A former DEA agent moves his family to a quiet town, where he soon tangles with a local meth druglord.A former DEA agent moves his family to a quiet town, where he soon tangles with a local meth druglord.A former DEA agent moves his family to a quiet town, where he soon tangles with a local meth druglord.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSylvester Stallone originally developed the screenplay as an instalment of his Rambo film series.
- GoofsIt's established that the film takes place in Louisiana. In Louisiana, the surname "Bodine" is pronounced as "Bodeen" not "Bodyne" as everyone in the movie pronounces it.
- Quotes
Phil Broker: Whatever you're thinking, rethink it.
- Alternate versionsReleased in two versions, the general, worldwide theatrical release and an edited cut in Taiwan. Runtimes are, respectively, "1h 40m (100 min)" (theatrical release) and "1h 30m (90 min) (Taiwan)".
- ConnectionsFeatured in Film '72: Episode dated 3 December 2013 (2013)
- SoundtracksI Got Mine
Written by Dan Auerbach and Patrick J. Carney (as Patrick Carney)
Performed by The Black Keys
Published by McMoore McLesst Publishing (BMI)
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing
Featured review
Sylvester Stallone writes the screenplay for the Jason Statham and James Franco led Homefront, and we love it! Yes, you read the right.
For all intents and purposes, Homefront should be a train wreck of an abomination in film-making. But if you squash your preconceived biases that will doom Homefront to failure, you open yourself to watch a supremely entertaining, funny and highly thrilling film.
Phil Broker recently widowed and struggling to raise his 9-year old daughter Maddy the only way a father knows. Broker also happens to be a well trained DEA agent who chooses to leave the dangerous action and retire to a small town in Louisiana to care for his daughter. With small town life comes small town trouble, and Broker is quickly thrust into the drama despite his fervent effort to remain impartial and uninvolved. Unfortunately, his past history and the criminal occurrences of his new residence makes matters more complicated and he must soon use his skills to protect his daughter the only way he knows how.
Homefront has an energy and vibrancy about it, a spark, that revitalizes the potentially stagnant action film type. It does not deviate from the formula too much to make it feel forced and contrived, but it has a well formed and original enough plot thanks to the source material from Chuck Logan's original and synonymously titled novel. Sylvester Stallone, the film's screenwriter and executive producer, who never makes a token egotistical cameo, translates Logan's narrative into an un-caricaturized action-crime-drama, a pride worthy feat. The difference between Homefront and its inferior counterparts is Homefront focuses on the story and the characters and the creative direction of Gary Fleder never veers into nonsensical excess.
Jason Statham is quintessential Statham as Phil Broker, bringing his stoic charisma and martial arts ability to be used perfectly in this film as the steadfast protagonist. No protagonist is complete without an equally matched antagonist, of which Homefront has several players, all of which fully formed and complete characters. Kate Bosworth, James Franco and Winona Ryder are all notable in their acting and contributing to the film's overall success.
At first glance, Homefront should be an uninspired derivative action flick solely for box office numbers. But, it is not. It is a surprise of a film and a shame that some potential viewers may choose to overlook this film due to their misinformed prejudices for the actors, crew and subject matter. Anyone willing to take my word for it and give this film a chance will not be disappointed.
Please check out our website for complete reviews of all the recent releases.
For all intents and purposes, Homefront should be a train wreck of an abomination in film-making. But if you squash your preconceived biases that will doom Homefront to failure, you open yourself to watch a supremely entertaining, funny and highly thrilling film.
Phil Broker recently widowed and struggling to raise his 9-year old daughter Maddy the only way a father knows. Broker also happens to be a well trained DEA agent who chooses to leave the dangerous action and retire to a small town in Louisiana to care for his daughter. With small town life comes small town trouble, and Broker is quickly thrust into the drama despite his fervent effort to remain impartial and uninvolved. Unfortunately, his past history and the criminal occurrences of his new residence makes matters more complicated and he must soon use his skills to protect his daughter the only way he knows how.
Homefront has an energy and vibrancy about it, a spark, that revitalizes the potentially stagnant action film type. It does not deviate from the formula too much to make it feel forced and contrived, but it has a well formed and original enough plot thanks to the source material from Chuck Logan's original and synonymously titled novel. Sylvester Stallone, the film's screenwriter and executive producer, who never makes a token egotistical cameo, translates Logan's narrative into an un-caricaturized action-crime-drama, a pride worthy feat. The difference between Homefront and its inferior counterparts is Homefront focuses on the story and the characters and the creative direction of Gary Fleder never veers into nonsensical excess.
Jason Statham is quintessential Statham as Phil Broker, bringing his stoic charisma and martial arts ability to be used perfectly in this film as the steadfast protagonist. No protagonist is complete without an equally matched antagonist, of which Homefront has several players, all of which fully formed and complete characters. Kate Bosworth, James Franco and Winona Ryder are all notable in their acting and contributing to the film's overall success.
At first glance, Homefront should be an uninspired derivative action flick solely for box office numbers. But, it is not. It is a surprise of a film and a shame that some potential viewers may choose to overlook this film due to their misinformed prejudices for the actors, crew and subject matter. Anyone willing to take my word for it and give this film a chance will not be disappointed.
Please check out our website for complete reviews of all the recent releases.
- ArchonCinemaReviews
- Apr 17, 2015
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Línea de fuego
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $20,158,898
- Opening weekend US & Canada
- $6,915,241
- Dec 1, 2013
- Gross worldwide
- $48,449,416
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content