Advantageous

Wow. I had no idea what to expect when I put this on, but it blew me completely away. I am certain that the pacing may alienate many a viewer expecting every, "good" sci-fi to be filled mainly with spectacular future-tech fighting, and maybe scratch the surface of big questions in a futuristic society.

Advantageous do approach the latter, although nuanced, and more subtle than most films in this genre do. First and foremost, Advantageous focus on what defines the parent/child-relationship through portrayals of emotions and behavior that feel real. Not overly dramatic, not "scripted" like in most movies, but like the breathing dialectics of how those mechanics do work in real life.

The stage is set in a dystopian future. There are elements of class conflict, and philosophical approaches to defining the Id and the Ego. But these are still all secondary to the parental element. I didn't feel that the topics were rushed, too complicated, pretentious or superficially presented in any way, but that might be a matter of my approach as a viewer; my focus on the movie while it ran, and my general interest in the subjects in my own life.

I also found Advantageous to be stylistically excellent. From the general designs, locations, wardrobe, make-up, CGI. The lead actors did a great job, and the directing was superbly executed. Same goes for both editing and the atmospheric soundtrack; technical elements that I find myself often annoyed at in many a modern movie.

I'd put Advantageous under the same banner as Her and Ex Machina, for comparison. Although it should be noted that the melancholic joyfulness from Her, and the enigmatic suspense from Ex Machina are both lacking completely here as Advantageous is a lot more of a subtle epic, with a focus on the humane interrelationships much more than what both those movies do. And to me, that was exactly what made Advantageous such a brilliant, unique gem, although I dearly love both Her and Ex Machina as well.

This is quite an intriguing take on the theme of the singluarity. What happens during uploading (transferring the consciousness to a new vessel)? In terms of the cognition, this work seems to reflect the latest advances in terms of the scientific work that has been done the last years. One of the key one of the findings being that the consciousness that we experience is tied to the body and their intertwined growing process. Studies of evolution, robotics and neuroscientists seem to converge on this idea. Enough of guessing the scientific Zeitgeist... What is astonishing about the movie is the fundamental level the theme is approached. Dance is important. It shows from the beginning to the end. And through the very nature of movement, the archaic, the everyday-things, those striving for that higher purpose will probably halt and think (if they see, and not just watch). This work puts great and visionary ideas in a very human context. This review is written with the movie still undigested, so it might sound a bit raw and weird. In any case it made quite an impression on me.

Making a believable science fiction film is hard. Making a believable science fiction film on a low-budget is nearly impossible. Well at least it used to be until director Jennifer Phang came along and proved otherwise in her Sundance festival hit, Advantageous. Phang was able to create a futuristic world with minimum visual effects by altering mundane human perception. There are three important techniques she uses to achieve this effect.

The first is the deceleration of time for background objects while objects in the foreground continue to move at a regular speed. This mixture of various speeds becomes a motif for understanding the futuristic world she presents to the audience.

The second technique is the compression of space achieved by using telephoto and zoom lenses. The human eye perceives depth of field in three dimensions. Objects farther away are small and objects closer to us are big. This is normally replicated with a dolly shot in films where the camera physically tracks forwards or backwards. However, in Advantageous, the zoom lens is used to compress the space in front of us. The camera stays still and we simply get closer to the subject. This causes a flattening of space to the point our eyes are no longer able to perceive the distance between the foreground objects and background objects.

The third technique Phang uses to create a believable science fiction world is silence. Yes I talk about silence a lot, but it does wonders. Our ears are not used to hearing complete and utter silence. In every moment, even at the quietest moments, we are subjected to some level of constant ambient noise. Whether it's coming from the Air Conditioner, the Fridge, the Wind, there's always something preventing us from experiencing complete silence. However, when we do finally get the chance and we see a character on a big screen screaming and crying in complete silence, our ears are hit with a new level of sensory experience. The new sensory experience is foreign to our ears and forces the audience to take the character he or she is watching out of his assumption of the character's world. This means, the audience finally recognizes that the character he or she is watching does not have the same sensory understanding of the world as he or she does.

These three techniques were vital in Phang's ability to successfully create a sophisticated and at the same time genuine science fiction world on a low-budget.

I ran across Advantageous on Netflix after starting and stopping a couple of big budget movies. I will concede that I am a sucker for sci-fi, but this is more than sci-fi. It is a question about medical science and implications for humanity. It is also a question about the priorities of society and what poorly chosen ones can cost us. I can honestly say a film has not caught my attention and made me think this much in years. The strength of the film is obvious because it did not rely on elaborate special effects and action scenes to have an impact.

As one reviewer described it, the deliberate choice of everything - from color, to music, to lighting was so well thought out, it was truly watching moving artwork.

And yes, I used the word film to describe this work rather than movie. The two have a definite distinction.

I can't remember how i stumbled on this movie, but I am really glad I did. This movie was such a joy to watch and was very moving. In fact i purposely registered to IMDb to give it a good rating and a review to support this movie. If you choose to watch it, you won't be sorry! For an independent film on a budget, the quality of the cinematography was great, as was the acting, and everything else, there's so much talent put into this film. Jacqueline Kim did a wonderful job at acting in this film in her portrayal of Gwen and Samantha Kim as her daughter Jules. And Jacqueline Kim and Jennifer Phang wrote such a moving and beautiful movie.