IMDb RATING
5.8/10
3.1K
YOUR RATING
Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.
William McKinney
- Jordan
- (as Will McKinney)
Jeff Obafemi Carr
- Dean Bowers
- (as jeff obafemi carr)
Jeffrey Buckner Ford
- James Larkin
- (as Jeffery Buckner Ford)
Joshua Childs
- Bookstore Manager
- (as Josh Childs)
Storyline
Did you know
- TriviaThe movie was made possible by the efforts of fans who refused to see the project die. A campaign on KickStarter was started after a September 16th blog post by Donald Miller that the project was dead due to the lack of backers. By the end of the funding period on October 25th, Save Blue Like Jazz had raised $345,992 (276% of the original $125,000 goal) from 4495 backers. This earned the project a Hall of Fame ranking on KickStarter as the highest funded project ever.
- GoofsDon tells his mother that there are no roommates in the dorms at Reed college, but Lauryn tells a story about her "first year roommate".
- Quotes
Donald Miller: He told me jazz was like life, cause it doesn't resolve.
- Crazy creditsThe names of over 1,500 people were listed as Associate Producers of the movie.
Featured review
When I heard Donald Miller's book was being made into a movie, I was half elated, half skeptical. While the book-- that sold over 1.2 Million Copies-- is one of my favorites, it doesn't really lend itself well to a movie screenplay.
Or so I thought.
The movie follows a young kid named Don as he grows up in a Southern Baptist church in Texas, the only child of a uber-religious single mother and absentee deadbeat dad he refers to as "the hobo." Don is about to graduate from High School and is headed to Bible College. He's then faced with a situation that shakes him to his core. He ends up at Reed College, a liberal college in Oregon. The stories that follow show us the author's real struggles with faith and how he comes to grips with his own spirituality aside from the oppressive, rigid religious home he was raised in.
In addition to the screenplay, the director of photography does an impeccable job bringing the characters to life. The characters in the book, though not completely identical to the ones in the movie, become so personally vulnerable and familiar through equal parts can't-look-away awkwardness and close, tight, clean camera work that by the end of the film I found myself angry at myself for not interpreting the characters in the book more accurately even though they were in fact the real people.
BLJ is a movie that is desperately needed in the Christian art scene. The stunning dialog surrounding the film and the idiotic, egocentric way it has been received by many evangelical groups and churches clearly illustrate how needed films like this are. It earns its PG13 ranking in earnest, and there's no Kirk Cameron anywhere to be found. People talk about loving Jesus while drinking a beer, and not everyone who professes to follow Christ walks about with a pious attitude praying out loud and thumbing their Bibles incessantly. They make mistakes, hurt each other, and even cuss! In other words, it's real.
Kudos to Miller, Taylor and company. BLJ has, if nothing else, made in-roads for other non-craptastic movies with a Christ-centered message.
Thank you, God.
Or so I thought.
The movie follows a young kid named Don as he grows up in a Southern Baptist church in Texas, the only child of a uber-religious single mother and absentee deadbeat dad he refers to as "the hobo." Don is about to graduate from High School and is headed to Bible College. He's then faced with a situation that shakes him to his core. He ends up at Reed College, a liberal college in Oregon. The stories that follow show us the author's real struggles with faith and how he comes to grips with his own spirituality aside from the oppressive, rigid religious home he was raised in.
In addition to the screenplay, the director of photography does an impeccable job bringing the characters to life. The characters in the book, though not completely identical to the ones in the movie, become so personally vulnerable and familiar through equal parts can't-look-away awkwardness and close, tight, clean camera work that by the end of the film I found myself angry at myself for not interpreting the characters in the book more accurately even though they were in fact the real people.
BLJ is a movie that is desperately needed in the Christian art scene. The stunning dialog surrounding the film and the idiotic, egocentric way it has been received by many evangelical groups and churches clearly illustrate how needed films like this are. It earns its PG13 ranking in earnest, and there's no Kirk Cameron anywhere to be found. People talk about loving Jesus while drinking a beer, and not everyone who professes to follow Christ walks about with a pious attitude praying out loud and thumbing their Bibles incessantly. They make mistakes, hurt each other, and even cuss! In other words, it's real.
Kudos to Miller, Taylor and company. BLJ has, if nothing else, made in-roads for other non-craptastic movies with a Christ-centered message.
Thank you, God.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Sắc Màu Cuộc Sống
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $595,018
- Opening weekend US & Canada
- $261,190
- Apr 15, 2012
- Gross worldwide
- $595,018
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