81
Metascore
43 reviews · Provided by Metacritic.com
- 100The TelegraphRobbie CollinThe TelegraphRobbie CollinThe film is stupendous: as antic as Boogie Nights and Punch-Drunk Love, but with The Master and There Will Be Blood’s uncanny feel for the swell and ebb of history.
- 100HitfixDrew McWeenyHitfixDrew McWeenyThis movie is so funny, so strange, so wonderfully charmingly deranged.
- 100VarietyScott FoundasVarietyScott FoundasAnderson’s seventh feature film is a groovy, richly funny stoner romp that has less in common with “The Big Lebowski” than with the strain of fatalistic, ’70s-era California noirs (“Chinatown,” “The Long Goodbye,” “Night Moves”) in which the question of “whodunit?” inevitably leads to an existential vanishing point.
- 100Slant MagazineChris CabinSlant MagazineChris CabinThe dangers of filmmakers trying to replicate a golden era rather than embrace the present are part and parcel of Inherent Vice, but the ramifications are political as well.
- 83The PlaylistRodrigo PerezThe PlaylistRodrigo PerezBig, wonderfully oddball, sometimes confounding and beautiful, Inherent Vice supplies good dosages of stoner giggles. But its doobage is potent and reflects some heavy ideas you’ll need to unpack and meditate on for a long while.
- 80The GuardianXan BrooksThe GuardianXan BrooksAnderson has all manner of fun with the tale's whirling, blurring trajectory. His film is like a jubilant spin painting in which the characters have been scattered and splattered to the furthest reaches of the frame.
- 80Time OutJoshua RothkopfTime OutJoshua RothkopfInherent Vice, Anderson's sexy, swirling latest (based on Thomas Pynchon's exquisite stoner mystery set at the dawn of the '70s), is a wondrously fragrant movie, emanating sweat, the stink of pot clouds and the press of hairy bodies. It's a film you sink into, like a haze on the road, even as it jerks you along with spikes of humor.
- 70The Hollywood ReporterTodd McCarthyThe Hollywood ReporterTodd McCarthyOnly fitfully does the film manage the kind of lift-off as that achieved by Pynchon's often riotous 2009 novel and, most disappointingly, it offers only a pale and narrow physical recreation of such a vibrant place and time.
- 70New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinLike Pynchon’s novel, it’s a little insular, too cool for school. It’s drugged camp. Some of the plot points get lost in that ether — it’s actually less coherent than Pynchon, no small feat. It’s not shallow, though.