A homeless petty thief attempts to find the biological mother of an abandoned baby.A homeless petty thief attempts to find the biological mother of an abandoned baby.A homeless petty thief attempts to find the biological mother of an abandoned baby.
Photos
Master Shams
- Muncipalty Ghatkopar
- (as Shams)
Master Salman
- Soda
- (as Salman)
Master Jaffer
- Dhed-Shanna
- (as Jafar)
Master Fayaaz
- Cutting
- (as Fayyaz)
Baby Almas
- Sursuri
- (as Almas)
Rasika Dugal
- Krish's Mother
- (as Rasika Joshi)
Subrat Dutta
- Gottya - Pimp
- (as Subrata Dutta)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film did not have a theatrical release in British Columbia,Canada.
Featured review
I don't understand the fuss over this film. While it successfully conveys a social message about abandonment of infants by their imbecile producers, this is shoddy filmmaking under the disguise of art.
The worst thing about Thanks Maa is its uncensored & insensitive dialogs. You will find expletives in every other dialog and it plays against the movie-watching experience. Let me remind myself that I am not watching a documentary here. I understand authenticity but the plot often mixes authenticity with non-glamorous audacity and the latter is not what a film samples while touching a topic so raw. It is independent cinema at its vulnerability because the writing is pretty pure, directly coming off the streets of Mumbai.
You may relate with the outright, on-your-face themes, the story so honestly depends on but as a film, it lacks many a points like cinematography, direction and most essentially, the narration. While it manages to deduce elements out of multiple themes (abortion, orphanage, humans in denial, Samaritan-ism, insensitivity, etc..), the cohesion is ineffective. And I see no reason why Indians, with their conservative attitude even when it comes to films, will want to see it.
BOTTOM LINE: The National Award was deserving but as it may seem, Thanks Maa is just a hyped up drama. Watch it if you love documentaries.
Can be watched with a typical Indian family? NO
Profanity: Very Critical | Vulgarity/Obscenity: Strong
The worst thing about Thanks Maa is its uncensored & insensitive dialogs. You will find expletives in every other dialog and it plays against the movie-watching experience. Let me remind myself that I am not watching a documentary here. I understand authenticity but the plot often mixes authenticity with non-glamorous audacity and the latter is not what a film samples while touching a topic so raw. It is independent cinema at its vulnerability because the writing is pretty pure, directly coming off the streets of Mumbai.
You may relate with the outright, on-your-face themes, the story so honestly depends on but as a film, it lacks many a points like cinematography, direction and most essentially, the narration. While it manages to deduce elements out of multiple themes (abortion, orphanage, humans in denial, Samaritan-ism, insensitivity, etc..), the cohesion is ineffective. And I see no reason why Indians, with their conservative attitude even when it comes to films, will want to see it.
BOTTOM LINE: The National Award was deserving but as it may seem, Thanks Maa is just a hyped up drama. Watch it if you love documentaries.
Can be watched with a typical Indian family? NO
Profanity: Very Critical | Vulgarity/Obscenity: Strong
Details
- Runtime2 hours
- Color
- Sound mix
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