19 reviews
Pleasantly Surprised
I had the pleasure of watching the movien at the Red sea mall cinemas during the RSFF. I went in not expecting much but to my surprise, it exceeded my expectations. The storyline is very interesting, its relatable to the middle eastern culture. I especially liked how it succeeded to make a point about mental health without offending our Arab culture and religious believes. Apart from that, I really enjoyed some of the more laid back scenes. Going in, I didnt expect to be laughing in a horror film but the film did include some humorous lines that were just right. I encourage you to watch this movie with an open mind.
- anas-neimat
- Jan 11, 2024
- Permalink
Unexpected Twist
I stumbled upon "THREE" at The Red Sea International Film Festival, and what a captivating ride it turned out to be! This unique exploration of Islamic exorcism had me on the edge of my seat, especially the spine-chilling use of cotton that added a whole new layer to the narrative.
Breaking away from the typical horror clichés, "THREE" dives deep into psychological storytelling, steering clear of predictable scares and excessive gore. The cinematography is absolutely stunning, though there were moments when performances wavered a bit. Yet, the film gracefully maintained its essence throughout.
The twist at the end was a masterstroke, leaving me pleasantly surprised. My only wish was for a bit more exploration of the intricate mother-son relationship. Jefferson Hall's portrayal, although deliberately uneasy, fit the film's tone well.
In a nutshell, "THREE" delivers a unique take on exorcism with an unexpected ending that sets it apart from other films. I would however say it was more a phycological drama than a horror film (but two scenes were quiet scary).
Breaking away from the typical horror clichés, "THREE" dives deep into psychological storytelling, steering clear of predictable scares and excessive gore. The cinematography is absolutely stunning, though there were moments when performances wavered a bit. Yet, the film gracefully maintained its essence throughout.
The twist at the end was a masterstroke, leaving me pleasantly surprised. My only wish was for a bit more exploration of the intricate mother-son relationship. Jefferson Hall's portrayal, although deliberately uneasy, fit the film's tone well.
In a nutshell, "THREE" delivers a unique take on exorcism with an unexpected ending that sets it apart from other films. I would however say it was more a phycological drama than a horror film (but two scenes were quiet scary).
- monicarumaozkul
- Dec 26, 2023
- Permalink
Good Attempt for UAE psychological horror genre
Yes the story is not original and we seen it many times. But i enjoyed the movie. It was a good attempt and a pleasant surprise. I did not get bored while watching. It kept me hooked to know what will happen next, and i guess this is the most important thing to enjoy a movie.
The acting was good from all specially the kid. The mother's acting was not upto to the mark for me, she could've shown more emotions throughout the bad journey of her son, instead i felt that she was interested more to know the Dr in the middle of all this which is kind unnecessary! This part could've been better.
Ending was good, horror element could be better at the end, Director could've add a bit of more touch in horror blending with religious aspect that could have made the work even better and more gripping.
Overall its a nice work in term of directing and cinematography, the efforts shows, and i wish to see more progress in the upcoming projects in this genre.
The acting was good from all specially the kid. The mother's acting was not upto to the mark for me, she could've shown more emotions throughout the bad journey of her son, instead i felt that she was interested more to know the Dr in the middle of all this which is kind unnecessary! This part could've been better.
Ending was good, horror element could be better at the end, Director could've add a bit of more touch in horror blending with religious aspect that could have made the work even better and more gripping.
Overall its a nice work in term of directing and cinematography, the efforts shows, and i wish to see more progress in the upcoming projects in this genre.
Emirati Masterpiece
First of all I was blown away by the quality of the production: the cinematography, directing, acting and sound design and music were all too tier. I went in not expecting much, but to my surprise the film really delivered. The story was interesting, the acting engaging and the twist at the end was the cherry on top. For those who are saying it was boring they are using films like the new exorcists to compare it with. This is an intelligent film that doesn't rely on jump scares. I find people who are rating this anything below 5 bitter, they are not supportive of independent cinema, and this is definitely a step up from the movies we usually see from this region in terms of the quality of production. Don't let such reviews take you away. Go, watch and form your own opinions and remember to always support female filmmakers in the region.
- saraalyousef-00521
- Feb 3, 2024
- Permalink
Well worth a watch
Three makes a concerted effort to provide viewers with a unique twist on the Exorcism narrative. If you're looking for a cheap jump scare horror film, then this may not be for you.
However, if you're looking for a more intricate thriller that actively seeks to entertain, then I highly encourage you to experience Three.
By no means is it a perfect film, there are certainly shortcomings....as with many films....but for a small budget film, the performances, by largely a novice cast, are authentic and the voice of the director certainly refreshing.
It gets a 10 from me for the team's ambition, throwback to a more mature vintage horror film, and genuine belief in supporting the underdog.
However, if you're looking for a more intricate thriller that actively seeks to entertain, then I highly encourage you to experience Three.
By no means is it a perfect film, there are certainly shortcomings....as with many films....but for a small budget film, the performances, by largely a novice cast, are authentic and the voice of the director certainly refreshing.
It gets a 10 from me for the team's ambition, throwback to a more mature vintage horror film, and genuine belief in supporting the underdog.
- judgemint-over
- Feb 5, 2024
- Permalink
V disappointed
I thought this movie would be great because the reviews were 8. But when I watched it, I was let down. The story was not interesting, and everyone left the cinema halfway through the movie. I decided to stay, hoping it would get better.
The kid in the movie was really good at acting, and that was the best part. But, overall, the story felt too long and boring. It could have been a lot shorter - maybe just 30 minutes.
I expected a lot from this movie because of its high ratings, but it turned out to be a letdown. Even though the kid's acting was good, the story was not interesting, and it felt like it dragged on for too long. Many people left the cinema, but I stayed, hoping it would improve. Unfortunately, it didn't, and I left feeling disappointed.
The kid in the movie was really good at acting, and that was the best part. But, overall, the story felt too long and boring. It could have been a lot shorter - maybe just 30 minutes.
I expected a lot from this movie because of its high ratings, but it turned out to be a letdown. Even though the kid's acting was good, the story was not interesting, and it felt like it dragged on for too long. Many people left the cinema, but I stayed, hoping it would improve. Unfortunately, it didn't, and I left feeling disappointed.
- thatsnotmyname4
- Feb 3, 2024
- Permalink
Masterpiece!!
A heartfelt thank you to the UAE for gifting us this cinematic gem. Their contribution to the world of horror has left audiences globally captivated and on the edge of their seats. Gratitude to the creators who crafted this masterpiece, showcasing the power of international storytelling in the realm of fear and suspense.
"Prepare to be on the edge of your seat with this chilling horror masterpiece. From spine-tingling suspense to heart-pounding scares, this film weaves a gripping tale that will haunt your dreams. A must-watch for horror enthusiasts craving an adrenaline rush - it's a cinematic experience that lingers long after the credits roll.
"Prepare to be on the edge of your seat with this chilling horror masterpiece. From spine-tingling suspense to heart-pounding scares, this film weaves a gripping tale that will haunt your dreams. A must-watch for horror enthusiasts craving an adrenaline rush - it's a cinematic experience that lingers long after the credits roll.
- mjrmalnahdi
- Feb 4, 2024
- Permalink
Awful.
I went into the movie with very high expectations seeing that it is rated a 8.9. However, I unfortunately can't say that my expectations were met. The cast acting was so bland and boring, they genuinely looked bored to be there, lifeless and bored actors waiting for their job to be done. I can also say the same about the storyline, it is not something that's original and it has been overplayed so much that I found it very hard to keep on focusing when I knew what was coming next. The movie was just outright very long. It could have easily been done and finished in 30 minutes. It really saddens me to write this as an Emirati because I genuinely had high hopes for an Emirati movie to make it in the box office and be a good movie that's recognized internationally. The only thing that I enjoyed about this movie was the cinematography, it was captured very well with good visuals. But when the only good thing about your movie is how good of a quality the visuals were, there lies a problem with what you strived to achieve and who you worked with.
- salad_nomads
- Feb 1, 2024
- Permalink
Beautifully executed
Nayla Al Khaja's THREE not only claims the title of the best psychological horror film in the UAE but extends its impact across the entire Middle East. Rooted in personal experiences mirroring the depicted events, the film achieves an almost tangible realism, notably in its portrayal of exorcisms.
Nayla's adept direction is evident in the flawless execution of the production, a remarkable feat considering the majority was filmed in Thailand, with only a handful of scenes set in the UAE-an intriguing fact. The actors, particularly Saud, deliver stellar performances. While a minor critique points to some prolonged scenes in the beginning, the overall execution is commendable. Anticipation for Nayla's future projects is high, given her demonstrated ability to craft compelling narratives within the realm of psychological horror.
Exciting times lie ahead for Nayla!
Nayla's adept direction is evident in the flawless execution of the production, a remarkable feat considering the majority was filmed in Thailand, with only a handful of scenes set in the UAE-an intriguing fact. The actors, particularly Saud, deliver stellar performances. While a minor critique points to some prolonged scenes in the beginning, the overall execution is commendable. Anticipation for Nayla's future projects is high, given her demonstrated ability to craft compelling narratives within the realm of psychological horror.
Exciting times lie ahead for Nayla!
- mohdfikree
- Feb 4, 2024
- Permalink
Joke...
Nayla Al Khaja's "Three," despite being listed as a United Arab Emirates production on FestivalScope, reveals a predominantly Western influence behind the scenes, with the majority of the crew and producers hailing from Europe and America.
I could delve into a lengthy diatribe about the film's numerous flaws, from the subpar acting and cinematography to the medically inaccurate script. But the most egregious issue lies in its underlying message: Muslims are portrayed as resorting to irrational methods to address illness, while those advocating for science speak English and are not Arab. It's as if we're witnessing a 15th-century European perspective rather than a modern-day United Arab Emirates setting.
The acting is wooden and unconvincing, failing to elicit any emotional connection with the characters. The cinematography is uninspired, relying on clichéd visuals and jarring camera movements that distract from the narrative. The script is riddled with medical inaccuracies, undermining any attempt at realism or credibility.
But the most troubling aspect of "Three" is its perpetuation of harmful stereotypes about Muslims and their relationship with science and medicine. The film's portrayal of traditional healing practices as backward and superstitious is not only inaccurate but also offensive. It reinforces the tired trope of the "irrational East" versus the "enlightened West," a narrative that has been used to justify colonialism and cultural appropriation for centuries.
It's not difficult to understand how this film made its way into festivals. The West still craves this kind of orientalist depiction of the East, one that reinforces their own perceived superiority and justifies their continued interference in the region.
In conclusion, "Three" is a disappointing and problematic film that fails on multiple levels. Its poor execution, coupled with its harmful stereotypes and orientalist undertones, make it a film that is best avoided. It's a missed opportunity to showcase the rich cultural heritage and modern advancements of the United Arab Emirates, opting instead for a regressive and inaccurate portrayal that caters to Western biases.
I could delve into a lengthy diatribe about the film's numerous flaws, from the subpar acting and cinematography to the medically inaccurate script. But the most egregious issue lies in its underlying message: Muslims are portrayed as resorting to irrational methods to address illness, while those advocating for science speak English and are not Arab. It's as if we're witnessing a 15th-century European perspective rather than a modern-day United Arab Emirates setting.
The acting is wooden and unconvincing, failing to elicit any emotional connection with the characters. The cinematography is uninspired, relying on clichéd visuals and jarring camera movements that distract from the narrative. The script is riddled with medical inaccuracies, undermining any attempt at realism or credibility.
But the most troubling aspect of "Three" is its perpetuation of harmful stereotypes about Muslims and their relationship with science and medicine. The film's portrayal of traditional healing practices as backward and superstitious is not only inaccurate but also offensive. It reinforces the tired trope of the "irrational East" versus the "enlightened West," a narrative that has been used to justify colonialism and cultural appropriation for centuries.
It's not difficult to understand how this film made its way into festivals. The West still craves this kind of orientalist depiction of the East, one that reinforces their own perceived superiority and justifies their continued interference in the region.
In conclusion, "Three" is a disappointing and problematic film that fails on multiple levels. Its poor execution, coupled with its harmful stereotypes and orientalist undertones, make it a film that is best avoided. It's a missed opportunity to showcase the rich cultural heritage and modern advancements of the United Arab Emirates, opting instead for a regressive and inaccurate portrayal that caters to Western biases.
- yusufpiskin
- Jul 28, 2024
- Permalink
Intensely Captivating Psychological Thriller
This exceptional thriller is a suspense masterclass from start to finish. The narrative, with its intricate plot twists and suspenseful storytelling, kept me hooked and on the edge of my seat. The characters are portrayed with depth, each layer revealing hidden complexities. Tension fills every scene, designed to keep viewers guessing. The cinematography brilliantly captures the psychological rollercoaster with atmospheric visuals and dynamic camera work.
In conclusion, this psychological thriller is a cinematic gem that demands immediate attention. It's a must-watch for those who appreciate a well-crafted story, exceptional performances, and an immersive experience that lingers long after the credits roll. An edge-of-your-seat journey into the complexities of the human mind, this film undoubtedly sets a high standard for the genre.
In conclusion, this psychological thriller is a cinematic gem that demands immediate attention. It's a must-watch for those who appreciate a well-crafted story, exceptional performances, and an immersive experience that lingers long after the credits roll. An edge-of-your-seat journey into the complexities of the human mind, this film undoubtedly sets a high standard for the genre.
- mahadevsonam
- Feb 1, 2024
- Permalink
Really enjoyed the film, the cinematography and the young boy is super!
I was pleasantly surprised, since I am not usually one to watch thrillers or horrors - the scaredy cat that I am, I really enjoyed this. It was good to see the two different perspectives and cultural clashes. Being someone of mixed background I can really relate to the two sides.
The young boy is definitely a rising star, he played the character really well, I understand from what I have read that this is his first film, and he did it really well. Looking forward to seeing him in more to come. I really like the way it was shot, the elements of humour and the connection to the UAE which we don't often see in this light.
Super movie and very well done.
The young boy is definitely a rising star, he played the character really well, I understand from what I have read that this is his first film, and he did it really well. Looking forward to seeing him in more to come. I really like the way it was shot, the elements of humour and the connection to the UAE which we don't often see in this light.
Super movie and very well done.
- chivonnenicholas
- Feb 5, 2024
- Permalink
Horror within - Mysterious horror drama
"Three" has left a lasting impression on me, not only for its gripping storyline and impeccable direction but also for the profound emotions it evoked. Nayla dedication to her craft is evident in every scene, and I feel privileged to have been able to witness the vision come to life on the silver screen.
I dint want to see another fake CGI ghost/horror movie! But unlike that Three movie had no scene that looked fake , it hooks you on till the end wanting to know what happens ; the last 30 mins of the movie will keep you on edge !
The story shapes towards a meaningful ending and understanding on culture , religion and modern science.
It a solid 9 for me considering I resonate with the storytelling ! Must watch.
I dint want to see another fake CGI ghost/horror movie! But unlike that Three movie had no scene that looked fake , it hooks you on till the end wanting to know what happens ; the last 30 mins of the movie will keep you on edge !
The story shapes towards a meaningful ending and understanding on culture , religion and modern science.
It a solid 9 for me considering I resonate with the storytelling ! Must watch.
- sheikzaman
- Feb 9, 2024
- Permalink
A bone-chilling and unsettling horror movie that lingers even after credit rolls.
Three (2023) isn't just a chilling psychological horror; it's a groundbreaking achievement helmed by Nayla Al Khaja, the UAE's first female director. Her vision permeates every frame, capturing the cultural nuances and complexities of the narrative with remarkable authenticity.
Saud Al Zarooni's portrayal of the tormented boy is hauntingly believable, and Jefferson Hall's doctor embodies the struggle between science and faith with captivating depth. These strong performances are a testament to Al Khaja's ability to guide her actors towards nuanced portrayals that resonate deeply.
However, the brilliance lies not just in the story but also in its execution. The pacing, expertly controlled by Al Khaja, builds suspense like a slow-burning ember, culminating in a heart-stopping climax. The film's visuals are hauntingly beautiful, capturing the essence of the UAE landscape and blending seamlessly with the supernatural elements.
Vladimir Persan score deserves its own spotlight. Every note resonates with the film's emotional core, amplifying the tension and adding another layer of depth to Al Khaja's vision.
Three (2023) is more than just a horror film; it's a cultural bridge built by Nayla Al Khaja. It's a testament to the power of storytelling and the importance of diversity in filmmaking. Whether you're drawn to the chilling narrative, the exceptional performances, or the groundbreaking cultural representation, this film promises an unforgettable experience masterfully woven together by the visionary hand of the UAE's first female director.
Saud Al Zarooni's portrayal of the tormented boy is hauntingly believable, and Jefferson Hall's doctor embodies the struggle between science and faith with captivating depth. These strong performances are a testament to Al Khaja's ability to guide her actors towards nuanced portrayals that resonate deeply.
However, the brilliance lies not just in the story but also in its execution. The pacing, expertly controlled by Al Khaja, builds suspense like a slow-burning ember, culminating in a heart-stopping climax. The film's visuals are hauntingly beautiful, capturing the essence of the UAE landscape and blending seamlessly with the supernatural elements.
Vladimir Persan score deserves its own spotlight. Every note resonates with the film's emotional core, amplifying the tension and adding another layer of depth to Al Khaja's vision.
Three (2023) is more than just a horror film; it's a cultural bridge built by Nayla Al Khaja. It's a testament to the power of storytelling and the importance of diversity in filmmaking. Whether you're drawn to the chilling narrative, the exceptional performances, or the groundbreaking cultural representation, this film promises an unforgettable experience masterfully woven together by the visionary hand of the UAE's first female director.
- sarashafni-123-52549
- Feb 9, 2024
- Permalink
Thrilling Portraits: A Nayla Al Khaja Masterpiece
"Three," directed by Nayla Al Khaja, which was recently premiered at The Red Sea International Film Festival, is a pulse-pounding psycho-thriller that delves into the mind of a young school boy that addresses an unspoken issue prevalent in communities worldwide; possession.
The film's gripping storyline, haunting background score, and captivating cinematography ensure an edge-of-your-seat experience. Nayla's craft is eloquently displayed in the storyline and direction and the powerful performances, especially from the young boy (the star of the show) and his family, bringing realness to the narrative.
What sets Three apart is its ability to seamlessly integrate humor, providing moments of relief amid the intense plot. A must-watch for its exceptional direction and catchy story that is bound to keep you hooked from start to finish, Three is an impactful exploration of the human psyche.
Can't wait for it to hit the big screens on Feb 1st!
The film's gripping storyline, haunting background score, and captivating cinematography ensure an edge-of-your-seat experience. Nayla's craft is eloquently displayed in the storyline and direction and the powerful performances, especially from the young boy (the star of the show) and his family, bringing realness to the narrative.
What sets Three apart is its ability to seamlessly integrate humor, providing moments of relief amid the intense plot. A must-watch for its exceptional direction and catchy story that is bound to keep you hooked from start to finish, Three is an impactful exploration of the human psyche.
Can't wait for it to hit the big screens on Feb 1st!
- zainabujjaini
- Jan 7, 2024
- Permalink
Dubai's best film to date
This is a captivating and gripping break-through Khaleeji (Arabian Gulf) film. It successfully and accurately depicts a stark reality of contemporary Gulf life, that of local populations living in 'modernity', but remaining stubbornly conservative and superstitious. This attachment to folklore, mysticism and dogmatic faith often gets in the way of truth and scientific understanding. The film does an excellent job of capturing the subtleties of khaleeji life, such as the pervasive gender bias, that includes social attitudes towards single mothers and particularly female khaleeji relationships with foreign men (Taboo!). Perhaps the spirit of rebuttal is best captured by the movie's strong leading female roles and being directed and produced by two prominent Emirati females!
An impressive-if-cliched first-timed Islamic-set exorcism feature
After a series of bizarre incidents, a mother becomes concerned for her son as he soon starts to display a bizarre series of outbursts and behavioral ticks which they learn stems from his possession by three Djinn and decide to undergo an exorcism to save his soul and get him back to normal.
Overall, this one doesn't come off as original but is certainly enjoyable enough. Among its positive points is the solid setup offering just enough twists on the usual formula to be a worthwhile entry point into the film. Featuring the tell-tale build-up points where the signs of possession become immensely clear, this part is quite familiar overall but still manages to come across as a decent way to build the suspense of the situation, especially when compared to the concurrent work on the rest of the family during this point. As we get to see the mother care for and try to comfort her son with the increasing series of outbursts and disturbing ticks that hint at something going on but yet nothing medically viable is shown to be responsible. This diagnosis goes against her and her sister's beliefs which show themselves to be strongly rooted in Islamic folklore involving the series of trials and diagnosis that goes into the whole scenario. Trying to understand what's going on with him and how that might explain his problems as well as figuring out a means of improving his condition, the evolution of the doctor's acceptance and recognition that perhaps his Western way of dealing with the situation might end up being the thing that helps him which eventually leads into the help from the local parties and the realization of his possession gives this a fine touch by including these familiar beats with local flavorings. Since the film does go through such familiar beats to help build the case for his possession, these scenes provide quite a lot to like about it. From unnatural freak-outs at school involving violence against teachers or peers, bizarre hallucinations, or generally creepy interactions with those around him, these early scenes painting the picture of his condition signal the start of the creepy antics to eventually reach the point of the exorcism being necessary to rid him of the multitude of demons afflicting him finally. As the local customs are somewhat different and unusual from the more traditional forms of exorcism usually seen in these kinds of films where it's based on Western culture, what goes here in these scenes offers a different point of view towards a common-enough occurrence for genre fans to follow along. Featuring enough spectacle with the attempts at preventing the exorcism and some fine effects work to pull off what's going on, this comes off with the requisite thrills and is entertaining to see play out. These provide quite a lot to enjoy for the most part. There isn't much to dislike here but there are some slight issues here. The main factor to be had, which is most certainly a personal preference piece, comes from the use of so many familiar genre aspects due to the type of genre concept at play here. There are way too many instances of this going for the use of cliched instances of possession or exorcism films that set everything in motion down the path of traditional exorcism motives as there are some overused aspects on display, mainly the speaking in tongues, the jarring behavioral changes, or eye-flashes to denote something is inside him. It's all part and parcel to the type of genre featured here where it has to go through this sort of build-up making everything that happens come off as familiar even though the particulars here playing into Islamic heritage and lore are the only parts that are changed. The other slight drawback comes in the need to go for the overlong finale where a natural final point was reached and it then continues trying to create a wholly overdone it's-not-over-yet sting to bring the thrills back. These factors are what hold the film down.
Rated Unrated/R: Violence and Language.
Overall, this one doesn't come off as original but is certainly enjoyable enough. Among its positive points is the solid setup offering just enough twists on the usual formula to be a worthwhile entry point into the film. Featuring the tell-tale build-up points where the signs of possession become immensely clear, this part is quite familiar overall but still manages to come across as a decent way to build the suspense of the situation, especially when compared to the concurrent work on the rest of the family during this point. As we get to see the mother care for and try to comfort her son with the increasing series of outbursts and disturbing ticks that hint at something going on but yet nothing medically viable is shown to be responsible. This diagnosis goes against her and her sister's beliefs which show themselves to be strongly rooted in Islamic folklore involving the series of trials and diagnosis that goes into the whole scenario. Trying to understand what's going on with him and how that might explain his problems as well as figuring out a means of improving his condition, the evolution of the doctor's acceptance and recognition that perhaps his Western way of dealing with the situation might end up being the thing that helps him which eventually leads into the help from the local parties and the realization of his possession gives this a fine touch by including these familiar beats with local flavorings. Since the film does go through such familiar beats to help build the case for his possession, these scenes provide quite a lot to like about it. From unnatural freak-outs at school involving violence against teachers or peers, bizarre hallucinations, or generally creepy interactions with those around him, these early scenes painting the picture of his condition signal the start of the creepy antics to eventually reach the point of the exorcism being necessary to rid him of the multitude of demons afflicting him finally. As the local customs are somewhat different and unusual from the more traditional forms of exorcism usually seen in these kinds of films where it's based on Western culture, what goes here in these scenes offers a different point of view towards a common-enough occurrence for genre fans to follow along. Featuring enough spectacle with the attempts at preventing the exorcism and some fine effects work to pull off what's going on, this comes off with the requisite thrills and is entertaining to see play out. These provide quite a lot to enjoy for the most part. There isn't much to dislike here but there are some slight issues here. The main factor to be had, which is most certainly a personal preference piece, comes from the use of so many familiar genre aspects due to the type of genre concept at play here. There are way too many instances of this going for the use of cliched instances of possession or exorcism films that set everything in motion down the path of traditional exorcism motives as there are some overused aspects on display, mainly the speaking in tongues, the jarring behavioral changes, or eye-flashes to denote something is inside him. It's all part and parcel to the type of genre featured here where it has to go through this sort of build-up making everything that happens come off as familiar even though the particulars here playing into Islamic heritage and lore are the only parts that are changed. The other slight drawback comes in the need to go for the overlong finale where a natural final point was reached and it then continues trying to create a wholly overdone it's-not-over-yet sting to bring the thrills back. These factors are what hold the film down.
Rated Unrated/R: Violence and Language.
- kannibalcorpsegrinder
- Feb 24, 2024
- Permalink
Best Emirati movie ever made. Loved the horror and narration
It's my first IMDb review and it was my first Arabic film ever watched. The movie was fantastic, far better than Bollywood horror filmmaking. Even though I was the only Indian in the theater and everyone else was Omani, I never felt disconnected from the narrative - not a single scene made me feel uninterested or like it was moving too slowly. The boy did a great job, and the background music was awesome. The casting was perfect. I wish to see the second part of the movie, delving deeper into the idea of jinn and their motivation for obtaining a human body. I generally only watch certain movies after reading the synopsis, and I haven't focused on Arabic films before. It was the movie poster that attracted me first, followed by the synopsis and the trailer. Only films from the majority of successful Hollywood and Bollywood directors displayed this level of quality. The director is amazing. I'm looking forward to seeing more amazing films from the same director.
- vijovarghese-83502
- May 30, 2024
- Permalink
Gripping thriller!
Excellent film, highly recommended! Very talented actors, amazing cinematography and a gifted director. It is hard to pick from an excellent cast, but Saud Alzarooni was a firm favourite and is a rising star!
The director, Nayla Al Khaja, is the UAE's first female director. Let's hope this is the first of many films to come.
The film addresses a very important topic providing awareness and education whilst also keeping the audience entertained and gripped. There are a few moments where the whole audience jumped!! I do not usually pick horror films but I thoroughly enjoyed the film and it is well worth watching.
The director, Nayla Al Khaja, is the UAE's first female director. Let's hope this is the first of many films to come.
The film addresses a very important topic providing awareness and education whilst also keeping the audience entertained and gripped. There are a few moments where the whole audience jumped!! I do not usually pick horror films but I thoroughly enjoyed the film and it is well worth watching.
- jenalsalim
- Feb 17, 2024
- Permalink