The movie had a dark mood to it. Probably the filter used for filming, but it worked for the movie. There's no new ground covered here, but the writers played their cards close to the vest. Throughout the movie, you'll go back and forth btwn what you think may be going on, and you won't be surprised by the ending...but the movie got us there w/o the characters being too obtuse. This movie also makes the case for why people should TALK to each other. That much is clear throughout the movie, and some of what happens is the direct result of a lack of honest communication.
Didn't have a problem w/the title and it was ambiguous enough to not give anything away. Unlike "Engaged to a Psycho" or "Murder in the Vineyard" that were complete misdirects. One problem Lifetime has with their good AND bad movies is that they skate around behaviors that for the most part normal people would react to or question. There are a few instances of this in the storyline, and for whatever reason, they can't properly tell the story w/o giving it away. So they ignore. "I see dead people" totally spoils the plot of The Sixth Sense and isn't a misdirect, but you go through the movie and don't realize it until the right moment (if you caught on early in the movie, kudos to you). This is what Lifetime needs to work on. Giving characters little to no personality or not having characters question things is not a replacement for natural human reactions nor does it create an atmosphere for the audience to really see if characters are capable of things. I won't name any specific examples because the one that bugs me the most is a spoiler.
One distracting thing was that Chelsea (oldest daughter) always had a puffy coat or thick sweater/sweatshirt on indoors compared to everyone else. Maybe the actress was really cold wherever they were, but in the context of the movie, it looked strange in certain scenes.
Nevertheless, I enjoyed it and I would watch again if I needed background noise.
PS...some may think the movie dragged but Lifetime needs a balance of thrillers and the campy movies they mostly produce.
