Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends and what happens when they meet criminal forces greater than themsel... Read allShot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends and what happens when they meet criminal forces greater than themselves.Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends and what happens when they meet criminal forces greater than themselves.
- Awards
- 3 wins & 10 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAs part of their training, Jake Gyllenhaal and Michael Peña spent five months doing 12-hour ride-alongs with on-duty LAPD officers. During Gyllenhaal's first ride-along, he witnessed a murder.
- GoofsDuring the locker room scene, Officer Taylor states the standard issue sidearm for the LAPD is a Glock 19. This is incorrect, as the standard issue sidearm is a Glock 17 (9mm) issued to recruits in the police academy which they must carry for their one (1) year probationary period. After successfully completing their probation period, officers can then purchase and carry a firearm of their choice off the department's "Approved for Carry" list, which includes the Glock 19.
- Quotes
[first lines]
Brian Taylor: I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may even disagree with the law but I will enforce it. No matter how you plead, cajole, beg or attempt to stir my sympathies, nothing you do will stop me from placing you in a steel cage with gray bars. If you run away I will chase you. If you fight me I will fight back. If you shoot at me I will shoot back. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am fate with a badge and a gun. Behind my badge is a heart like yours. I bleed, I think, I love, and yes I *can* be killed. And although I am but one man, I have thousands of brothers and sisters who are the same as me. They will lay down their lives for me, and I them. We stand watch together. The thin-blue-line, protecting the prey from the predators, the good from the bad. We are the police.
- Crazy creditsThis film is dedicated to the men and women of the law enforcement community who face danger daily on our behalf. It is especially dedicated to our fallen heroes who have made the ultimate sacrifice in the line of duty. This is for all that fight evil so we may not know it. God bless you all.
- ConnectionsFeatured in Maltin on Movies: Trouble with the Curve (2012)
- SoundtracksHarder Than You Think
Written by Flavor Flav (as William Drayton), Chuck D (as Carlton Ridenhour) and Gary G-Wiz (as Gary Rinaldo)
Performed by Public Enemy
Courtesy of Bring the Noize Music, Inc.
By Arrangement with Reach Global, Inc.
Ayer, who spent a lot of time in South Central, takes the found footage approach to his latest film featuring the LAPD in the spirit of modern trends and perhaps the show "Cops."
It's hard to tell if Ayer's exaggerating, but a lot of dangerous stuff happens to Taylor (Jake Gyllenhaal) and Zavala (Michael Pena) despite being beat cops. So much so that they get involved with the wrong Mexican gang, and their attempts to go above and beyond to protect and serve put them in the line of fire.
Gyllenhaal and Pena have incredible chemistry as two cops who are best friends as well as partners. They epitomize the modern "bromance" in a number of ways, joking around, giving each other a hard time, offering love/dating advice with hyper-masculine sarcasm, etc. Ayer takes time to show these men out of their blues frequently to humanize them in a critical way. On the job, they are often cocky, proud and reckless, pushing the line of appropriate police behavior and protocol. They jump back and forth between making laudable, responsible choices and borderline police brutality.
The portrait that this paints of law enforcement feels so much more authentic than we're normally treated to in cop films and police procedurals on television. They are heroes and good, honorable men, but that doesn't make them beacons of morality. No matter how much you believe in the quickly escalating plot of "End of Watch," there's no disagreement to be had over the authenticity of the characters and the environment they operate in.
Although we do get independent "episodes" in which Taylor and Zavala respond to calls and find more than they bargained for, there's a through-line involving a powerful Mexican drug cartel and the gang that enforces it. Ayer glamorizes these thugs a little bit, but it makes them formidable villains in the story. As things come to a boil, the realism of the film really unravels in favor of a more compelling, heart-pounding finale.
Ayer takes certain liberties with the found footage style as well. The premise involves Taylor filming everything for a school project or something. He has a hand-held camera but also cameras positioned in the squad car, and ones that clip onto their uniforms. The gangs also carry cameras around to film their violent escapades. At times, however, we can't tell who is supposed to be holding the camera — like when Taylor starts making out with his girlfriend, Janet (Anna Kendrick). Neither is holding the camera, so that's a bit strange.
Still, that filmmaking style does more good than harm to the film. Say what you will about the found footage trend, but this is an appropriate example that really works. The extra layer of realism and authenticity that the technique gives to a film really goes miles in favor of "End of Watch."
Humor is an unexpected benefit of this film as well. Michael Pena has failed to be funny in films including "Tower Heist" and "30 Minutes or Less," but he succeeds in territory that blends it with the dramatic in this very organic way. It would be impressive if most of the dialogue in this film, at least between him and Gyllenhaal, weren't improvised given how natural it flows.
It sounds like a stretch to consider this one of the better acted films of the year, but Gyllenhaal and Pena should've been considered for awards contention. The nature of found footage detracts from what we tend to associate with/look for in an Oscar-worthy performance. We expect authenticity from found footage and only comment when it goes poorly, not when it's done exceptionally well. Having seen enough films made in the found footage style, no other two actors have done better in this genre.
"End of Watch" offers an intense look at the life of L.A.'s finest and a harrowing portrait of life in the barrios and gang-ridden parts of L.A. Although exaggerated at crucial points, it shows what can happen when officers try and step out of their clearance level. At the least, it's one of the best films found footage has given us to date.
~Steven C
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- Movie_Muse_Reviews
- Feb 25, 2013
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Último turno
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $41,003,371
- Opening weekend US & Canada
- $13,152,683
- Sep 23, 2012
- Gross worldwide
- $55,078,146
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1