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The thing of it is, ParaNorman is pretty scary stuff for a PG movie, so you've been properly warned. This isn't some over-sanitized Disney movie. Everything from the lighting to the characters to the tense plot adds up to something you wouldn't want your six-year-old to drag you to, unless you don't mind paying for some therapy. But it's a terrific movie, with a style all its own and a madcap sense of ghoulish delight.

Norman (voice of Kodi Smith-McPhee) is an outcast. Know why? He talks to dead people. And indeed, we see them as well, chatting with our hero along his walk to school. Oh, and his grandmother (voice of Elaine Stritch) talks to him all the time while sitting on the couch in the living room. No one understands poor Norman, who's as resignedly freaked out as Haley Joel Osment in the Sixth Sense, so he has no one to talk to, not his parents (Jeff Garlin and Leslie Mann), not his sister (Anna Kendrick), and not the school bully (Christopher Mintz-Plasse) for sure.

It's only when Norman has an episode during the production of a school play (not coincidentally, about an old legend surrounding the town's dark past) that he gains a friend - another outcast, the portly Neil (Tucker Albrizzi), who teaches Norman that it's best not to let people bother you, to not let them get under your skin. Had the story ended there, we may have had a nice, tidy after-school special. Oh, but it does not! From out of almost nowhere, Norman's black-sheep uncle, Mr. Prenderghast (John Goodman), a heavily bearded, slightly loony chap, informs Norman that he - Norman! - must take the mantle of He Who Holds Off the Witch's Curse. Mr. P. has been doing it for all these years, but he thinks he's about to go. He warns Norman that it's all up to him and he must read from the book and then he dies. That was an intentional run-on sentence, for your pleasure.

Thereby our plot is set in motion! Norman must extricate said book from the dead uncle and then read it by the witch's grave in order to break the curse that no one really believes is real. They don't believe it on account of Mr. Dead Uncle has been reading from the book for his entire life, and someone before him, and so on. But now Dead Uncle is, you know, demised, and just before the witch is to rise from the ashes and wreak havoc! Oh, I should note that the curse goes like this - a little girl was suspected of witchcraft by the town elders and sentenced to death. So you can see why she might want to haunt those elders and the town itself for all eternity.

There are people raised from the dead, and the imagery is quite striking; bones, stringy hair, rent clothing, and the ability to remove an appendage and reattach it. Are these - uh - zombies - out to lay waste to the town? Or are they victims of their own device? It's up to Norman, his brain, and his innate ability to talk to dead people to somehow save the day. Despite being grounded, of course.

ParaNorman works on many levels. Adults will love the stylish, almost Gothic atmosphere; older teens will love the menace of both the zombies and the townspeople, not to mention the witch herself. There are, for an animated film, plenty of scares and dark themes - slightly offset by the themes of loneliness, friendship, heroism, and getting adults to just listen to you. For once! Ahem. Anyway, there's a sort of beauty in ParaNorman, as horror and light comedy are somehow blended to form a rich animated film.

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The makers of Coraline and the beautifully crafted but story-lacking 9 brought us another animated movie that did not disappoint. Paranorman was in fact a surprising movie. Unlike any other animated movie, this one picks a new sort of approach, that would probably entertain both adults and children.

The film was shot using a Canon 5D Mark II DSLR Camera. To generate the 3D effect, the camera was mounted on a special rig that would take one shot, then slide to a slightly viewpoint to take another shot. However, to generate all the different faces needed for the characters, the film company Laika used 3D printers.

The movie takes place in the creepy town of Blithe Hollow, whose name is a mash up of two other ghost stories, Noel Coward's Blithe Spirit(1945) and Washington Irving's The Legend of The Sleepy Hollow(1949). Paranorman tells the story of 11 years-old Norman (voiced by Kodi Smit- McPhee), who can speak to ghosts. Unfortunately, Norman has no friends because people think he's weird. Even his father (voiced by Jeff Garlin) regrets how his son turned out to be. The movie is a little too horror oriented, but funny and suitable for children nonetheless.

The characters are well drawn, so you can understand each of their personalities: you have the nice fat kid called Neil (voiced by Tucker Albrizzi), the usual blonde teen (voiced by Anna Kendrick), the bully (voiced by Christopher Mintz-Plasse), and the dumb jock (voiced by Casey Affleck). To be honest, my favorite was Neil.

To end with, Paranorman weaves a fantastically dazzling, consistently engaging and touching story. I really appreciated the level of maturity that has gone into this impressive stop-motion animation. A good movie in about every regard, that is fun and entertaining to watch, for both children and adults.

Laika Entertainment, the stop-motion studio behind the modern classics Corpse Bride and Coraline, are back with their latest spooky tale, ParaNorman. Like its predecessors, ParaNorman is a beautiful claymation wonder. Every single frame is filled with such a vast amount of detail it would take several repeat views to catch all the hidden gems.

ParaNorman is also filled with humor. The talented voice actors that bring the clay characters to life provide most of the laughs. From Anna Kendrick's (Up In The Air, 50/50) ditzy cheerleader, to Casey Affleck's (Gone Baby Gone, Ocean's Eleven) dumb jock, to Christopher Mintz-Plasse (Superbad, Kick-Ass) getting to play against his 'McLovin' typecast as the angry school bully. But the biggest laughs by far are dished out by child actor Tucker Albrizzi who is perfectly cast as the voice of Norman's chubby best friend, Neil.

ParaNorman is a visual and comedic force. Despite the tedious and demanding workload and easier computer rendering technology, Laika Entertainment continues the tradition of making stop-motion movies the hard way. With films as stunning as ParaNorman hopefully the technique will live on forever.

Norman is an odd kid. He can see and talk with dead folks. This is NOT a welcome gift, as other people think he's a weirdo. There is a parallel story about a girl from the Puritan times with the same gift and the town's reaction to this comes back to haunt the town....literally.

My daughter saw this film in the theater and talked and talked about how much she loved this film. When it did very poorly at the box office, she was incensed. Now, several months later I got around to seeing it. However, I have a confession....I really didn't love the film. In fact, I was pretty ambivalent about it. On one hand, the film had a great look and I loved the little inside jokes scattered throughout. But, on the other, the entire final portion of the film is a giant downer--and much of the film is not at all appropriate for younger viewers. It's just too serious and lacks fun--which is strange, as the first portion of the film was, at times, quite funny. As a result, I found the film to be highly uneven and one I'd think twice about before showing it to kids.

I came into ParaNorman with a sense of cautious optimism. I absolutely adore stop motion animation, and I genuinely fell in love with Coraline, LAIKA's previous effort, but the trailers for the film didn't capture my interest in the story in the way I hoped they would and this film also didn't have the benefit of being helmed by the brilliant Henry Selick (Nightmare Before Christmas, James and the Giant Peach, Coraline). That being said, I am extremely happy to report that ParaNorman absolutely delivers on every level you could hope for.

ParaNorman tells a story about a young boy named Norman who has the unusual ability to see and talk to the dead, an ability which has led him to be ostracized by the other members of his community, including his own family. The New England town in which he lives is famous for a historic witch execution, along with the legend of a curse that the witch put upon those who sentenced her to death. It turns out that the legend of the curse is true, and that Norman, with his ability to talk to the dead, is the only one who can prevent the curse from raising the dead. Unfortunately, Norman is unable to act fast enough and the Witch's curse begins to wreak havoc on the town.

ParaNorman is a film with many strengths. Stop motion animation is always a beautiful and fascinating process, and with new technological advances the filmmakers have been able to bring it to a level of detail and expression that are simply astounding. While the scope of the story may be smaller than something like Coraline or Nightmare Before Christmas, the scale of the stop motion sets for this town are truly incredible. The film absolutely immerses you in this world that feels like a living, breathing, place. As beautiful as the animation in Brave was, ParaNorman is easily the most visually impressive film I have seen this year.

As beautiful as the film is, it never falls into the trap of so many other animated films by simply being visual spectacle with no narrative soul. The story of the film is fun, intelligent, and heartfelt, and is supported by a great cast of characters. The odd kid who is misunderstood is a common trope in kids' movies, but what makes Norman stand out is that he's never mopey about it. He is ostracized, bullied, and rejected, but he's come to a kind of acceptance about the whole thing. He's certainly not happy about it, but at this point he's not trying to fit in, he's really just trying to keep his head down and get through the daily grind. This is part of what makes his relationship with the other characters in the film work so well. For instance Neil genuinely accepts Norman for who he is and it's obvious that this throws Norman for a loop and he doesn't really know how to interact with someone who "gets him." This is never spoken, but it plays out naturally through the performances of the characters.

As the narrative progresses it takes some really interesting turns, and at times is genuinely surprising and emotional. Without spoiling anything, I'll just say that a large part of the narrative revolves around assumptions and misunderstanding, and it brilliantly uses the audience's assumptions and expectations about the genre and its conventions against them.

It's also worth mentioning that this is one of the rare films which decidedly benefits from the addition of 3D. There's some fun play with perspective, and being able to see the dimension that exists in these sets adds a lot to the experience.

I genuinely loved ParaNorman and it's easily one of my favorite films this year. It's not a movie for everyone, but if any of the trailers gave you even a glimmer of interest I would definitely recommend checking this one out. LAIKA is certainly beginning to make a name for themselves in the animation scene and I'm really looking forward to whatever their next project will be. I think I still prefer Coraline which definitely benefited from the combination of Neil Gaiman's fantastic story and Henry Selick's experienced hand, but ParaNorman is a truly fantastic film and it's definitely worth a look.

A-

Paranorman tells the tale of Norman, who is afflicted with the strange 'power' of being able to see and talk to the dead. His local town is one full of legends and curses and with the help of a few semi-friends Norman is the only who can save it from a (not so) wicked witch.

Paranorman isn't quite a kiddie film. Sure, kids will enjoy the animation and a few of the more obvious physical jokes but the subject matter and tone of the film is a little too grown up. Lacking in Pixars fun and joviality Paranorman skirts off piste much like its well meaning but odd central character. Some kids wont get of the more subtle jokes or references (itchy weiners and the music) and i still find it strange that they made a kids film about zombies!

I had the same feeling watching Monster House a couple of years back. Much like Paranorman, Monster House is bags of fun and its message is one that i really appreciate but i felt that it didn't need to be as grimmly told.

Unexpectedly twisted in its own way but beautiful and wierd, so long as the end was worth it it wasn't that bad and the humor was great too,

ParaNorman looks like a throwback to the good old campy stop-motion animated films. The concept may not sound so original, but the designs and the themes of the story are the main appeal here. The movie is fun and wonderful to look at. While it goes through a crazy adventure comedy, there is a surprising twist that made this so endearing. It is something that we don't usually see in an animated film, but because of that we intend to love it. ParaNorman is funny, creepy, smart, and affecting.

ParaNorman is oddly different as an animated family film. Unlike the others, this one has a dark and mature context, but by sentimental means. Although the story is about spirits and zombies, the true core of this film is the emotion and the message that it is trying to show us. There's a couple of moments that are quite affecting. Usually is when Norman is being alone in his gloomy life. In other parts, the film is ought to be funny. The comedy sometimes feel way apart from the drama, but they still work anyway.

The stop-motion animation indeed looks marvelous. These little figures really brought themselves to life as their voice actors provide their personalities. The campiest part, the zombies, are quite impressive to look at. It's undeniably solid. The music score sure knows which part is suppose to be gloomy, campy, or just ordinary. It's a great effect to the scenes and you'll love it. The rest of the movie is all ridiculous and fun little set pieces that are entertaining enough to enjoy.

ParaNorman is surprisingly strong. The depth of the story made this movie so special. It's still filled with comedy and lightheartedness. In the end, it turns out to be endearing. It's a rare kind of family film that is brave to show what it wanted to show. It might be hard for some to understand its sentiment, but if there's anything else why anyone would like this film then it's because of its majestic animation. ParaNorman is simply great and it's easy enough to recommend.

ParaNorman offers a visually impressive and inventive experience with its stop-motion animation, creating a uniquely eerie atmosphere that's hard to forget. The animation style is a standout strength, bringing to life a world that's both charming and creepy. The voice cast, including Kodi Smit-McPhee and Anna Kendrick, delivers engaging performances that add depth to their characters.

However, the film's ambitious attempt to blend spooky fun with deeper themes sometimes feels uneven. While the story aims to explore complex issues like fear, acceptance, and understanding, the heavy themes can come across as a bit overwhelming for a family-friendly film. The tonal shifts between lighthearted moments and more serious undertones occasionally disrupt the narrative flow, making it feel disjointed.

Additionally, while the movie's creative approach is commendable, it sometimes leans too heavily on its moral messages, which can feel preachy rather than seamlessly integrated into the story. The blend of humor and horror isn't always perfectly balanced, which might leave some viewers unsure whether to be spooked or amused.

Overall, ParaNorman excels in animation and has a lot of creative flair, but its heavy-handed themes and occasional tonal imbalance can detract from its overall appeal. It's an ambitious film with moments of brilliance, but it might not fully hit the mark for everyone.

This is another great LAIKA stop-motion film, its fun, aware of zombie movies, and funny with its humor on the zombies or the spirits Norman understands.

Norman is a likable character and you know what he is going through along with knowing his favorite intrests, even other funny characters with all of the characters having great voice acting.

I like how it makes fun of the old zombie movies and how silly and cliche they can be, which can be funny and fit the situation really well.

The stop-motion is amazing and gorgeous along with a pretty stop-motion woods set, the effects fit really well with the animation and there are scenes where I want to know how they animated it because of how cool it looks.

I suggest you watch this. You will like how aware they are about the old zombie movies you know are cliche, while also having fun zombie stop-motion animations with great movements and entertainig designs.

ParaNorman is pretty good. It has a very good premise and story and the animation is fantastic. But, I feel like there was something missing structurally, like exposition for some characters and story points and because of that some of the resolutions between characters didn't feel earned. Also, some of the writing was a little cringey. Regardless, it's pretty good and it's worth watching. I rate ParaNorman an 7/10.

This is a very well done animation movie with a great technique and brilliant special effects.

The movie has a light creepy atmosphere and character design. In my opinion it's not fitted for a younger audience, it's more for teens and adults.

If you're in search for a Tim-Burtonesque movie, this one is the right one for you. Besides some innovative technical aspects and more adult tone and design, the story develops to some more known and less-innovative plot points that takes away some of the fun and interrest in the movie till the end. But it's still a very good, entertaining and special movie for fans of animations.

Recommended.

Paranorman is a well-done animation that flips preconceptions. It is, contrary to some crits, quite deep in meaning and delivery. I would say that the standard comedy related animation is simply a wrapper for a more tragic tale. The ending was poignant and revealing, leaving me with a little bit of sadness.

The film is quite dark at times, but it is ideal for kids to understand that the presented truth is not always the real truth. That the reasons for bad things happening, always has a root. I don't want to spoil the plot, so I will leave it at that. All the characters were likeable, and the film was also funny and enjoyable.

An animation that makes you think of righteousness vs being right.

Without spending too much time discussing the plot, this movie is essentially a film about a misfit kid who ultimately must save the town that has misunderstood and mistreated him for most of his life. Yes, Norman sees dead people. However, everyone is aware of Norman's claim of this power and they either ridicule him (other kids) or are ashamed of his seemingly wild claim and erratic behaviour. Of course Norman's extra-sensory powers will soon be required to rid the town of a curse. The resulting events make for a great story and film.

There are several themes in this film that were well developed and ultimately resolved to my satisfaction. The animation is incredible, and I loved the creative camera shots that the director(s) chose in many scenes: much more advanced than the usual animated film.

I took 2 children to see this movie, a 6-year old girl and a (near) 4 boy. The kids loved the comedic zombie scenes in particular and were laughing out loud for much of it. They were frightened in other parts but in a functional thematic way, not to the point of nightmares. However I did note that some of the deeper themes went right over the kids' heads, and while they weren't too bothered by this fact, I advise that children over 8 might enjoy the film more fully.

The climax of the film is beautifully animated, and very poignant. On the whole a great film. I would state only that the humour surrounding the zombies was hilarious for adults and children alike, and I would have included more of it. Certainly this film is worth the admission. I saw it in 3D, it wasn't mind-blowing 3D but it certainly gave the film more texture.

'PARANORMAN': Three Stars (Out of Five)

An Academy Award nominee for Best Animated Feature Film (of 2012), and one of the better reviewed movies of the year, this stop-motion animated film tells the story of a boy who can communicate with dead people who's called on to save his town from a 300-year old curse. The film was written and co-directed (along with Sam Fell) by Chris Butler. Butler worked on the storyboards for other spooky animated films like 'CORALINE' and 'CORPSE BRIDE'. This marks his feature film directing and writing debut. The film was produced over the course of three years at a studio in Hillsboro, Oregon and is the first stop-motion animated film to use a 3D color printer to create it's character's faces (and the second to be shot in 3D). The voice cast includes the likes of Kodi Smit-McPhee (of 'LET ME IN' and 'THE ROAD' fame), Anna Kendrick, Casey Affleck, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin and John Goodman. I found the film to be a cut above the norm for this type of kid venture but not worth quite the critical rave it's received.

The film revolves around a boy by the name of Norman Babcock (Smit-McPhee) who is gifted with the ability of being able to speak to dead people. His family and other townsfolk in the small town of Blithe Hollow don't believe he can really communicate with spirits though and he's seen and treated as an outcast freak. A fellow classmate, who's also an outcast named Neil (Tucker Albrizzi), is the only one who believes Norman, along with Norman's uncle Mr. Prenderghast (Goodman). Mr. Prenderghast calls on Norman, one day, to protect the town from a 300-year old curse. Norman is informed that the curse was cast by a witch centuries ago and will bring about the living dead. Norman is reluctant to believe his uncle until zombies start walking the streets and it truly is up to Norman to use his special powers to save the day.

I have a hard time getting in to animated kid's films like this (especially stop-motion ones). Usually due to the fact that these films are all filled with one-dimensional characters and lame kid friendly jokes. This movie definitely has it's fair share of both these things but it also has a little more character and emotional depth than most animated films of this type. It also plays some good homage to monster films and has a nice retro feel to it (at times). The music is spectacular and it is a little more creepy and mature than you might expect from the trailers. It also has been praised (as well as condemned) for having the first openly gay character in a kid's film (which I think is a very good thing). The movie still has it's flaws and it isn't as cool as critics make it out to be but it is a decent, better than average animated kid's film.

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Yes, like most "kids" movies, it had it's corny, funny, sometimes just plain silly parts, but... Paranorman left me pleasantly surprised. First and foremost, if you didn't like this movie because you compared it to Caroline, that's your problem. This movie stands well on its own and it's completely unfair to make comparisons. By the time the movie had finished, the beauty of it shone through and, without hesitation, I would say it stands up very well against "blockbuster" films designed for mature audiences. It's neither vulgar or obscene, but there are a few parts in the movie that will go straight over the youngster's heads but you will most certainly get it if you're over the age of thirty and haven't been living in a cave. If you take your kid(s) to see this, be ready; there are a few intense scenes that might have them a little frightened. Regarding the poor guy who didn't want to see the Expendables 2, I didn't see it, either, but I sure heard it. They poorly placed this movie the very next theater over from it.

In the vein of iconic monster/adventure properties like The Monster Squad, Scooby-Doo even The Iron Giant comes Laika's follow-up to their hit film Coraline. ParaNorman, is a fantastically intricate stop-motion (or "stop-frame" to you film fans in the UK) animated film that follows Norman, a young boy who is more than a little obsessed with the macabre he can actually see and communicate with ghosts. He takes it all in stride but is most definitely an outcast but like all great outcasts, he's destined to save the day because of his eccentricities. It's a common story but from the mind of Chris Butler, this more or less familiar theme is spun just enough and is 'wonky' enough to become a rather compelling and highly distinctive genre mashing fare.

ParaNorman was inspired by, among 80′s classics like The Goonies and many Amblin era films, but this story, a sort of John Carpenter meets John Hughes, looks like all of the its inspirations were thrown in a blender and the product was this deliciously fun film. Besides the nods to and framework of the the films that this derives inspiration from, ParaNorman is a film with a lot going on and mostly it comes down to themes. So many in fact, there's almost a theme for every zombie or pitchfork running through this frenzied film. There's a loner/social outcast theme, a bully theme, a distant/misunderstood family theme, and then of course the tropes and set ups to make this a simultaneous horror/comedy/family film (though regarding the inherent degree of horror, even in "claymation", is not an automatic recommendation for little kids). But as odd as the events depicted and the hats worn in the picture, this hybrid, for lack of a better word, works.

Voice acting in animated films has gotten better just as the animation itself has grown by leaps an bounds. Just 5 years ago, the draw to an animated film (CG or otherwise) seemed to be just the caliber of A- lister attached. Now that animated films are way more abundant the idea here is not the who, but more who's right for the character. In this respect, Butler and Fell's inspired casting nearly outshines their superior animation efforts. Kodi Smit-McPhee simply nails the role of Norman but as great as his turn in the titular role, he's given help form an amazing supporting cast. One great take away from the film is that while the rag tag team of misfits saving the day looks like something you've seen before, the cast is really quite the opposite. Having the likes of Casey Affleck playing a jock and Christopher Mintz- Plas (McLovin!) as a bully are both brilliant casting choices but also just outside the typical sort of casting that. Instead each non-typical voice in the film gives their character immense depth and emotion.

With all the great animation and wonderfully dreary character designs, the story has a real message and this is not just a film to bring in the kids (again this isn't recommended for kids under say 10 at the very least). There is a series of morals that as subtle as a brick or an after-school special run the gamut from all you need is love, to friendship is its own reward to go easy on the little guy/odd ball to believing in yourself. Yet, in what could be called a bold move for a so called kids movie, is the idea that those who don't learn from the past are doomed to repeat it. Further this notion is brilliantly expanded upon by showing that it's not zombies who are monsters but the humans in general. In an absurd but original approach we find sympathy for the zombies. It's a nice turn to show that people are crazier and more evil than the walking dead and how fear leads us to very rash decisions. Moreover, if we don't snap out of our knee-jerk attitudes and try to learn about the things that scare us, we too will give into fear becoming monsters ourselves. It's a bit heavy handed and force-fed but still entirely relate-able.

The challenges Norman faces are bound to be understood by most kids which is just one of the ways that the films' story transcends the setting. In a film void of anything with a pulse Chris Butler and Sam Fell place the macabre events against the backdrop of very tangible and empathetic human element. Yet ParaNorman is not a story about feeling bad for the main (or any) character. It's about following someone on a journey while the whole time championing the idea that "it's OK to be who you are". Yet another in the countless "a hero will rise" narrative storytelling, what really sets ParaNorman apart is the method in which the story is told. It's a likable bunch of more or less oddballs and rejects who band together and beyond that it's the artistic merit that really takes this to another level. From impressive chase scenes, to colorful story to incredibly detailed scenery and entirely unique set/character design, ParaNorman is a real treat.

Marc Ciafardini of GoSeeTalk.com

Reviewer @ MediumRaretv.org

Basking in the success of their first stop-motion animated feature film Coraline, Laika studios attempts to duplicate that success with its 3-D comedy, ParaNorman. Directors Sam Fell and Chris Butler leads an all-star voice over cast and a team of animators to bring the animated, horror, parody to the big screen.

Kodi Smit-McPhee (The Road) is the voice of misunderstood adolescent Norman Babcock. Norman has an appreciation for horror flicks and has a bit of a reputation. Norman is considered an outcast in the New England town of Blithe, where he resides with sister, Courtney (Anna Kendrick, Up in the Air); mother, Sandra (Leslie Mann,Knocked up); father, Perry (Jeff Garlin, Curb Your Enthusiasm); and the ghost of his deceased grandmother (Elaine Stritch)—which only he can see and hear. It's his communication with the dead that virtually makes Norman a pariah in his community and keeps him locking horns with his own father—and the fact that no one believes he can actually see the dead. It's only when a curse threatens to destroy the town that the citizens of Blithe soon realize that Norman may be their only hope for salvation.

The script relies on the often-recurring theme of diversity and acceptance to drive the storyline, which quickly moves the film into the realm of predictable. The irony is, nearly every character appears to be drawn perfectly imperfect. Neil (Tucker Albrizzi) whom quickly becomes Norman sidekick looks more like a beach ball than boy. Fell and Butler seemed to have made it a point not to the overload the viewer with aesthetically pleasing animated characters. In fact, many of the characters are often drawn overweight and with distinguishing characteristics. It's seems that it's an attempt to remind the audience that no one is perfect and we're all different—to further drive their point. The characters imperfections are merely parodying society as a whole, which is further illustrated in the plot when the townspeople start their own modern day witch-hunt.

The 3-D animation gives life to the all too familiar storyline and themes, though, eye-popping effects were minimum. Viewers of ParaNorman are left craving more 3-D action from the comedy/horror flick, but that's not to say the movie didn't have its gratifying moments visually. When the witch of Blithe descends upon the city, her spiritual form is represented by a fiery storm cloud with a diabolical face that is slightly eerie even in 3-D animation.

The comedic antis of a capable cast, which includes John Goodman, Casey Affleck, Christopher Mintz-Plasse, and Tempestt Bledsoe, further elevates the 3-D comedy, making it a worthwhile watch.The themes of ParaNorman feel a bit repetitive and in your face, but it's still an entertaining film with plenty of laughs for the family.