Eddie and Venom, on the run, face pursuit from both worlds. As circumstances tighten, they're compelled to make a heart-wrenching choice that could mark the end of their symbiotic partnershi... Read allEddie and Venom, on the run, face pursuit from both worlds. As circumstances tighten, they're compelled to make a heart-wrenching choice that could mark the end of their symbiotic partnership.Eddie and Venom, on the run, face pursuit from both worlds. As circumstances tighten, they're compelled to make a heart-wrenching choice that could mark the end of their symbiotic partnership.
Superheroes In and Out of Costume
Superheroes In and Out of Costume
Take a look at some of our favorite superheroes suited up and incognito. Whose transformation is your favorite?
Storyline
Did you know
- TriviaAll of the main cast members, Tom Hardy (Eddie/Venom), Juno Temple (Dr. Paine), Chiwetel Ejiofor (Strickland), Rhys Ifans (Martin) and Stephen Graham (Mulligan) are British, but they are all playing Americans in this film.
- GoofsIn an establishing shot of Las Vegas, you can see the Sphere, a structure completed and opened in 2023. However in the movie Eddie mentions that he and Venom have been together for a year. The first Venom movie takes place in 2018 so that makes this movie take place in 2019, 4 years before the Sphere should exist.
- Alternate versionsThe Indian Release Has All The Alcohol Labels Blurred And Muted Cuss Words
- ConnectionsFeatured in The Project: Episode dated 25 October 2024 (2024)
- SoundtracksDon't Stop Me Now
Written by Freddie Mercury
Performed by Queen
Courtesy of Hollywood Records, Inc.
Courtesy of Universal International Music BV
Under license from Universal Music Enterprises
Featured review
If cinematic catastrophes could have a mascot, this would be standing at the front of the line, waving its tattered flag of mediocrity. Tom Hardy's final outing as Eddie Brock/Venom is not just a disappointment-it's an insult to audiences everywhere. To call this movie bad would be a kindness. This is an incoherent, muddled, and utterly joyless mess that somehow manages to fall short of even the lowest expectations.
The premise of Eddie and Venom being "on the run" from both worlds promised at least some thrilling action. Instead, what we get is a chaotic, poorly-scripted nightmare of disjointed scenes and absurd plot holes big enough to swallow the entire Marvel universe. The narrative, if you can call it that, lurches forward with all the grace of a drunken man stumbling in the dark. There is no rhyme or reason to the events that unfold. It's like the writers cobbled together every half-baked idea they could think of and hoped nobody would notice how little sense any of it makes.
The so-called "devastating decision" that Eddie and Venom face feels less like a culmination of their journey and more like a cheap, hollow ploy to yank on the audience's emotions. But even that attempt falls flat because, by the time it arrives, the viewer is too exhausted from enduring 90 minutes of mindless drivel to care.
Eddie Brock, once a complex and conflicted anti-hero from the source comics, is reduced to a pathetic shell of his former self, mumbling and stumbling through the film like he just wants to get it over with.
The supporting characters are even worse-if that's possible. Whoever thought it was a good idea to use cardboard cutouts of side characters nobody cares about and clearly has no understanding of what made the earlier films (barely) work.
They serve no purpose other than to waste screen time and remind us that, yes, someone actually wrote this drivel down on paper.
It wouldn't be a Venom movie without over-the-top CGI battles, right? Well, unfortunately, the action scenes here are so poorly executed and short to save cost that even those who came purely for mindless entertainment will leave disappointed. The special effects are a headache-inducing blur of dark, indistinguishable shapes smashing into each other, with zero sense of tension or creativity.
The final fight scene feels like -an unintelligible swirl of chaos that is supposed to distract us from the fact that nothing of consequence is happening. It's not exciting, it's not entertaining, it's just ugly.
At its core it tries to sell itself as a dramatic, emotional farewell to Eddie and Venom's bond, but it doesn't even come close to achieving that. Any attempt at emotional weight is drowned by the film's clumsy pacing and complete lack of character development. The so-called "devastating" decision feels unearned, forced, and utterly unconvincing. There is no sense of closure, no satisfying payoff-just a hollow, empty finale that leaves you wondering why you wasted your time in the first place.
Avoid this movie like the symbiote plague it is. Eddie and Venom deserved better. We all deserved better.
Tom's ego and nepotism to promote his FWB director both of whom had sole credit of writing the script should tell you that how much he actually despises the franchise.
Tom was the ultimate culprit is giving the first movie it's comic tone and had heated arguments with Ruben Flesicher on set to such an extent that filming halted for a few days. There were 3 script writers on the first movie can you guess who was one of them?
It's the director of this movie who with her relationship strong armed and hijacked the plot elements and forced to introduce the comic tone into the first movie by reshooting the movie which had resulted in a disjointed mess.
Even the Ruben had expressed his deep regrets about that but I guess if you can control the leading star you can have your way.
If you closely look at the tone of the first movie first trailer you will notice the horror and science fiction elements present which had been stripped down to barebones and gag and quips reigned supreme.
The premise of Eddie and Venom being "on the run" from both worlds promised at least some thrilling action. Instead, what we get is a chaotic, poorly-scripted nightmare of disjointed scenes and absurd plot holes big enough to swallow the entire Marvel universe. The narrative, if you can call it that, lurches forward with all the grace of a drunken man stumbling in the dark. There is no rhyme or reason to the events that unfold. It's like the writers cobbled together every half-baked idea they could think of and hoped nobody would notice how little sense any of it makes.
The so-called "devastating decision" that Eddie and Venom face feels less like a culmination of their journey and more like a cheap, hollow ploy to yank on the audience's emotions. But even that attempt falls flat because, by the time it arrives, the viewer is too exhausted from enduring 90 minutes of mindless drivel to care.
Eddie Brock, once a complex and conflicted anti-hero from the source comics, is reduced to a pathetic shell of his former self, mumbling and stumbling through the film like he just wants to get it over with.
The supporting characters are even worse-if that's possible. Whoever thought it was a good idea to use cardboard cutouts of side characters nobody cares about and clearly has no understanding of what made the earlier films (barely) work.
They serve no purpose other than to waste screen time and remind us that, yes, someone actually wrote this drivel down on paper.
It wouldn't be a Venom movie without over-the-top CGI battles, right? Well, unfortunately, the action scenes here are so poorly executed and short to save cost that even those who came purely for mindless entertainment will leave disappointed. The special effects are a headache-inducing blur of dark, indistinguishable shapes smashing into each other, with zero sense of tension or creativity.
The final fight scene feels like -an unintelligible swirl of chaos that is supposed to distract us from the fact that nothing of consequence is happening. It's not exciting, it's not entertaining, it's just ugly.
At its core it tries to sell itself as a dramatic, emotional farewell to Eddie and Venom's bond, but it doesn't even come close to achieving that. Any attempt at emotional weight is drowned by the film's clumsy pacing and complete lack of character development. The so-called "devastating" decision feels unearned, forced, and utterly unconvincing. There is no sense of closure, no satisfying payoff-just a hollow, empty finale that leaves you wondering why you wasted your time in the first place.
Avoid this movie like the symbiote plague it is. Eddie and Venom deserved better. We all deserved better.
Tom's ego and nepotism to promote his FWB director both of whom had sole credit of writing the script should tell you that how much he actually despises the franchise.
Tom was the ultimate culprit is giving the first movie it's comic tone and had heated arguments with Ruben Flesicher on set to such an extent that filming halted for a few days. There were 3 script writers on the first movie can you guess who was one of them?
It's the director of this movie who with her relationship strong armed and hijacked the plot elements and forced to introduce the comic tone into the first movie by reshooting the movie which had resulted in a disjointed mess.
Even the Ruben had expressed his deep regrets about that but I guess if you can control the leading star you can have your way.
If you closely look at the tone of the first movie first trailer you will notice the horror and science fiction elements present which had been stripped down to barebones and gag and quips reigned supreme.
- dextermorgan-91603
- Oct 23, 2024
- Permalink
- How long is Venom: The Last Dance?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Venom: El último baile
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $120,000,000 (estimated)
- Gross US & Canada
- $130,800,476
- Opening weekend US & Canada
- $51,012,404
- Oct 27, 2024
- Gross worldwide
- $439,935,445
- Runtime1 hour 50 minutes
- Color
- Sound mix
Contribute to this page
Suggest an edit or add missing content