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The Zurich Film Festival (Zff) has unveiled its full line-up for its 20th anniversary edition, which takes place from 3-13 October.

Zff’s main competition line-up comprises 14 films, with eight of them directed by women. Two of them are world premieres: Lucia Chiarla’s Es Geht Um Luis from Germany and Lisa Bruhlmann’s When We Were Sisters from Switzerland.

“This year the female gaze dominates our competition. Numerous films tell their stories through the eyes of women, for example Linda or Mother Mara,” Christian Jungen said.

The competition is aimed at discovering new talents compromising first, second and third directorial works,...

The shadow of The Godfather looms large over French director Julien Colonna’s formidable feature debut, The Kingdom (Le Royaume), and not only because one of the characters in it is literally called “Godfather.”

Set in Corsica in 1995, at a time when the island was wracked by warfare among nationalist groups and crime families, the film focuses on one mafioso clan that’s beset by enemies on all sides and needs to survive by any means necessary. The head of that clan is a very casually dressed Don Corleone named Pierre-Paul (Saveriu Santucci), and he needs to both preserve his leadership and protect his teenage daughter, Lesia (the illuminating Ghjuvanna Benedetti), as they run from cops and mobsters alike.

So yes, it’s a very Godfather-like scenario — but it’s as if the Coppola classic were told from the viewpoint of a young Connie, chronicling how a girl on the...

Un Certain Regard is always a time to explore new, daring films from first- and second-time feature filmmakers at the Cannes Film Festival. They’ll eventually be eligible for the Camera d’Or, the Un Certain Regard equivalent of the Palme d’Or. So if you’re looking for something to see outside the main competition at Cannes this year, Julien Colonna’s Un Certain Regard entry is a simmering and intense coming-of-age story about a teenage girl coming of age amid a criminal family. And that family is maybe one she doesn’t want to reconnect with but is forced to over one summer in Corsica, 1995. Watch an IndieWire exclusive clip from the film below.

Here’s the official synopsis: “Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father,...

Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton’s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday.

Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.

The Variety award coincides...

This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.

As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.

The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from

emerging talent Julien Colonna.

When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...

Cannes isn’t Sundance. The movies on offer aren’t generally genre horror box office surprises or heartwarming indie dramedies, and sometimes they’re not even sure-fire Oscar hopefuls.

But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.

The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...

Paris-based international film sales company Pulsar Content has formed a strategic partnership with Digital District Entertainment, a leading post-production, VFX and production facilities company, with offices in France, Belgium and India. The partnership will create “a streamlined and cost-effective production process for international film projects,” according to a statement.

Pulsar Content’s Cannes lineup includes Un Certain Regard’s “Niki” by Céline Sallette, Antoine Chevrolliers’ “Block Pass,” premiering in Critics’ Week, and Camila Beltran’s “Mi Bestia,” premiering at Acid.

Dde’s Cannes lineup includes Julien Colonna’s “Le Royaume” in Un Certain Regard and Patricia Mazuy’s “Visiting Hours” in Directors’ Fortnight.

The companies have previously worked together on several films, including “The Deep House” by Julien Maury and Alexandre Bustillo, which sold to Blumhouse for the U.S. and Universal for international territories. They also teamed up on Edouard Salier’s “Tropic” and “Mads” by David Moreau.

Dde...

Mediawan CEO Pierre-Antoine Capton is set to receive Variety’s International Visionary Award at the Cannes Film Festival where the company will have multiple films playing across the Official Selection.

The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.

The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...