A journey across a dystopian future America, following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House.A journey across a dystopian future America, following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House.A journey across a dystopian future America, following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House.
- Awards
- 25 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTo immerse the actors, the production used full blanks for the gunfire, as opposed to half or quarter blanks, resulting in a discharge as loud as real gunfire.
- GoofsA military helicopter will not turn on its navigation lights during combat.
- Crazy creditsThe opening A24 and DNA logos are accompanied by static from a pink noise calibration test.
- SoundtracksLovefingers
Written by Simeon Coxe & Stanley Warren
Performed by Silver Apples
Courtesy of MCA Records Inc.
Under license from Universal Music Operations Ltd.
Published by Rough Trade Publishing Ltd.
Featured review
Nope, sorry, this just didn't work for me. It appears that there is a civil war amongst these United States. California and Texas have seceded from the Union and Florida seems to be having a wobble too. The President (Nick Offerman) makes a speech assuring the rest of his country that they've nothing to worry about, but hardened photo-journalist "Lee" (Kirsten Dunst) and her cohort "Joel" (Wagner Moura) reckon that the conflict is quite likely to come to an altogether different conclusion. They bravely decide to travel the 800-odd miles to Washington DC to try and interview him. Their out-of-shape veteran associate "Sammy" (Stephen McKinley Henderson) thinks they are mad, but also wants in on the trip. Meantime, the enthusiastic young photographer "Jessie" (Cailee Spaeny) has managed to hook up with the team and so, rather implausibly, they agree to take her on this perilous journey. It's that implausibility that carries the whole thing as the completely preposterous scenario unfolds before us. No effort is made to fill us in on the cause of this warfare. Did the President seize power? Was he elected from a party these states didn't vote for? Are they just brutal and well armed revolutionaries? Then we have the ridiculous dialogue - usually from Henderson with his "always take fuel when you can" or "this way only leads to death" type profundities as the group travel through a remarkably stable, well fuelled and provisioned, nation where there's hardly the merest hint of mass migrations, fear or terror. Indeed, their blue "Press" helmets and a little bit of kevlar seem to render them immune to the deadly drama that they are supposed to be experiencing. Jesse Plemons makes a brief appearance - that actually leads to the only vaguely exciting part of this chronology, but otherwise it's all a bit on a non-event. Dunst starts off as a strong and characterful woman but that dwindles away and, well, I was just a bit bored as the denouement hoved into view with all the predicability of the sun coming up. It's bitty, episodic, unrealistic and populated with characters in whom I simply could not believe. Sure, maybe it's supposed to be outlandishly apocalyptic, but it reminded me for the most part of an episode of "Falling Skies" - only without the aliens. Perhaps it might resonate better with an American audience? I'm not one of them and this didn't.
- CinemaSerf
- Apr 12, 2024
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Details
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $68,603,430
- Opening weekend US & Canada
- $25,537,368
- Apr 14, 2024
- Gross worldwide
- $126,185,957
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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