Directed by
Charles Officer |
Writing Credits
Charles Officer | ... | (written by) |
Fil Fraser | ... | (inspired by the book by: "Running Uphill: The Fast, Short Life of Canadian Champion Harry Jerome") |
Cast (in credits order)
Nykeem Provo | ... | Harry Jerome - Dramatic Re-enactment | |
Claire Burns | ... | Wendy Jerome - Dramatic Re-enactment | |
Fidel Dwayne Hodge | ... | Young Harry Jerome - Dramatic Re-enactment |
Produced by
Tracey Friesen | ... | executive producer |
Selwyn Jacob | ... | producer |
Music by
Schaun Tozer | ... | (original music composed by) |
Cinematography by
John Price | ... | director of photography |
Editing by
Jesse James Miller | ||
Charlie Renfrew |
Art Direction by
Diana Abbatangelo |
Set Decoration by
Perri Gorrara |
Makeup Department
Evilia Nikolouzos | ... | makeup artist |
Caitlin Wright | ... | hair stylist |
Production Management
Damian Kuehn | ... | production manager |
Kathryn Lynch | ... | production supervisor |
John Nadalin | ... | production manager |
Art Department
Charles Officer | ... | graphics |
Sound Department
Sandor Gyurkovics | ... | sound recordist |
Eric Harwood Davies | ... | sound recordist |
Tim Lue | ... | sound recordist |
Jesse Rankin | ... | dialogue editor |
Jon Ritchie | ... | re-recording mixer / sound designer / supervising sound editor |
Camera and Electrical Department
Christian Begin | ... | additional cinematography (as Christian Bégin) |
Luke T. Campbell | ... | first assistant camera (as Luke Campbell) |
Peter Carty | ... | first assistant camera |
Chris Chow | ... | first assistant camera (as Christopher Chow) |
Simon Doucet | ... | key grip |
Kristin Fieldhouse | ... | first assistant camera |
Cliff Hokanson | ... | Steadicam operator |
Ian Kerr | ... | additional cinematography |
Justin Lovell | ... | first assistant camera |
Devin Lund | ... | additional cinematography |
Catherine Lutes | ... | additional cinematography |
Larry Lynn | ... | additional cinematography |
Nevin Merrells | ... | jib operator |
Charles Officer | ... | additional cinematography |
Michelle Ortt | ... | first assistant camera (as Michelle Yardley) |
Vince Phillips | ... | key grip (as Vincent Phillips) |
Scott Portingale | ... | gaffer (as James Scott Portingale) |
Dan Power | ... | additional cinematography |
Felipe Rodriguez | ... | key grip |
Jamie Sutherland | ... | additional cinematography |
Animation Department
Paul Morstad | ... | animator |
Costume and Wardrobe Department
Evilia Nikolouzos | ... | wardrobe |
Caitlin Wright | ... | wardrobe assistant |
Editorial Department
Andrea Chlebak | ... | colorist |
Monty Contractor | ... | technician |
Chris Davies | ... | supervisor: Digital Film Central |
Robert Egger | ... | supervisor: Digital Film Central (as Rob Egger) |
Christopher Irwin | ... | technician |
J.R. Mackie | ... | assistant editor (as JR Mackie) |
Curtis Staples | ... | producer: Digital Film Central |
Alex Taylor | ... | technician |
James Tocher | ... | producer: Digital Film Central |
Music Department
Elizabeth Klinck | ... | music clearances |
Schaun Tozer | ... | music performer / original music producer |
Additional Crew
Stephen Brunt | ... | researcher |
Cheryl Foggo | ... | researcher |
Bruce Hagerman | ... | program administrator |
Patrick Hepburn | ... | production assistant |
Wendy Jerome | ... | archival materials |
Wes Machnikowski | ... | technical coordinator |
Sylvia Mezei | ... | archival research |
Bongani Ngugama | ... | transcription |
Charles Officer | ... | titles |
Eliot Piltz | ... | technical consultant |
Jennifer Roworth | ... | production coordinator |
Leslie Stafford | ... | marketing manager |
Allison Wilson-Forbes | ... | production assistant |
Thanks
Heather Briston | ... | special thanks: University of Oregon |
Harry Jerome | ... | special thanks: for his guidance making this film (as Harry Winston Jerome) |
Wendy Jerome | ... | special thanks: for her incredible generosity and support |