Tribeca Film Festival's Artistic Director Frédéric Boyer and I met up for a conversation at MoMA PS1 during Michelangelo Frammartino's World Premiere of the breathtaking 28 minute continuous cinematic installation Alberi in the Vw Dome. This is Boyer's second year at Tribeca, after running the Directors’ Fortnight program at the Cannes Film Festival. We discussed how to bring nature into an urban setting through films like Bruno Barreto's Reaching For The Moon, Reha Erdem's Jîn, Whitewash, directed by Emanuel Hoss-Desmarais, Hisham Zaman's Before Snowfall, and Red Obsession, directed by David Roach and Warwick Ross.
Interacting with cats, Lil Bub & Friendz, tree people, and being Tricked by Paul Verhoeven - Tribeca 2013 challenges the boundaries of cinema.
Anne-Katrin Titze: This is your second year at Tribeca.
Frédéric Boyer: Yes, my second edition as Artistic Director for the Tribeca Film Festival.
Akt:...
Interacting with cats, Lil Bub & Friendz, tree people, and being Tricked by Paul Verhoeven - Tribeca 2013 challenges the boundaries of cinema.
Anne-Katrin Titze: This is your second year at Tribeca.
Frédéric Boyer: Yes, my second edition as Artistic Director for the Tribeca Film Festival.
Akt:...
- 4/23/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Tribeca Film Festival organizers on Wednesday announced 46 of the 89 feature films screening at the New York-set festival starting next month, including selections in the World Narrative and Documentary Competition film sections, as well as out-of-competition Viewpoints screenings.
"Big Men," a documentary about American corporations pursuing oil reserves in Africa, will serve as the opening night film for the World Documentary portion; "Bluebird," a small-town drama featuring "Girls" star Adam Driver, will kick-off the World Narrative slate. "Flex Is Kings," a documentary about Brooklyn street performers, is the Viewpoints opener. All three films premiere on April 18. The Tribeca Film Festival runs from April 17 through April 28, with "Mistaken For Strangers," a documentary about The National, serving as the fest's opening night film.
"Our competition selections embody the quality and diversity of contemporary cinema from across the globe,” Tribeca Film Festival Artistic Director Frederic Boyer said in a release. “The cinematic proficiency that...
"Big Men," a documentary about American corporations pursuing oil reserves in Africa, will serve as the opening night film for the World Documentary portion; "Bluebird," a small-town drama featuring "Girls" star Adam Driver, will kick-off the World Narrative slate. "Flex Is Kings," a documentary about Brooklyn street performers, is the Viewpoints opener. All three films premiere on April 18. The Tribeca Film Festival runs from April 17 through April 28, with "Mistaken For Strangers," a documentary about The National, serving as the fest's opening night film.
"Our competition selections embody the quality and diversity of contemporary cinema from across the globe,” Tribeca Film Festival Artistic Director Frederic Boyer said in a release. “The cinematic proficiency that...
- 3/5/2013
- by Christopher Rosen
- Huffington Post
The Tribeca Film Festival announced the first half of its 2013 movie slate today, including its World Narrative and Documentary Competition film categories, along with selections from the out-of-competition Viewpoints section, which highlights international and independent cinema. Festival organizers reviewed more than 6,000 submissions to select 89 feature-length films from 30 different countries for this year’s festival, which boasts 53 world premieres. “Our competition selections embody the quality and diversity of contemporary cinema from across the globe,” said Frederic Boyer, Tribeca’s artistic director. “The cinematic proficiency that harnesses this lineup is remarkable and we’re looking forward to sharing these new perspectives, powerful performances,...
- 3/5/2013
- by Jeff Labrecque
- EW - Inside Movies
Whereas westerns reflect a longing for a vanished past, Turkish cinema is examining and lamenting modernisation as it happens
By the time Sergio Leone got to Monument Valley in 1968 to film exteriors for Once Upon a Time in the West, its sandstone buttes – engrained in the popular consciousness by their presence in John Ford's westerns – had already assumed the hulking mythic grandeur the great Italian director needed for his story of American beginnings. Nuri Bilge Ceylan was surely hoping for a little of the same when he had his night convoy of murder investigators sweep their headlights across the vast prairie in last year's Once Upon a Time in Anatolia. The auburn-grey hills around Keskin, near the capital Ankara, might not be as singular a location as the Utah valley, but they've got their own mute, unknowable magnificence – a suitable backdrop for Ceylan's gloomy night of the Turkish soul.
By the time Sergio Leone got to Monument Valley in 1968 to film exteriors for Once Upon a Time in the West, its sandstone buttes – engrained in the popular consciousness by their presence in John Ford's westerns – had already assumed the hulking mythic grandeur the great Italian director needed for his story of American beginnings. Nuri Bilge Ceylan was surely hoping for a little of the same when he had his night convoy of murder investigators sweep their headlights across the vast prairie in last year's Once Upon a Time in Anatolia. The auburn-grey hills around Keskin, near the capital Ankara, might not be as singular a location as the Utah valley, but they've got their own mute, unknowable magnificence – a suitable backdrop for Ceylan's gloomy night of the Turkish soul.
- 2/26/2013
- by Phil Hoad
- The Guardian - Film News
★★★☆☆ From visionary director Reha Erdem (Times and Winds, Kosmos) comes Jîn (2013), an environmental parable that uses the bitter Turkish-Kurdish conflict as a universal metaphor for the destructive disposition of humanity upon a frail and delicate natural world. Narratively influenced by the tender storytelling of fairy tales, Jîn feels like a contemporary adaptation of Little Red Riding Hood, with the film's titular protagonist (played brilliantly by Deniz Hasgüler) materialising transcendentally from behind the camouflage of the Turkish woodlands - complete with her red headscarf and surrounded by the serene beauty of nature.
Read more »...
Read more »...
- 2/17/2013
- by CineVue UK
- CineVue
Films from Poland, Romania and Slovenia will screen in the 2013 Berlinale Official Competition. The Official Competition, Panorama, Forum and Generation sections have also selected films from Turkey, Georgia, Austria, Croatia, Czech Republic and Latvia.
The Polish director Małgośka Szumowska returns to the Berlinale after Elles (2012), starring Juliette Binoche, with W imię... /In the Name of, selected for the Official Competition. The film is produced by Mental Disorder 4 in coproduction with Canal +, and it follows Father Adam who takes over a small parish in the middle of nowhere and has to confront a long forgotten burden and passion. The main characters are played by Andrzej Chyra and Mateusz Kościukieiwcz. Memento Films is the sales agent.
Danis Tanovic makes his entrance in the Official Competition of the Berlinale with Epizoda u životu berača željeza/An Episode in the Life of an Iron Picker, the story of a 31 year old woman pregnant with her third child who needs emergency surgery, but has no health inssurance. The film is a coproduction between Bosnia and Herzegovina, France and Slovenia, involving Pro.ba, Emotionfilm and Asap Film France. The cast includes Senada Alimanovic, Nazif Mujic, Sandra Mujic, and Semsa Mujic.
This is also the first Berlinale for the Romanian director Călin Peter Netzer, who screens in the Official Competition with Poziţia copilului/Child's Pose, a mixture of drama, emotion and humour about the relationship between an overbearing mother and her adult son. Răzvan Rădulescu and Călin Peter Netzer wrote the script and the main characters are played by Luminiţa Gheorghiu (Moartea domnului Lăzărescu/The Death of Mr. Lăzărescu) and Bogdan Dumitrache (Cu cele mai bune intenţii/Best Intentions). Child's Pose is a 100% Romanian production between Parada Film and HaiHui Entertainment.
After travelling with the first two parts of his Paradise film trilogy to Cannes and Venice, ground-breaking Austrian director Ulrich Seidl is a newcomer to the Berlinale where the third film in the series is to be screened in the Official Competition. Paradies: Hoffnung/Paradise: Hope is a coproduction between Ulrich Seidl Film Produktion GmbH (Austria, www.ulrichseidl.com), Tatfilm (Germany, www.tatfilm.de) and Société Parisienne de Production ( France, www.coproductionoffice.eu).
Georgia sends two films to Berlin. On 7 February, the Panorama’s main programme will openwith the GeorgianChemi Sabnis Naketsi/A Fold in My Blanket by Zaza Rusadze. Produced by director’s production companyZazarfilm with the support of the Georgian National Film Centre, the film tells the story of a young man returning to his home town after studying abroad. Tornike Bziava, Tornike Gogrichiani, and Zura Kipshidze are the main actors. Media Luna New Films is the sales agent.
A Georgian-German coproduction will be screened in Forum. Grzeli nateli dgeebi/In Bloom, the first feature by Nana Ekvtimishvili and Simon Groß, is focusing on two young female friends in a country marked by civil war and poverty in 1992.
Two Turkish films were also selected for Panorama. Asli Ozge's Hayatboyu/Lifelong is a Turkish-German-Dutch coproduction between Razor Film Produktion, Augustus Film, Kaliber Film, Bulut Filmand, and Soda Media. The cast includes Defne Halman, Haka Cimenser, and Gizem Akman. Uğur Yücel's Soğuk/Cold is a 100% Turkish production starring Cenk Alibeyoğlu, A. Rıfat Şungar, and Valeria Skorohodova.
Croatia is also represented with two films selected for the Forum section. Krugovi/Circles Srdan Golubović’s drama of three parallel stories about heroism is produced by the Serbian company Bas Celik and the German company Neue Mediopolis Filmproduktion, in coproduction with the Slovenian company Vertigo/E-motion Film, the Croatian company Propeler Film and the French company La Cinefacture.
Another Croatian coproduction, this time with Bosnia and Herzegovina, was also selected in Forum. The story from Obrana i zaštita/A Stranger aka The Bridge, written and directed by the acclaimed theatre and film director Bobo Jelčić, is set in Mostar, a town still divided into the Croatian and the Bosnian side 20 years after the war. The film is a tale about prejudice, human weaknesses and conflict between the individual and the society played by: Bogdan Diklić, Nada Đurevska, Ivana Roščić, and Izudin Bajrović. The project involves Spiritus Movens, Produkcija Kadar and Croatian Radio and Television.
Two Austrian films will be shown in the Forum section, beginning with the world premiere of Gustav Deutsch's Shirley – Visions of Reality. This Austrian production of Kgp Kranzelbinder Gabriele Production uses 13 cinematically vivified paintings by Edward Hopper in order to tell the story of a woman who lives in a reality she sees as a made up construct. The cast includes Stephanie Cumming, Christoph Bach, and Florentin Groll.
Die 727 Tage ohne Karamo/The 727 Days without Karamo by Anja Salomonowitz (also in Forum) is a documentary experiment of 21 binational couples sharing personal moments of their love stories, forming one complete story of how love can rise above the written law. The 80 minite film is produced by Amour Fou Vienna.
The German-Polish coproduction Sieniawka by Marcin Malaszczak, screening in Forum, is a lyrical portrait of post-socialist reality between Poland, the Czech Republic and Germany, conceived of as a mix of fictional staging and documentary representation of a dilapidated mental asylum and a landscape scarred by coal mining
Reha Erdem's Jîn (Turkey), selected in Generation 14plus, sees the war between guerrillas and the army in Kurdish areas in Turkey through the eyes of a 17 year old girl, a young fighter (played by Deniz Hasgüler). The film is produced by Ömer Atay through Atlantik Film.
Kasia Rosłaniec's Baby Blues (Poland), will have its European premiere in Generation 14plus. After Mall Girls, Kasia Rosłaniec made a teenage mother’s tour de force through a world of daily chores, nappies fashion and drugs. Zentropa International Poland is producing.
Mammu, es Tevi mīlu/Mother, I Love You by the Latvian director Jānis Nords, selected in Generation Kplus, is the touching story of a misunderstood adolescent who tries to negociate his relationship with his mother while delving into the world of the petty crime. The film is produced by Tanka ( alise@tanka.lv) and stars Kristofers Konovalovs, Vita Varpina, and Matiss Livcans.
Cee Films At The Berlinale:
Official Competition:
W imię... /In the Name of by Małgośka Szumowska (Poland)
Epizoda u životu berača željeza/An Episode in the Life of an Iron Picker by Danis Tanovic (Bosnia and Herzegovina-France -Slovenia)
Poziţia copilului/Child's Pose by Călin Peter Netzer (Romania)
Paradies: Hoffnung/Paradise: Hope by Ulrich Seidl (Austria-Germany-France)
Panorama:
Chemi Sabnis Naketsi/A Fold in My Blanket by Zaza Rusadze (Georgia)
Hayatboyu/Lifelong by Asli Ozge (Turkey-Germany)
Soğuk/Cold by Uğur Yücel (Turkey)
Forum:
Grzeli nateli dgeebi/In Bloom by Nana Ekvtimishvili and Simon Groß (Georgia-Germany)
Krugovi/Circles by Srdan Golubović (Serbia-Germany-Slovenia-Croatia-France)
Obrana i zaštita/A Stranger by Bobo Jelčić (Croatia – Bosnia and Herzegovina)
Shirley – Visions of Reality by Gustav Deutsch (Austria)
Die 727 Tage ohne Karamo/The 727 Days without Karamo by Anja Salomonowitz (Austria)
Sieniawka by Marcin Malaszczak (Germany-Poland)
Generation 14plus:
Jîn by Reha Erdem (Turkey)
Baby Blues by Kasia Rosłaniec (Poland)
Generation Kplus:
Mammu, es Tevi mīlu/Mother, I Love You by Jānis Nords (Latvia)...
The Polish director Małgośka Szumowska returns to the Berlinale after Elles (2012), starring Juliette Binoche, with W imię... /In the Name of, selected for the Official Competition. The film is produced by Mental Disorder 4 in coproduction with Canal +, and it follows Father Adam who takes over a small parish in the middle of nowhere and has to confront a long forgotten burden and passion. The main characters are played by Andrzej Chyra and Mateusz Kościukieiwcz. Memento Films is the sales agent.
Danis Tanovic makes his entrance in the Official Competition of the Berlinale with Epizoda u životu berača željeza/An Episode in the Life of an Iron Picker, the story of a 31 year old woman pregnant with her third child who needs emergency surgery, but has no health inssurance. The film is a coproduction between Bosnia and Herzegovina, France and Slovenia, involving Pro.ba, Emotionfilm and Asap Film France. The cast includes Senada Alimanovic, Nazif Mujic, Sandra Mujic, and Semsa Mujic.
This is also the first Berlinale for the Romanian director Călin Peter Netzer, who screens in the Official Competition with Poziţia copilului/Child's Pose, a mixture of drama, emotion and humour about the relationship between an overbearing mother and her adult son. Răzvan Rădulescu and Călin Peter Netzer wrote the script and the main characters are played by Luminiţa Gheorghiu (Moartea domnului Lăzărescu/The Death of Mr. Lăzărescu) and Bogdan Dumitrache (Cu cele mai bune intenţii/Best Intentions). Child's Pose is a 100% Romanian production between Parada Film and HaiHui Entertainment.
After travelling with the first two parts of his Paradise film trilogy to Cannes and Venice, ground-breaking Austrian director Ulrich Seidl is a newcomer to the Berlinale where the third film in the series is to be screened in the Official Competition. Paradies: Hoffnung/Paradise: Hope is a coproduction between Ulrich Seidl Film Produktion GmbH (Austria, www.ulrichseidl.com), Tatfilm (Germany, www.tatfilm.de) and Société Parisienne de Production ( France, www.coproductionoffice.eu).
Georgia sends two films to Berlin. On 7 February, the Panorama’s main programme will openwith the GeorgianChemi Sabnis Naketsi/A Fold in My Blanket by Zaza Rusadze. Produced by director’s production companyZazarfilm with the support of the Georgian National Film Centre, the film tells the story of a young man returning to his home town after studying abroad. Tornike Bziava, Tornike Gogrichiani, and Zura Kipshidze are the main actors. Media Luna New Films is the sales agent.
A Georgian-German coproduction will be screened in Forum. Grzeli nateli dgeebi/In Bloom, the first feature by Nana Ekvtimishvili and Simon Groß, is focusing on two young female friends in a country marked by civil war and poverty in 1992.
Two Turkish films were also selected for Panorama. Asli Ozge's Hayatboyu/Lifelong is a Turkish-German-Dutch coproduction between Razor Film Produktion, Augustus Film, Kaliber Film, Bulut Filmand, and Soda Media. The cast includes Defne Halman, Haka Cimenser, and Gizem Akman. Uğur Yücel's Soğuk/Cold is a 100% Turkish production starring Cenk Alibeyoğlu, A. Rıfat Şungar, and Valeria Skorohodova.
Croatia is also represented with two films selected for the Forum section. Krugovi/Circles Srdan Golubović’s drama of three parallel stories about heroism is produced by the Serbian company Bas Celik and the German company Neue Mediopolis Filmproduktion, in coproduction with the Slovenian company Vertigo/E-motion Film, the Croatian company Propeler Film and the French company La Cinefacture.
Another Croatian coproduction, this time with Bosnia and Herzegovina, was also selected in Forum. The story from Obrana i zaštita/A Stranger aka The Bridge, written and directed by the acclaimed theatre and film director Bobo Jelčić, is set in Mostar, a town still divided into the Croatian and the Bosnian side 20 years after the war. The film is a tale about prejudice, human weaknesses and conflict between the individual and the society played by: Bogdan Diklić, Nada Đurevska, Ivana Roščić, and Izudin Bajrović. The project involves Spiritus Movens, Produkcija Kadar and Croatian Radio and Television.
Two Austrian films will be shown in the Forum section, beginning with the world premiere of Gustav Deutsch's Shirley – Visions of Reality. This Austrian production of Kgp Kranzelbinder Gabriele Production uses 13 cinematically vivified paintings by Edward Hopper in order to tell the story of a woman who lives in a reality she sees as a made up construct. The cast includes Stephanie Cumming, Christoph Bach, and Florentin Groll.
Die 727 Tage ohne Karamo/The 727 Days without Karamo by Anja Salomonowitz (also in Forum) is a documentary experiment of 21 binational couples sharing personal moments of their love stories, forming one complete story of how love can rise above the written law. The 80 minite film is produced by Amour Fou Vienna.
The German-Polish coproduction Sieniawka by Marcin Malaszczak, screening in Forum, is a lyrical portrait of post-socialist reality between Poland, the Czech Republic and Germany, conceived of as a mix of fictional staging and documentary representation of a dilapidated mental asylum and a landscape scarred by coal mining
Reha Erdem's Jîn (Turkey), selected in Generation 14plus, sees the war between guerrillas and the army in Kurdish areas in Turkey through the eyes of a 17 year old girl, a young fighter (played by Deniz Hasgüler). The film is produced by Ömer Atay through Atlantik Film.
Kasia Rosłaniec's Baby Blues (Poland), will have its European premiere in Generation 14plus. After Mall Girls, Kasia Rosłaniec made a teenage mother’s tour de force through a world of daily chores, nappies fashion and drugs. Zentropa International Poland is producing.
Mammu, es Tevi mīlu/Mother, I Love You by the Latvian director Jānis Nords, selected in Generation Kplus, is the touching story of a misunderstood adolescent who tries to negociate his relationship with his mother while delving into the world of the petty crime. The film is produced by Tanka ( alise@tanka.lv) and stars Kristofers Konovalovs, Vita Varpina, and Matiss Livcans.
Cee Films At The Berlinale:
Official Competition:
W imię... /In the Name of by Małgośka Szumowska (Poland)
Epizoda u životu berača željeza/An Episode in the Life of an Iron Picker by Danis Tanovic (Bosnia and Herzegovina-France -Slovenia)
Poziţia copilului/Child's Pose by Călin Peter Netzer (Romania)
Paradies: Hoffnung/Paradise: Hope by Ulrich Seidl (Austria-Germany-France)
Panorama:
Chemi Sabnis Naketsi/A Fold in My Blanket by Zaza Rusadze (Georgia)
Hayatboyu/Lifelong by Asli Ozge (Turkey-Germany)
Soğuk/Cold by Uğur Yücel (Turkey)
Forum:
Grzeli nateli dgeebi/In Bloom by Nana Ekvtimishvili and Simon Groß (Georgia-Germany)
Krugovi/Circles by Srdan Golubović (Serbia-Germany-Slovenia-Croatia-France)
Obrana i zaštita/A Stranger by Bobo Jelčić (Croatia – Bosnia and Herzegovina)
Shirley – Visions of Reality by Gustav Deutsch (Austria)
Die 727 Tage ohne Karamo/The 727 Days without Karamo by Anja Salomonowitz (Austria)
Sieniawka by Marcin Malaszczak (Germany-Poland)
Generation 14plus:
Jîn by Reha Erdem (Turkey)
Baby Blues by Kasia Rosłaniec (Poland)
Generation Kplus:
Mammu, es Tevi mīlu/Mother, I Love You by Jānis Nords (Latvia)...
- 2/12/2013
- by Iulia Blaga
- Sydney's Buzz
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