have to keep up with other stuff in life. So that's what this movie is about, in a funny way. So do watch it. Everyone has their own ideas of what a romantic comedy should be like. I am a practical, logical girl and i despise romantic comedies with too much gooey stuff. This movie was just the right amount of everything. Honestly the phrases used have so much deeper meaning, and I thoroughly enjoyed it. Paul Rudd is so honest in his role, and Owen Wilson is such a cutie as always!! I really enjoyed the movie, and don't look so much into the movie, its light and funny!
- mrudul-gupta
- Jun 22, 2017
- Permalink
- anaconda-40658
- Mar 14, 2016
- Permalink
- somethingonceforgotten
- Jul 23, 2020
- Permalink
Some filmmakers you just fall into. The ones I hold most dear are those that are both expert cinematic storytellers and attempt to reshape me. These are rare, but there is a second tier of cinematic storytellers; although they do not work at deep levels, you just get captured by the mastery of the storytelling. Brooks is one of these. He is a master and even his disaster in 1994 was interesting.
This film did poorly in the US. I think it was not zany enough, short enough or abstracted from reality enough for the audience who is attracted to the form. Perhaps if it is judged as mere candy, it fails. But I found it well met the requirements on which the genre was founded: the alternating of charm in the nature of humans with humor about many of the same traits. This engagement-detachment by humor is perhaps the oldest storytelling device after the technique of omission, and Brooks is delicate if old-fashioned.
The story is that he is valued in the business for adding texture of these two qualities: humor and endearment. But he gets stuck in creating scenes that are no longer than a few minutes, because that is what the market pulls. He gets paid extremely well for guiding "The Simpsons," basically two jokes per show, and also as uncredited script doctor on a scene by scene basis. He hates this, he has said and when he can find the space for a long form project, he does it as if his soul is in the balance.
He doesn't start with characters weaving a story, or even a story proper. He is all about situations and how people react within them as they try to gain control. Our two main characters here, destined for love, are struggling less with the lives they are given than the techniques they had been using until that point to cope. The weapons in forming the new situations we desire then to get, are words. And such words in dialog that is so perfect we don't deserve the simply by paying 8 bucks.
Brooks is a writer, but it is clear that every line is written within a specific cinematic vision. Some of the shots here are quite unconventional, the composition and rhythm of shots is very personal and the flow of the words absolutely matches or is counterpointed to that rhythm. Watch the motions of the camera and the dialog when Lisa is first in George's apartment. This is effective and idiosyncratic to Brooks. It worked for me because these films are all about deferred gratification and he is serious about pushing it.
In little things, it works. Witherspoon's lack of sex appeal is handled by making her a tough jock. The formula demands — absolutely demands — that the guy profess his love at the end in front of an audience representing us. We know he is going to her birthday party to do just this, but he does not. Instead Brooks has placed a clever scene before this, a radically unconventional one that works when paired with what happens after the party, observed by no one but us and Nicholsen's character. In this scene — possibly the first written — has the two to-be lovers filming an awkward proposal, and then engaging in a re-enactment in a folded engagement. It satisfies the formula without following it.
There are several folds along these lines, highly structured and effective.
Ted's Evaluation -- 3 of 3: Worth watching.
This film did poorly in the US. I think it was not zany enough, short enough or abstracted from reality enough for the audience who is attracted to the form. Perhaps if it is judged as mere candy, it fails. But I found it well met the requirements on which the genre was founded: the alternating of charm in the nature of humans with humor about many of the same traits. This engagement-detachment by humor is perhaps the oldest storytelling device after the technique of omission, and Brooks is delicate if old-fashioned.
The story is that he is valued in the business for adding texture of these two qualities: humor and endearment. But he gets stuck in creating scenes that are no longer than a few minutes, because that is what the market pulls. He gets paid extremely well for guiding "The Simpsons," basically two jokes per show, and also as uncredited script doctor on a scene by scene basis. He hates this, he has said and when he can find the space for a long form project, he does it as if his soul is in the balance.
He doesn't start with characters weaving a story, or even a story proper. He is all about situations and how people react within them as they try to gain control. Our two main characters here, destined for love, are struggling less with the lives they are given than the techniques they had been using until that point to cope. The weapons in forming the new situations we desire then to get, are words. And such words in dialog that is so perfect we don't deserve the simply by paying 8 bucks.
Brooks is a writer, but it is clear that every line is written within a specific cinematic vision. Some of the shots here are quite unconventional, the composition and rhythm of shots is very personal and the flow of the words absolutely matches or is counterpointed to that rhythm. Watch the motions of the camera and the dialog when Lisa is first in George's apartment. This is effective and idiosyncratic to Brooks. It worked for me because these films are all about deferred gratification and he is serious about pushing it.
In little things, it works. Witherspoon's lack of sex appeal is handled by making her a tough jock. The formula demands — absolutely demands — that the guy profess his love at the end in front of an audience representing us. We know he is going to her birthday party to do just this, but he does not. Instead Brooks has placed a clever scene before this, a radically unconventional one that works when paired with what happens after the party, observed by no one but us and Nicholsen's character. In this scene — possibly the first written — has the two to-be lovers filming an awkward proposal, and then engaging in a re-enactment in a folded engagement. It satisfies the formula without following it.
There are several folds along these lines, highly structured and effective.
Ted's Evaluation -- 3 of 3: Worth watching.
To prevent claims that I am negatively reviewing this film because I don't like this type of film, I start by saying I enjoyed many of James L. Brooks' earlier works such as As Good As It Gets or Terms of Endearment. Mr. Brooks has demonstrated his ability to put together a diverse and talented cast and bring them together focusing on the things that make all of us different. The writing brings everything together where the work stands on it's own and is as strong as the sum of it's parts. So what happened here??? This film is a painful and mind numbing experience in boredom, bad writing, bad chemistry and pure stupidity! I have watched many a film and rarely have trouble sitting through them. I found myself laughing and almost screaming at this movie to go somewhere! Is it deserving of one star? Maybe I am being too harsh? No, how can you take a movie with Reese Witherspoon, Paul Rudd, Owen Wilson and Jack Nicholson and basically throw away their talent by wrapping it around insanely boring and random dialog? The first few times the characters think they are saying something witty that makes no sense to where the movie isn't going, it is irritating. To sit through two hours of this torture is enough to drive one to drink! This movie had no exposure for a reason, avoid it! I am sure you have something better to do for two hours even if it is to watch episodes of I Love Lucy you have already seen.
Glad I went in completely blind. This was a fun watch. Rather than the perfect loves we so often see in film, this one shows the imperfections. Loved the unique female lead character. She isn't the stereotypical leading lady, she is a gritty athlete going through a huge life change. In fact, all of the characters were unique yet felt real. Had plenty of moments where I laughed out loud. All performers did excellent as well. This is a movie I will rewatch for sure.
- macieshirley
- Aug 4, 2022
- Permalink
Now I know what Alex DeLarge felt at the hands of the British Penal System and its experimental aversion therapy...
The dialogues are out of key, the characters don't connect, the music is just a punch in the stomach... Any expectation built for this movie is rapidly consumed by the expectation that it ends soon... but it doesn't... Two whole hours of movie which seem more like five and will let any who tries to watch it as tired as Coach Mo after running the marathon...
If you're hopping for something in the lines of "As Good As It Get" with smart dialogues like "The Simpsons" then you're in for a disappointment.
The dialogues are out of key, the characters don't connect, the music is just a punch in the stomach... Any expectation built for this movie is rapidly consumed by the expectation that it ends soon... but it doesn't... Two whole hours of movie which seem more like five and will let any who tries to watch it as tired as Coach Mo after running the marathon...
If you're hopping for something in the lines of "As Good As It Get" with smart dialogues like "The Simpsons" then you're in for a disappointment.
- tiago_ad_meira
- Mar 14, 2011
- Permalink
Okay, so call me crazy, but I would NEVER give a movie a one star rating unless it was absolutely miserable. Like if I would rather leave the theater and the $10 I spent on it than watch it. How Do You Know was not a one star movie. The only problems I saw with it were that it was a little long. I thought they could have cut some scenes out and not only gotten away with it, but made it a more enjoyable experience. Also, with actors like Paul Rudd and Owen Wilson (plus how it was advertised as a comedy) I was expecting to do a lot more laughing in the movie than I really did. Don't get me wrong, it was funny, but not as much as you'd expect. I think if you go to this movie knowing it's more of a romantic comedy than a typical Owen Wilson/Paul Rudd style comedy then you'll be pleasantly surprised. I really enjoyed the movie, I thought it was very clever and surprisingly uplifting and I thought it was definitely worth the money.
Tonight it was a rain-soaked, bone-chilling, blustery night and I wanted to find a warm comforting place to spend some enjoyable time. So, I took myself to the local theater. Of the week's new offerings I chose this film to see, I'll admit, based almost solely on my past experiences seeing films with the principal actors we see here. As it turned out, the film warmed me far more than the stingy heat in the theater. It was a very comforting presentation to enjoy on a holiday season night.
One can't say a great deal about the staging of a contemporary film. After all, it's not much of a challenge to capture the mundane surroundings we see every day. The film, then, needs something a lot more interesting injected into it to make it successful and this one succeeds marvelously. The plot concerning a down-on-his-luck businessman falling head-over-heels for a femjock who's just received the biggest disappointment in her life is just different enough to not be boring and interesting and fun enough to hold our attention. The director, James L. Brooks (who also scripted and co-produced), has an incredible track record for excellence as writer, producer, and director so it creates high expectations in a movie goer. He really delivers here with just the right nuance of sentimental warmth and comedy. Of course, he didn't do it alone, having some tremendous acting talent to lend a most competent hand.
Being me, I couldn't help but first notice the very talented, captivatingly beautiful Reese Witherspoon as Lisa, the athlete. Yes, I can even buy her as an athlete, something not every actress could carry off. She most ably, and with seeming ease, injected not only an unmistakable air of beautiful professional competence but a degree of class, physical grace and presence that is riveting to watch. It's hard to take your eyes off of her while she's on screen, and she doesn't disappoint for a single moment. Whether she's wearing a baseball uniform or elegant evening wear, she's convincing as whoever she attempts. You just naturally want to like her, to root for her to succeed and find that most elusive of dreams; happiness. Of course, as completely captivating as she is, she's not on screen alone, but surrounded by a lot of other great talents.
Everyone seems to like Paul Rudd; here as George. He's a likable everyman in the same sort of mold as Jimmy Stewart and his presence improves whatever he touches. He creates a character here that just makes you want to like him and hope he succeeds. Here, he's the down-on-his-luck businessman who is set up for a blind date with the effervescent Ms. Witherspoon. I love them as a couple. On screen, they're what a lot of people hope to be; good people who find a way through life with someone else. Of course, as films always do, there are stumbling blocks.
The first stumble is that Ms. Reese is first hooked up with a real character played by the wonderfully talented Owen Wilson as Matty, the professional baseball player. He is a happy and likable guy with a simple mind and simpler morals who just can't grasp how to treat a lady - or that he really has an incredible lady right there in front of him to lose. Fun ensues and these three, Witherspoon, Rudd and Wilson really do have fun on screen and carry us along for the ride. (NOTE: One can't help but notice the quite accurate depiction of the immense difference in the way the world treats highly successful athletes of both genders. While the males are showered with obscene amounts of cash and attention, the equally great, or even perhaps better, female athletes have to settle for little more than faint praise and a pat on the back.) I was also highly entertained by a wonderful supporting cast, led by none other than the legendary Jack Nicholson as Charlie, Rudd's father and playing as fine a slime-ball as ever graced the silver screen. Thank you, Jack, for giving me a villain worthy of disliking.
Now, add to this already fine mix the talent of Kathryn Hahn as Annie, Rudd's very pregnant assistant. She adds a real element of class to what otherwise may have been a mundane role. She really hits her stride in a scene with the great character actor Lenny Venito, as Al, her baby's co-producer. This pair have one of those screen moments that is so terrific it comes very close to overshadowing the main plot.
Other memorable performances came from Molly Price as Coach Sally (even though her part was small she shone) and a humorous John Tormey as the doorman and, last-but-not-least the always great Tony Shalhoub as a psychiatrist Ms. Reese almost visits. The short exchange between them is very fun to watch.
All-in-all it's a great film to take someone you love to during this holiday season.
By Bruce L. Jones http://webpages.charter.net/bruce.jones1/
One can't say a great deal about the staging of a contemporary film. After all, it's not much of a challenge to capture the mundane surroundings we see every day. The film, then, needs something a lot more interesting injected into it to make it successful and this one succeeds marvelously. The plot concerning a down-on-his-luck businessman falling head-over-heels for a femjock who's just received the biggest disappointment in her life is just different enough to not be boring and interesting and fun enough to hold our attention. The director, James L. Brooks (who also scripted and co-produced), has an incredible track record for excellence as writer, producer, and director so it creates high expectations in a movie goer. He really delivers here with just the right nuance of sentimental warmth and comedy. Of course, he didn't do it alone, having some tremendous acting talent to lend a most competent hand.
Being me, I couldn't help but first notice the very talented, captivatingly beautiful Reese Witherspoon as Lisa, the athlete. Yes, I can even buy her as an athlete, something not every actress could carry off. She most ably, and with seeming ease, injected not only an unmistakable air of beautiful professional competence but a degree of class, physical grace and presence that is riveting to watch. It's hard to take your eyes off of her while she's on screen, and she doesn't disappoint for a single moment. Whether she's wearing a baseball uniform or elegant evening wear, she's convincing as whoever she attempts. You just naturally want to like her, to root for her to succeed and find that most elusive of dreams; happiness. Of course, as completely captivating as she is, she's not on screen alone, but surrounded by a lot of other great talents.
Everyone seems to like Paul Rudd; here as George. He's a likable everyman in the same sort of mold as Jimmy Stewart and his presence improves whatever he touches. He creates a character here that just makes you want to like him and hope he succeeds. Here, he's the down-on-his-luck businessman who is set up for a blind date with the effervescent Ms. Witherspoon. I love them as a couple. On screen, they're what a lot of people hope to be; good people who find a way through life with someone else. Of course, as films always do, there are stumbling blocks.
The first stumble is that Ms. Reese is first hooked up with a real character played by the wonderfully talented Owen Wilson as Matty, the professional baseball player. He is a happy and likable guy with a simple mind and simpler morals who just can't grasp how to treat a lady - or that he really has an incredible lady right there in front of him to lose. Fun ensues and these three, Witherspoon, Rudd and Wilson really do have fun on screen and carry us along for the ride. (NOTE: One can't help but notice the quite accurate depiction of the immense difference in the way the world treats highly successful athletes of both genders. While the males are showered with obscene amounts of cash and attention, the equally great, or even perhaps better, female athletes have to settle for little more than faint praise and a pat on the back.) I was also highly entertained by a wonderful supporting cast, led by none other than the legendary Jack Nicholson as Charlie, Rudd's father and playing as fine a slime-ball as ever graced the silver screen. Thank you, Jack, for giving me a villain worthy of disliking.
Now, add to this already fine mix the talent of Kathryn Hahn as Annie, Rudd's very pregnant assistant. She adds a real element of class to what otherwise may have been a mundane role. She really hits her stride in a scene with the great character actor Lenny Venito, as Al, her baby's co-producer. This pair have one of those screen moments that is so terrific it comes very close to overshadowing the main plot.
Other memorable performances came from Molly Price as Coach Sally (even though her part was small she shone) and a humorous John Tormey as the doorman and, last-but-not-least the always great Tony Shalhoub as a psychiatrist Ms. Reese almost visits. The short exchange between them is very fun to watch.
All-in-all it's a great film to take someone you love to during this holiday season.
By Bruce L. Jones http://webpages.charter.net/bruce.jones1/
I'm a "weekly" movie-goer and sometimes I don't agree with the critics in the papers/magazines but this time I'm in total agreement. This was HORRIBLE! It reminded me of a young teenager's type of romance book - one that has little/no plot and is ridiculously lame. They made Reese's character look like a complete idiot with no morals at all. I just find it hard to believe that the seasoned actors/actresses in this movie read the script and actually thought it was going to be a good movie! What were they thinking? The plot was predictable and boring. The acting wasn't much better. The theater was packed and not one person laughed at what were suppose to be the funny parts. In fact, several people got up and walked out half way through it. Do NOT waste your money on this one.
When I first saw the trailer for "How Do You Know" I thought it looked like a promising rom com, but then I saw the initial reviews for it and steered clear away. It wasn't until my Uncle pushed it on me, "Didn't that tank?" "Yeah, but it's actually good!" I think the reason why this movie got such bad reviews is people expected the typical rom com (I did). What it is, is a REAL movie, with depth, great characters, smart dialogue, and the complexity of reality, with some jokes and a love story thrown in. Great writing, superb acting. Don't know what else to say. Found it intriguing that on further review, my "go to" critics didn't review this one. One of the better films I've seen this year. Would give it an 8, but to right a wrong, giving it a 10.
- adltswimguy
- Aug 19, 2012
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Ok, so I went into this thinking- The ratings are pretty bad, but then again how bad can a movie with Paul Rudd and Reese Witherspoon be? Oh, and Owen Wilson.
And i was right. Granted, it was no Notting Hill, but then again most romantic comedies aren't. I would even go as far as to say that this movie has been wrongly characterized and is more of a romantic movie with a couple of chuckles.
While the plot and character development could've used just a little fixing up, I'm glad this movie was made, and I'm glad I had the chance to see it.
- nemysinger
- Dec 14, 2017
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- bpozzicesar
- Jul 26, 2020
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