User reviews

A man who lives at home follows signs that bring him closer to his destiny.

Most of these characters are facing life/relationship problems, but Jason Segel brings a lovable, quirky dorkiness to a film that inevitably carries lots of heart.

The premise only works if you go along for the ride, and it doesn't hurt that the characters are likable - for the most part.

Part fun, part strange, it's a down-to-earth world that becomes large because of its themes and ideas. Check it out!

7.3/10

"You ever feel like your waiting for forever to find out what your destiny is and when you do it's not really that exciting?" After receiving a phone call from a wrong number Jeff (Segel) thinks that the call has a deeper reason. His mom (Sarandon) calls and asks him to run an errand for him. What starts as a simple trip to a hardware store begins to evolve and change the lives of everyone Jeff comes into contact with, including his brother Pat (Helms). This is another movie that is almost nothing like the preview. The preview made it seem much funnier then it was. While this did have some funny parts in it I found this movie to be more sweet and heartfelt then I expected. Some of the aspects of the movie are very serious but they are done in a way that tone it down. Segel is just about the perfect choice for this role because there is just something about him that you find disarming and comfortable no matter what he is doing. If you are looking for a typical Segel comedy this is not it. This one has more substance and heart and is very much worth watching. Overall, if you liked "Everything Must Go" then this movie is for you. I recommend this but this is again not your average comedy. I give it a B+.

Well, there are two ways to go about this movie. There's the way of a nice superficial 2 or 3 out of 10 and then you can actually try and understand it a bit. This was what I chose.

The movie is heartbreaking. It's kind of random and weird but if you go along and stick with it, you can see that this is a masterpiece. The problems it discusses are there more and more frequently the past few years. It's a movie of its time, and it touches all the sensitive issues.

It discusses about the alienation between family members as well as our inability to understand the different in all aspects of life, respect it and just nurture it. It also gets into the marital issues that drive so many couples apart. And although these seem a lot, and there are even more, it makes it. It gets you a small sample of everything, emotions flooding and leading you to maybe cry a bit but hopefully be a better person by the end of the movie.

Jeff, Who Lives At Home is a great example of an indie film. Jeff, a 30-year-old slacker, is searching for meaning in an aimless life, looking at pop culture references for a sign.

Jeff's journey may seem like a simple one, but his mission to buy wood-glue for a broken shutter is not dissimilar to Odysseus's epic return. The twist in the third act underscores the idea that within all of us lies a destiny. (Jeff, Who Becomes a Hero, as a title, would've given it away.) Jason Segel gives a great goofy charm to the lead character, and he is ably supported by Ed Helms as his obnoxious and insensitive brother. Susan Sarandon is faultless as the mother looking for a sign of her own as she suffers bleak corporate office cubicle.

Ultimately, this is not only a comedy about a slacker living in his mother's basement, but a hopeful look at family and what that word means. It starts slow, then reveals some wonderful surprises.

This film is about a mother and her two adult sons, who experience varying degrees of interpersonal problems.

The first half of the film portrays a socially awkward Jeff, with his newfound infatuation with anything to do with Kevin. It looks like a pothead comedy, which I do not usually enjoy. The mood of the second half changes dramatically, as the characters get emotionally complex. Their emotional wounds get explored, and the film becomes touching and engaging. The ending is well built and climactic, and I find myself very touched by the heroic events. How each family member found emotional attachment is beautiful to say the least.

Though "Jeff, Who Lives At Home" may be a little boring at first, it is worth watching as the last twenty minutes are excellent.

I pretty much knew I was going to dig JEFF WHO LIVES AT HOME right from the first scene, where Jeff sits on the toilet, and waxes poetically into a tape-recorder about his undying love for the movie SIGNS. I tend to like the Duplass Brothers, who wrote and directed, so I guess this wasn't a hard sell.

At first glance, JEFF WHO LIVES AT HOME seems like a bit of a minor film, with it running a scant eighty-minutes, and taking course over a single day. Heck, for ninety-percent of the movie it was a minor work, and while I liked it, it still felt like a bit of a disappointment on the heels of CYRUS, which was one of my favorite films from last year. The film works mostly due to Jason Segel, who's affecting as the eternally optimistic Jeff. In another actor's hands, Jeff could have been insufferable- but Segel brings a sweetness to the part that meshes well with the Duplass Brother's big-hearted, humanist philosophy.

Like CYRUS, this owes a lot to the Duplass Bros., mumblecore origins, with it seemingly shot on lower-grade digital, possibly hand-held cameras, just like CYRUS. Some of the dialogue also seems to be improvised, with the exchanges between Segel and Ed Helms (who seems to be playing Andy Bernard with a goatee here- no complaints) having a natural, unscripted feel. The film also has a very nice score by Michael Andrews, heavily reminiscent of his excellent soundtrack for Miranda July's ME AND YOU AND EVERYONE WE KNOW (the release of which remains the last time I bought a physical CD).

In terms of laughs, yeah- JEFF WHO LIVES AT HOME is funny, but in a genteel sort of way. You'll never double over in laughter, but the whole thing feels pleasant, and at eighty minutes, goes down pretty smooth. Now, I said that for ninety-percent of the running time, this felt minor. The last twenty minutes or so throw the audience a bit of a curve-ball, with Jeff's idea of destiny having a surprisingly dramatic payoff, that pushed the film into territory I wasn't expecting. However, this switch isn't jarring, and works to the film's advantage, give it a uniqueness I wasn't anticipating.

There's also an interesting subplot involving Jeff and Pat's mom, played by Susan Sarandon, as she interacts with an office co-worker (Rae Dawn Chong of COMMANDO!!!), and deals with a secret admirer, which pays off in a fun, heart-warming way that, again, makes the film a little different- but in a good way.

All told, JEFF WHO LIVES AT HOME isn't quite as good as CYRUS, but it's a unique, pleasant comedy that once again proves that the Duplass Brothers., might be on to something with the way their films seem to simultaneously aim at the heart AND the funny bone.

Greetings again from the darkness. The Duplass brothers, Jay and Mark, were responsible for a terrific, creepy little comedy called Cyrus. It dealt with a dark, strange relationship between a mother and her grown, stay at home and do nothing son. The Duplass mumblecore beginnings often used familial relationships to find those moments of discomfort and comedy. Their latest movie brings all of that together as they examine multiple relationships within a family, and the possible role of destiny.

Jeff (Jason Segel) is an unemployed, 30 year old, childlike pot-head who lives in his mother's (Susan Sarandon) basement and watches the M Night Shyamalan movie Signs so often that he is convinced there are no "wrong numbers" in life ... everything is a sign leading us to our destiny. After the latest "sign" (phone call for an unknown Kevin), Jeff heads out to complete a simple task for his disenchanted mother. He gets sidetracked on his quest for Kevin, and stumbles into his brother Pat (Ed Helms).

By this time, we have seen Pat interact over breakfast with his wife Linda (Judy Greer). Note to guys: serving breakfast to your wife will not neutralize your surprise purchase of a Porsche. These two people have clearly lost whatever bond they once shared. One thing leads to another and we are soon watching Jeff and Pat stalk Linda and her male lunch friend ... or is he more? While this amateur detective work is playing out, Sharon (their mother) discovers she has a secret admirer at work. Her spirits are immediately lifted as she has pretty much given up on a personal life since the death of her husband years ago. Her friend Carol (Rae Dawn Chong) helps her be receptive to the idea, and this story line provides a nice Duplass twist.

Despite the fact that none of the characters are extremely likable: Jeff is borderline goofy, Pat is kind of an ass, Sharon just seems frustrated ... the story moves along so that each of them grows a bit and their relationships evolve. The ending is a perfect cap and provides meaning, though initially quite a shock to the system after first three-quarters.

The Duplass directing style utilizes micro-bursts of quick zoom in many scenes, giving this a quasi home-movie feel at times. As for the acting, I can't imagine another actor than Jason Segel could have pulled off the role of Jeff. In lesser hands, he would have come off as mentally unstable or just a total loser. Segel's sweetness pays off. It's always great to see Rae Dawn Chong back on screen, and I didn't even hate Susan Sarandon! Judy Greer's scene in the hotel room is so well played, it's a reminder of what a terrific and under-utilized actress she is. Don't expect a laugh outloud comedy, as this is more drama than comedy, though the smiles and chuckles occur in the moment.

Everybody has a quirky movie that they, and few other people or critics, like. It just might be that a movie simply comes along at the right point in our lives and interlocks with events in it. I certainly have a number of movies among my favorites that fit into this category, and I have a feeling that Jeff, Who lives at Home might have been admitted to it.

Although it is billed as a comedy, and there are certainly comic elements to it, there is a more serious component that underlies it and gives it some depth. Jason Segel plays a slacker who, at the age of 30, has few prospects (and living at home at 30 seems to be the modern stereotype of a loser). Jeff clings to the idea that some 'sign' will appear to show him the way. In fact, he is viewed as nothing but a loser by his mother, brother, and just about everyone else. When someone mistakenly calls his number asking for Kevin, Jeff, seeing this as the sign he's been waiting for, begins his search for his role in the universe, brushing aside all ridicule in the process.

I like movies that show how small, apparently insignificant, choices can lead to life changing events. I also like movies in which a character is redeemed by adhering to principles that everyone else thinks are insane. In its own subtle way, the movie questions many of the basic premises that underlie modern society. Yeah, I know, maybe I'm reading too much into this, but, I suppose, that's why we all like certain movies that others don't.

You're not going to get a better guy to play a slacker-loser than Segel. The other actors hold up their roles well. I admit that I expected little of this movie, but I found it engaging right from the opening scene. Give it a chance and I foolishly believe you will not be disappointed

Acting on the belief that everything happens for a reason, a 30 year old layabout sets out on a quest to find out who "Kevin" might refer to after a wrong number phone call in this brisk independent American comedy. Jason Segel is well cast as the philosophical title character who waxes poetic over how the seeming randomness in films like M. Night Shyamalan's 'Signs' leads to perfect moments, and while ostensibly pathetic (unemployed, living at home and no girlfriend), Segel moulds a surprisingly warm and likable character. His quest also has a delightful sense of spontaneity as he plans nothing in advance and simply goes off perceived clues that he finds along the way. Much of the film, however, revolves around him reconnecting with his narcissistic older brother, played by Ed Helms, who is rather grating. There is also an oddly slotted in subplot involving the brothers' mother, but Susan Sarandon is fortunately so solid and down-to-earth in the role that it seldom seems like a distraction when the film cuts away to her. Clocking in at just over 80 minutes, the one thing that can be said about 'Jeff, Who Lives at Home' is that it never outstays its welcome. The extremely upbeat note on which the film concludes seems a little at odds with the project's otherwise unglamorous take on very real people, but it is still a pleasant enough experience and one that leaves open some food for thought. The title character is the only person in the film who is content and optimistic throughout, so perhaps there is something to be said for being a 'slacker' in life?

Maybe there was something I missed, but I surprisingly didn't like this. Early on, the movie seems to compare itself to Signs, in how it meanders before finally making sense in the end. "Everything happens for a reason" as we know it. But whereas Signs had Shymalan's signature suspense and mystery to back itself up, Jeff just seems to merely meander. Maybe there's just something more to it, but the idiosyncratic style and uneven shifts between comedic and dramatic tones muddle down whatever the movie wants to say.

I'm a huge Jason Segel fan, and I love Ed Helms as much as the next guy, and they are the best parts of this movie, especially when the two of them share moments of intimate conversation with one another. However, these moments, poignant though they may be, don't provide much help. Susan Sarandon is also trying her best, even if her alternate story feels like something out of a completely different movie. Even Judy Greer, whom I revere and adore, couldn't save this movie for me. Granted, I'm not discouraging anyone from seeing it, it's just that it didn't stick with ME.

**1/2 / *****

Don't let the title scare you away, 'Jeff, Who lives At Home' is a deep character study about three unhappy people and the meaningless existences they each inhabit.

One such person is Pat (Ed Helms), a man stuck in a roller coaster of a relationship with his wife, Linda (Judy Greer). Pat has recently purchased any man's dream car, a brand new Porsche. Judy doesn't share in his delight for his new automobile, which only distances them even more. When Pat suspects Linda of having an affair, it leads him on a inept detective mysterious, where most of the films humor draws on.

Susan Sarandon plays Sharon, the mother of Pat. A widower, Sharon is very lonely and loans for someone to connect with. When a "secret admirer" begins sending her flirty messages, Sharon is delightfully surprised someone is still interested in her despite her age. It's up to Sharon to uncover this mystery person's identity.

The last chapter, the title character, is played by Jason Segal. By far the best part of the movie, Jeff is a slacker in his 30's with no real aim in life. After seeing the movie 'Signs' and having someone with the wrong number call him and ask for a Kevin, he believes it to be a sign. The rest of his arc delves into him following after all things tied to "Kevin," and the strange paths it takes him.

A common misconception I can see being falling into is that this will be a broad, raunchy comedy, like the ones Ed Helm and Jason Segal have headlined in their career. If you go into this film expecting that, you'll be disappointed. This is a thinking man's movie, with smart humor and likable characters sprinkled in. With your time.

"Jeff, Who Lives at Home".

A dust-bin find (2011) of me. Jason Segel, Ed Helms, Susan Sarandon, and a host of other fun supporting actors.

My spouse thought it was "stupid". Right there, that's a big check in the plus column.

Admittedly, it is a bit "comédie de l'absurde"reminiscent of "After Hours" (1985) or "Something Wild" (1986). I liked it. It's far from a "high speed romp" but there are more than enough twists, turns, jerks, and shocks to hold the viewer's interest.

At the closing credits, my spouse threatened to "punch me in the throat" if I ever subjected her to similar entertainment in the future.

So I got that goin' for me, which is nice. 😅

Jeff (Jason Segel) is a thirty year old man with a puncheon for the film Signs and lives in his mother Sharon's (Susan Sarandon) basement. His older brother Pat (Ed Helms) still lives close by with his wife Linda (Judy Greer). He and Linda are in the midst of serious marital problems. One day while she is at work, Sharon asks Jeff to go to the shop to pick up some wood glue. Convinced that the name Kevin is some sort of sign he ill advisedly follows various Kevins' around the city bumping into his brother along the way.

To me the film was like a cross between a Wes Anderson film and The Office. It has the odd, quirky indie charm of an Anderson picture but the awkward humour and filming style of The Office. Unfortunately it was neither as good as any Wes Anderson film I've seen nor The Office. At times it was quite funny but these moments were usually fleeting and there weren't many of them. The story was reasonably interesting and the film had a sweet ending but it just didn't mesh together. The whole 'the Universe will show me the way' nonsense was really annoying and although the ending was very sweet, it was obvious and annoyed me.

The film is reminiscent of the Duplass brother's last film Cyrus, which I really liked. You get the feeling that both films inhabit the same world. That film was quirky, funny and sad and these are all things which this film sets out to be. In the end it slightly misses the target on each occasion. The acting is really great but the characters were pretty forgettable. I'll still keep an eye out for the director's future work but this film didn't move me in the way it was meant to. Also, we all live at home! www.attheback.blogspot.com

Jeff, Who Lives at Home (2011)

*** (out of 4)

Pleasant comedy-drama about slacker Jeff (Jason Segel), a thirty-year-old who still lives in his mother's basement because he keeps thinking signs will show him his destiny. One day he believes he's following one of those signs and he ends up spending time with his brother (Ed Helms) who believes his wife (Judy Greer) is cheating on him. JEFF, WHO LIVES AT HOME isn't the flat-out comedy that the trailers want you to believe and at times I was a little surprised to see how serious it was getting. With that said, the screenplay really doesn't go for either laughs or drama as its main goal and instead it really just seems like a slice of life tale centered on a few hours in these brother's lives. I think what the film does the best is offer up some very good performances from the leads. Segel is completely believable in his role as the pothead trying to figure out his meaning in life. I thought the actor played the stoner bit extremely well but even more impressive was the way he was able to play the dramatic moments because this is where you feel for the character. Helms plays the same type of role that he often does and that's the jerk who needs to realize who he really is. Segel and Helms really do come across like real brothers and this certainly helps the film. Greer easily steals the movie as the wife and Susan Sarandon does a very good job in the role of the mother. Even Rae Dawn Chong does a good job in her bit. The one thing that really bothered me about the movie was its look and especially some annoying small zoom shots. These little zooms happen throughout the film and I'm really not sure why but they got quite annoying after a while. Still, the performances are what make the film and they're good enough to where the film just comes off very pleasant and entertaining.

This sweet natured indie Dramedy by the Duplass brothers takes its starting point from the movie 'Signs', which posits that the unrelated trivialities of life hold a stronger more meaningful interconnectedness.

And thus, after a wrong number asking for 'Kevin', slacker Jeff (Segel) embarks on a series of misadventures, ostensibly to purchase wood glue to repair a wooden slat, but in actuality allowing this search to reveal the unpredictability of a meandering quest for a 'destiny' of any kind.

Jeff's mother, Sharon (Sarandon) is a bored office working widower whose day is brightened by an instant message from a 'secret admirer'. And his odious, yet redeemable brother Pat (Helms) is struggling to hold on to his marriage with the potentially adulterous Linda (the often overlooked, but superb, Greer). It is these disparate narrative strands of a distant and dysfunctional family unit that are woven together by Jeff's pursuance of 'Kevin', told through a mildly frenetic and documentary like lens. The plot occasionally flounders, due to its own exploration of randomness, but at a brisk 82 minutes it's always engaging.

The denouement is a touch heavy handed, but perhaps necessarily so, offering a comment on the human need for a strong and complete sense of fulfilment. What we are ultimately provided with is an unpretentious and entertaining microcosmic view of the haphazardness of existence and the arbitrary nature of fate.

Oh, and it's funny.

From Indie writer/director brothers Mark and Jay Duplass comes the movie that was my favorite film of the 2011 Austin Film Festival and is now available on DVD and On Demand. This quirky comedy stars Jason Segal and Ed Helms as two very different brothers who are brought together by fate and strange circumstances.

Jason Segal is Jeff, a stoner who lives in his mom's basement. He strongly believes in fate and that everything in the world is somehow connected and has a purpose. While sitting on the couch getting' high he gets a wrong number phone call from a guy asking for "Kevin". Jeff lets him know that nobody named "Kevin" lives there. He is then berated by a bunch of angry expletives and hangs up. This begins Jeff's journey through the film. He sort of reminds me of another famous slacker named Jeff, "The Dude, or El Duderino if your not into the whole brevity thing" I'm talking about one of my all-time favorite movies "The Big Lebowski" Although this Jeff does have his own style, their outlook on life is quite similar. His mother Sharon is played by Susan Sarandon, an office worker looking for something more in her life as she is starting to feel her age. She ends up finding excitement in the form of a secret admirer.

Ed Helms plays Jeff's older somewhat more successful brother Pat. He is married to Linda (Judy Greer) and has just bought a Porsche without consulting her. Needless to say after dropping this bomb their relationship in walking a fine line. Since they live in an apartment and don't have any kids, Linda suggests that it would be easy to go their separate ways. Over the course of the film, with Jeff's help, he rediscovers his love for her and what he really wants out of life. Finding your place and connecting with family is a big theme in this seemingly dopey comedy.

Taking place over one day Jeff has one job to do. Take the bus to Home Depot and buy a bottle of glue to fix a kitchen cabinet. On the bus he is distracted by a guy wearing a basketball jersey with the name "Kevin" on the back. He thinks this is a sign and follows the guy only to get mugged in the end. This does however lead him to Pat who is spying on his wife. She is having lunch with another man and Pat thinks she could be having an affair. The movie revolves around the brothers relationship and their misadventures. The Duplass brothers have a unique way of making movies that are very real and heartfelt. Although not much seems to happen in the course of the story, you can't help but feel like you been on a journey of discovery with these characters.

This film has an excellent cast and they each did a great job in making me relate to the characters, even the jerk brother, Pat.

I loved the story line. In the beginning, Jeff gives us a hint that it'll all make sense at the end, and it does.

I really loved how there was so much positivity in the film. Each character is struggling with their own lives but ultimately each one chooses to see the good in the situation and try their best to be happy.

My only complaint is the use of too many close up shots and shaky camera technique. It was excessive. It gave the movie too much of a chaotic feel and sometimes made my stomach hurt.

Other than that, I truly enjoyed this movie.

A film about a mother, her romantically challenged son and her dreaming slacker son, all very lonely and disorganized. The story begins with Jeff (Jason Segel), a 30 year pot head that lives in his mothers basement. Jeff believes that everything is a sign or has a deeper meaning. He receives a mysterious phone call asking for a "Kevin", but he doesn't know a Kevin. He takes this as a sign. He is somewhat philosophical but is viewed as a slacker by his mom, Sharon (Susan Sarandon) and his brother Pat (Ed Helms). Pat is a mono-toned and pretentious salesman. We are introduced to Pat and his wife Linda (Judy Greer) at breakfast. Pat attempts to water the dying flower that is their marriage with breakfast and a not so welcomed surprise, a new Porsche boxster. This sprouts into an argument do to the fact that they don't have the money and that ultimately, Pat made the decision without Linda. Linda vents her frustration by throwing the breakfast onto the car as passive-aggressive Pat watches. We are brought back to Jeff who receives another call and is hesitant, it is his mother Sharon asking him to go out and get a new shutter for the pantry. She really intends on getting her middle aged son out of the house. Jeff than leaves for what is more than just a trip to home depot. He begins seeing signs relating to "Kevin" such as a kid with the same name, he follows the kid resulting in his mugging as well as crossing paths with his brother, Pat while he is at Hooters. The brothers than crash the new car into a tree. Pat pays some people off to not call the police due to the fact that Pat had been drinking. They spot Pat's wife, Linda at a gas station with another man in the car. They proceed to follow her around to find out what is going on. All this is happening while Sharon is at the office receiving hints from a secret admirer over IM. She is excited but also cautious because of her insecurities with her age and her body along with the fear of rejection, or being the butt of a joke. She confides in her friend Carol ( Rae Dawn Chong) as she continues to wonder who the secret admirer is. The movie seems to have a lot of content packed into one day. Jeff and Pat are chasing around Pat's wife, Linda, in suspicion of infidelity. Sharon is desperately searching for her secret admirer who has an inflated importance because of her loneliness. The film feels like a climax to a much longer movie. In the matter of a day we see Jeff conflicting with Pat, Pat conflicting with his wife, Linda and Sharon conflicting with both of her sons and all of them conflicting with themselves. The story results in the saving of lives along with the saving of their own lives. Through a series of traumatic events we find the characters re-prioritize and come together as a family. The climax is what made my rating a 7/10. It felt like everything was happening all at once (in a day) and made it feel pretty unrealistic. The movie than hit the climax which provided an interesting turn in the story. This comedy-drama felt like another Step Brothers (Will Ferrell and John C Reilly) at first but proved to be more of a family drama with a few decently funny scenes. Overall a good film even though I don't feel the need to watch it again anytime soon or really boast about it.

Jason Seagal is pretty funny dude ( Forgetting Sarah Marsal , Five Year Engagement , huh I just realized his movies have really long names ) but this movie is more than just a comedy , it is almost a life lesson . Ed Helms is fine and Susan Sarandon is , as always , splendid .

This is not what I expected to see, the film is with Jason Segel and this is not what he usually do :) This is quit an interesting film, it has humor, but I would not put it in the comedy only genre, this is more comedy-drama. This film is not fast moving in any way, it is very mellow and well some might say slow and boring, I say easy going, slow moving and interesting.

This is an hour and 20 minutes, with a weed smoking 30 year old man who lives in his mothers basement, he believes there is a reason for everything and that god or some higher power is giving signals that you either follow or get lost with the most of the people in a busy world.

He is carefree, he has a good hearth, he is a bit naive, but he lives his life and follow his own path. He smokes weed and find inspiration and signs in a lot of weird things, but it all turns out as a new experience or something new he has learned, it is very inspirational.

"Jeff, Who Lives at Home" is NOT a film for everyone. It is very indie in style and features mixed up characters who are difficult, at times, to like. It is far from the sort of thing you'd expect to see from Hollywood, that's for sure.

Jason Siegal stars as the title character. He's a 30 year-old loser--with no job and living in his mother's basement. He sits around smoking a bong and has little going for him other than, down deep, he is still a very nice person. Much of the film concerns him and his brother, Pat (Ed Helms) who is MUCH easier to dislike. Unlike the optimistic Jeff, Pat is caustic--critical and not particularly nice. Their mother (Susan Sarandon) is frustrated with her life...though she has a hard time recognizing this. By the end of the film, events have taken place that both bring them all together and get them all to reassess who they are.

As you can tell, this is certainly not a traditional plot. It's much more like a typical Duplass Brothers film--with realistic but highly flawed characters that you grow to like in spite of themselves. However, unlike one of their films, they apparently impressed someone with money, as this one has major stars and obviously cost much more to make. Not a brilliant film but there are many, many small moments that you'll appreciate. Also, it starts off VERY slow--stick with this one.

By the way, in a supporting part you'll probably recognize Steve Zissis from anther Duplass film, "The Do-Deca Decathlon".

There's just something that I don't find appealing about these "film festival" moves that take comedic actors and put them into situations of having real life person problems. While I shouldn't complain that there is a genre of realism that doesn't wrap up in a nice bow like your average romantic comedy, I still can't be taken by a mundane movie that shows your average person with an average life problem. Jeff's character probably mirrors someone that everyone knows, and Pat appears to be the average middle class man with an imperfect marriage and a short sighted financial view… again… probably someone we all know. The most interesting character is played by Susan Sarandon (Sharon), being a widow coaxed into new experiences in her later years, after feeling regret about how her life turned out. The odds are, when I reach that age, I will know someone exactly like her as well. The story is boring, the filming isn't bad, and the characters, while believable and real, aren't anything special.

If it comes up on your Netflix or TMN, check it out for the sake of feeling cultured, and better yet, to see a new Porsche wrap around a tree. Other than that, I'd say skip it.

The acting wobbled as much as the camera-work from boring and flat to jittery and overly stylized. None of the characters were particularly interesting nor were their lives. This movie doesn't really make it as a slice-of-life movie because the character's reactions to each other and the situations in which they found themselves were simply not believable. They were however all too often predictable and traditional TV/movie bits. The ending was too pat and gave a dutiful nod to the Hollywood/new age concept that we are all connected in a mystical spiritual world full of signs and portents. The movie was trying so hard to look meaningful it forgot to actually have any meaning. Only worth watching for the snob appeal of being able to say you watched it. Possibly a good date movie for a guy who is trying to impress an artsy girl who takes herself too seriously.