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Global sensation “Call My Agent!” is set for a glamorous Spanish-language adaptation starring two-time Goya Award winner Javier Gutiérrez,, Marta Hazas and Goya winner Manuela Velasco (“Velvet”).

The Madrid-set series is being produced by Mediawan’s well-established Spanish outfit Good Mood, whose previous credits include “I’m Alive,” “The Fence,” “The Accident” and “Deudas.” Mediaset Espana’s Telecinco is co-producing the show and has commissioned it.

Filming will kick off in two weeks on location in Madrid. Daniel Écija, the revered founder of Good Mood who has more than 30 series and eight films under his belt, is executive producing “The Agencia.” The rest of the cast and cameos will be announced at a later stage.

The original French series, titled “10 Pour Cent,” smashed ratings throughout four seasons on local broadcaster France Televisions, as well as ranked as the most watched shows on Netflix under its English title “Call My Agent.

Antonio de la Torre y Bárbara Lennie protagonizan este thriller. © Disney

Termina el rodaje de “Los Tigres”, la película dirigida por Alberto Rodríguez (“La Isla Mínima”) y escrita por Rodríguez junto a Rafael Cobos (“La Isla Mínima”), tras dos intensas semanas de rodaje subacuático

“Los Tigres” sigue a Antonio y Estrella, hermanos que llevan toda la vida vinculados al mar. Antonio trabaja como buzo industrial. Estrella estudia los fondos marinos y ayuda a su hermano en la barcaza para la que trabaja. A pesar de jugarse la vida cada día, su situación económica es delicada. Una situación que puede cambiar cuando dan con un alijo de cocaína escondido en el casco de un carguero anclado en el puerto de Huelva.

“Los Tigres” está protagonizada por Antonio de la Torre (“El Reino”) y Bárbara Lennie (“Magical Girl”). Completan el reparto, Joaquín Núñez (“Grupo 7”), José Miguel Manzano Bazalo “Skone” (rapero malagueño...

In what remains the Spanish film industry’s biggest event of 2024, last January, pay TV Movistar Plus+, behind premium series like “A Perfect Life” and “The Plague,” summoned local press to unveil its biggest strategic move for the last few years.

Accompanying Movistar Plus execs Domingo Corral and Guillermo Farré were five of the coolest, most successful and relatively young filmmakers in Spain today: Rodrigo Sorogoyen, Alberto Rodríguez, Iciar Bolláin, Oliver Laxe and Ana Rujas. Together they outlined plans to make event auteur movies backed for commercial release in Spanish theaters by the promotional muscle of Movistar Plus+.

Six months later, Rodríguez, director of Goya Award winner “Marshland” and 1580s Seville thriller series “The Plague,” is caught on set by Variety on Spain’s southern seaboard, on a boat just off Huelva, home to huge smoke-belching refineries and stunning natural parks.

That setting provides “Los Tigres” a bigger canvas. However,...

In a deal sealed at Cannes, Spain’s Film Factory has closed France with Wild Bunch on action film “The Gentleman” as well as crime thriller “Undercover.”

The directorial debut of seasoned Mexican cinematographer Luis Gabriel Beristáin, “The Gentleman” stars Ron Perlman as Theo, an aging former U.S. soldier who pays Olga, a prostitute, to talk with him about who he once was and what he might have been. When Olga is brutally murdered, Theo embarks on bloody revenge.

“The Gentleman” is produced by Spain’s Esto También Pasará (“Ferocious Wolf”). Now shooting, “The Gentleman” will be released by Universal in Spain next year.

From Goya winner Arantxa Echevarría (“Lola and Carmen”), “Undercover” is inspired by the real-life story of Spain’s only police officer to successfully infiltrate Eta. Carolina Yuste (“Saben aquell”) and Luis Tosar (“Maiaxabel”) headline; Bowfinger Intl. Pictures and Beta Fiction Spain produce, with the latter...

Spanish cinema is expanding, opening up attractive film avenues to reach the worldwide market, driven by upscale commercial projects, blending of genres and a new generation of emerging female directors.

The country’s filmmakers landed three Oscar nominations: Juan A. Bayona with “Society of the Snow” (inter- national feature and makeup and hair styling); and Pablo Berger with “Robot Dreams” (animated feature). Also, four of Netflix’s top five most-popular non-English films ever are from Spain.

“The boom in talent is making for a unique and very diverse cinema,” says Guillermo Farré, Movistar Plus+ head of original films and Spanish cinema.

“The great foreign perception of Spanish cinema is driven by the productions’ quality and their international diffusion,” says Elástica Films’ María Zamora, producer of Carla Simón’s Berlinale Golden Bear winner “Alcarrás.”

“Spanish cinema is evolving with the appearance of new voices especially female and new ways of narrating,...

Antonio de la Torre y Bárbara Lennie protagonizan este thriller. © Disney

Ha comenzado el rodaje de “Los Tigres”, una nueva película española que se define como un thriller atmosférico.

Antonio y Estrella son hermanos. Llevan toda la vida vinculados al mar. Antonio trabaja como buzo industrial. Estrella estudia los fondos marinos y ayuda a su hermano en la barcaza para la que trabaja. A pesar de jugarse la vida cada día, su situación económica es delicada. Una situación que puede cambiar cuando dan con un alijo de cocaína escondido en el casco de un carguero anclado en el puerto de Huelva.

“Los Tigres” está protagonizada por Antonio de la Torre (“El Reino”) y Bárbara Lennie (“Magical Girl”). Completan el reparto, Joaquín Núñez (“Grupo 7”), José Miguel Manzano Bazalo “Skone” que debuta en la actuación) y Silvia Acosta (“Mamacruz”). Por otro lado, la película está dirigida por Alberto Rodríguez (“La Isla Mínima...

In an acquisition which underscores the often shared sensibility between Canal+, France’s biggest pay TV operator, and Movistar Plus+, the largest Spanish pay TV player, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ original series.

The series will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ International.

A psychological thriller with a lyrical undertow which surfaces to moving effect in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” through international hit “Marshland” to 2017’s “The Plague,” still one of the biggest series which Movistar Plus+ has ever made.

World premiering at Canneseries in April 2023, “The Left-Handed Son” went on to win best series in the TV festival’s short form competition.

Produced with Átipica Films and co-directed by Paco R. Baños, who helmed four of its six episodes,...

Conoce todos los detalles de la miniserie basada en un crimen real que conmocionó a España. © Netflix

Netflix ha desvelado el impactante tráiler y póster de “El Caso Asunta”, la miniserie de ficción que aborda un crimen real que conmocionó a España.

El 21 de septiembre de 2013, Rosario Porto y Alfonso Basterra denuncian la desaparición de su hija Asunta, cuyo cuerpo aparece horas después junto a una carretera en las afueras de Santiago de Compostela. La investigación policial pronto desvela pistas que señalan a Rosario y Alfonso como posibles autores del crimen. La noticia conmociona a toda la ciudad e incluso al país. ¿Qué puede llevar a unos padres a acabar con la vida de su hija? ¿Qué se esconde tras la fachada de una familia perfecta?

La miniserie de 6 episodios está dirigida por Carlos Sedes (“Fariña”) y Jacobo Martínez, producida por Bambú Producciones y protagonizada por Candela Peña (“Todo sobre mi Madre...

Jean Labadie’s Le Pacte and sales agency Film Factory have joined Spanish pay giant Movistar Plus on the next film from Alberto Rodríguez (“Marshland”), which is shaping up fast with as one of the biggest packages from Spain this year at the Berlinale’s European Film Market.

Le Pacte will co-produce the thriller out of France and handle French distribution rights. Film Factory is launching international sales at Berlin. Movistar Plus, co-producing out of Spain with Kowalski Films and Feelgood Media, will bring the deepest pocket of any production powerhouse in Spain, backing what looks like a potentially big-budgeted movie.

Currently in pre-production, Rodríguez’s latest is scheduled for release in Spanish theaters via Buena Vista Intl. in 2025.

The film is also the latest from one of the most prominent Spanish directors of his generation, co-writer-director of both “The Plague,” still one of Movistar Plus+ biggest series, and “Prison 77,...

erea Barros, both make their market debut at next March’s Malaga Festival Fund & Co-Production Event (Maff), one of the top forums for arthouse projects in the Spanish-speaking world.

Some seven further projects have been added to the initial opine announced at December’s Ventana Sur, including a pair from Paraguay, Málaga’s country of honour, and “Women in the City,” a doc feature exec produced by Rafael Cobos, creator, director and showrunner of the Canneseries-awarded show, “El hijo zurdo.”

Proving the possibility to carve out an international film career based out of Panama, “The Simple Life” (“La Vida Simple”) marks the sixth feature from Benaim, Oscar shortlisted for “Plaza Catedral.”

Marking a departure, “The Simple Life” looks like a more personal turn, about a film director, sans camera and crew, in Panama, compelled by unforeseen circumstances to live the very movie he’s longed to capture on film, suffering existential crisis.

Winner of a Spanish Academy supporting actress Goya Award for “Marshland” and nominated for a 2023 best doc short Spanish Academy Goya Award for “Memory,” which she also directed, Nerea Barros, star of “The Gypsy Bride” is preparing “The Coast” (“La Costa”) which will mark her directorial feature debut.

Also written by Barros, “The Coast” will make its market debut in March at the 2024 Malaga Festival Fund & Co-Production Event (Maff). Its news comes little more than a month after the end of the run on Nov. 29 of Atresplayer of “La Red Purpura,” the second part of a crime trilogy begun with “The Gypsy Bride,” which both star Barros and have consolidated her reputation as one of Spain’s finest actors of her generation.

“I am an actress, but for years I have felt the need to give shape to my obsessions, the legacy of the elderly, climate change and women, through art.

In a significant play for audience growth at Telefonica’s Movistar+, Domingo Corral has been promoted to the position of director of fiction and entertainment at the company, the biggest Spanish pay TV/SVOD service.

The move, which in some ways echoes the larger oversight of ITV Studios’ Ruth Berry, marks further recognition for the former director of original fiction who has spearheaded Movistar+’s notably successful drive into scripted production, begun with its first releases in 2017.

Playing off Corral’s innate flair at forge talent relationships his passion for premium entertainment and willingness to explore flexible market models, Movistar+ has created some of the most lauded and prized series in Spain, such as Canneseries double winner “A Perfect Life,” Rodrigo Sorogoyen’s “Riot Police” and “Offworld,” chosen by Variety as one of its best international TV shows of 2022.

Most recently, Alberto Rodriguez “Prison 1977” has bowed on Movistar+ to become...

Norwegian political satire “Power Play” proved unbeatable at Canneseries, just like its headstrong protagonist, picking up awards for best series and music.

The show, focusing on Norway’s first female Prime Minister, Gro Harlem Brundtland, and starting out in the 1970s, turned out to be a timely proposition, as noted by showrunner Johan Fasting, who co-wrote with Silje Storstein and Kristin Grue.

“It’s hard to persevere in politics, especially for women. We wanted to go behind the scenes of social democracy as well, see how it has dissolved and turned into what we have today. It felt like the right time to look at the mechanisms of power,” he told Variety earlier this week.

While the show delves into local politics, its youthful “punk” attitude and humor, which already drew early comparisons to the works of Armando Iannucci, seems to have paid off, seducing jurors Lior Raz, Zabou Breitman,...

In the run-up to its Canneseries world premiere, Movistar Plus+ has shared in exclusivity with Variety the international trailer to “The Left Handed Son” (“El hijo zurdo”), the directorial debut of Rafael Cobos, writer of Alberto Rodríguez international hit “Marshland” banner TV series “The Plague.”

Cobos also wrote Rodriguez’s memorable episode in “Offworld,” a market screening at this year’s MipTV.

Movistar Plus+, which produces with José Antonio Félez’s Atipica Films, its partner on “The Plague” and “Prison 1977,” has also announced the release date for “The Left-Handed Son,” whose episodes will all be made available on Movistar Plus+, Spain’s biggest SVOD/pay TV platform, on April 27.

Distribution outside Spain on “The Left-Handed Son” is handled by Movistar Plus+ International.

A six-part short format series, it reps Movistar+’s fourth title at Canneseries in six editions. “The Left Handed Son” delivers a probing, fast-paced psychological thriller which adds...

In the first shot of “OffWorld” (“Apagon”), the camera focuses on Ernesto – balding, serious, tired, lost in thought. It then pulls back to reveal the whole of his office, a computer-screen packed rom at an emergency intervention unit.

The shot says much about the latest series from Movistar+, “Off world,” which world premieres in Official Selection at Spain’s San Sebastian Film Festival and in turn speaks volumes of the ambitions and priorities of Telefonica-owned Movistar+, Southern Europe’s biggest national pay-tv/SVOD service.

Produced with Buendía Estudios, “OffWorld” presents five stories which place very different individuals in the same context, a world where there’s no electricity thanks to a massive power outage; things taken for granted like phones and the internet don’t work.

Opening close-ups in each episode underscore the protagonists’ initial identities. In Rodrigo Sorogoyen’s “Denial,” workaholic Ernesto is defined by his job as...

The San Sebastian Festival opens on Sept. 16 with a bang: Alberto Rodriguez’s “Prison 77,” most probably the biggest Spanish film of 2022, the latest title from one of the Spain’s most preeminent auteurs and a foretaste of one possible future face of Spanish cinema, thanks to Movistar+.

“Prison 77” begins as a fish-out-of-water jail survival thriller. Manuel, in 1977, a young accountant, played by Miguel Herrán, is sent to Barcelona’s legendary Modelo penitentiary pending trial for embezzlement.

It grows, however, for all of its length, as a character-driven tale of psychological observance, as Miguel gradually befriends Pino, his seen-it-all cell mate, who just wants a quiet life.

Charting “the evolving relationship between two completely different people, a young accountant with his whole life before him, and Pino, who’s lived nearly his whole life behind bars,” “Prison 77” is a story of friendship and solidarity, says José Antonio Félez...

Neil Jordan’s “Marlowe,” which stars Liam Neeson and Diane Kruger, is set to close the San Sebastian Festival next month. It will be the film’s world premiere.

Jordan, who is known for writing features including “The Crying Game” (for which he won an Oscar) and directing “Interview with the Vampire,” which featured Tom Cruise and Brad Pitt, will be in attendance at the Kursaal Auditorium on Sept. 24 for the “Marlowe” premiere alongside the film’s stars.

Based on John Banville’s novel “The Black Eyed Blonde,” “Marlowe” is set in 1930s Los Angeles where private eye Philip Marlowe (played by Neeson) is tasked with finding a beautiful heiress’s missing former lover. The character of Marlowe was originally created by Raymond Chandler almost a century ago.

Jessica Lange (“American Horror Story”), Danny Huston (“Succession”), Adewale Akinnuoye-Agbaje (“His Dark Materials”), Daniela Melchior (“The Suicide Squad”) and Alan Cumming (“The Good Wife...

Shaping up as one of the most anticipated movies from Spain this year, “Prison 77” (“Modelo 77”) has an international teaser trailer, which Movistar Plus has shared in exclusivity with Variety.

“Modelo 77” marks the third Movistar Plus original film, re-teaming Telefonica’s pay TV/SVOD service with director Alberto Rodríguez, co-writer Rafael Cobos and co-producer Atípica Films, the driving forces behind “The Plague,” Movistar Plus’ big banner 2017 series.

Sold internationally by Film Factory, “Prison 77” will be released in Spanish theaters by Buena Vista International on Sept. 23, the second Friday of Spain’s San Sebastian Festival, which begs the question as to whether it will feature at the event.

In it, Manuel, a young accountant, played by Miguel Herrán, is sent to Barcelona’s legendary Modelo penitentiary pending trial for embezzlement in 1977. The teaser trailer is straight to the point in several ways.

Watch Miguel Herrán in “Prison 77,” but under long curly locks,...

Industry veteran Mercedes Gamero will head, alongside Pablo Nogueroles and Christian Gockel.

Germany’s Beta Group has set up Beta Fiction Spain, which will produce television series and feature films, offer production services, and act as a theatrical distribution arm.

Beta Fiction Spain will be headed up by Mercedes Gamero, the former general manager of Atresmedia Cine, and Pablo Nogueroles, who was senior vice president at Warner Bros. Pictures International España. They will work closely with Christian Gockel, who heads all Beta Group’s Spanish activities.

Beta Fiction Spain is the second Spanish subsidiary of Beta Group alongside Beta Entertainment Spain,...

Jan Motjo’s Beta Group is making a bold bet on Spain, both its content and market, launching Beta Fiction Spain, a TV-movie production house which will also offer production services in Spain and run a theatrical distribution operation.

The new entity will be headed by two of the best-known and reputed film-tv execs in Spain: Mercedes Gamero, the former head of Atresmedia Cine, the film production-acquisition arm of Atresmedia Cine, and one of the most powerful movie producers in Spain; and Pablo Nogueroles, the former SVP at Warner Bros. Pictures International España. Both will head Beta Fiction Spain together with Christian Gockel, responsible for all Beta Group’s Spanish activities.

First projects or buys from Beta Fiction Spain have yet to be announced. The launch comes, however, as Spain is consolidating as an international power in a new platform driven environment – eight of the Top 10 non-English language TV shows...

Munich-based production and distribution house Beta Film has created a Spanish scripted division, with former Atresmedia exec Mercedes Gamero and Warner Bros. Pictures International España’s Pablo Nogueroles tapped to lead it.

Beta Fiction Spain will produce TV series and feature films, offer production services and act as a theatrical distributor in Spain.

The launch pushes Beta further into Iberia following the launch of Javier Pérez de Silva’s formats-focused Beta Entertainment Spain. The company has been a consistent investor in Spanish content over the years, selling several high-profile dramas such as Gran Hotel — often dubbed the Spanish Downton Abbey — and tying with likes of Atresmedia and Movistar+.

Gamero worked in acquisitions at Spanish broadcaster Atresmedia for 18 years, and worked as a producer on Academy Award-nominee Klaus and Goya Award Best Picture winners Futbolin and Marshland.

Nogueroles has been with Warner Bros. International Pictures International (now part of Warner Bros. Discovery...

On Jan. 28 Netflix will drop its next big Spanish drama series, “Feria: The Darkest Light,” a new ‘90s-set fantastic thriller from “Elíte” co-creator Carlos Montero and thriller expert Agustín Martínez (“La caza: Monteperdido”).

Produced by Filmax, one of Spain’s leading production, distribution and sales outfits, the show is a clear demonstration of Netflix’s ever-increasing ingratiation into the local industry and the company’s desire to work with the best local talent. Award-winning Spanish directors Jorge Dorado (“Anna”) and Carles Torrens (“Sequence”) were recruited to head production, and the series stars an impressive cast of cinema talent and TV superstars including Marta Nieto, the lead in Rodrigo Sorogoyen’s Oscar-nominated short “Madre,” Patricia López, last year’s Spanish Academy Goya Award-winner for best actress (“Ane is Missing”), and Isak Férriz (“Below Zero”), among others.

Set in the Andalusian mountains in the mid ‘90s, the show is billed as a...

“Captain America: Civil War” star Daniel Brühl has boarded Lone Scherfig’s upcoming feature “The Movie Teller,” Variety can reveal.

The BAFTA-nominated actor, who recently reprised his Marvel role in “The Falcon and the Winter Soldier” and has appeared in features including “Rush” and “Inglourious Basterds,” will star alongside Bérénice Bejo (“The Artist”) and Antonio de la Torre (“Marshland”) in the film.

Embankment are executive producing the film and have launched worlwide sales, co-repping Latin American rights with Latido Films. A Contracorriente Films’ Adolfo Blanco (“The Bookshop”), Selenium Films’ Vincent Juillerat and Andres Mardones of Al Tiro Films are producing.

Directed by BAFTA nominee Scherfig (“An Education”), “The Movie Teller” sees Brühl star as Nansen, a European outsider who, via his restraint and diplomacy, earns the respect of the families he encounters at a Chilean mine before embarking on a relationship with a local woman, María Magnolia (played by Bejo).

In particular,...

Movistar Plus, the streaming and broadcast arm of Spanish telco giant Telefonica, has confirmed a breathtaking roster of talent which will helm its upcoming five-part anthology series “Apagón,” produced by Buendía Estudios.

Inspired by the popular “El gran apagón” podcast, the series features five stand-alone stories, connected only in that they take place after a solar flair causes a worldwide blackout – “apagón” in Spanish – and deals with the consequences that such a catastrophe might impose.

The series’ impressive lineup of writing talent was first announced in June of this year, and Movistar has today confirmed that award-winning directors Rodrigo Sorogoyen, Alberto Rodríguez, Raúl Arévalo, Isa Campo, and Isaki Lacuesta will helm the five stories. For the first two filmmakers, the series is a return to Movistar Plus. The three new recruits further establishes the broadcaster as one of the Spanish industry’s premier platforms for upscale Spanish talent to express...

Celebrated Andalusian production house La Claqueta, headed by producer Olmo Figueredo, will produce “Bella,” the debut animated feature from Spanish director Manuel H. Martín – with whom the company previously produced the award-winning documentary “30 Years of Darkness” and “El viaje mas largo,” and celebrated VFX supervisor Amparo Martínez Barco.

Martín also co-wrote the screenplay for “Bella,” working with award-winning filmmaker Carmen Jiménez, co-writer of 2019’s Spanish Academy Goya Award-nominated “Adiós,” starring Mario Casas.

“Bella” is inspired by the true story of Seville’s Ana Bella Estévez, an Ashoka España entrepreneur and a survivor of gender violence who founded the Ana Bella Foundation, a global network of more than 30,000 women survivors who work to create social change in 82 countries worldwide. Importantly, the film’s team chose animation as the medium to tell her story so that audiences of all ages can hear the important message Ana has dedicated her life to sharing.

Opening up what could be a rich vein in Spanish movies coming onto the open market, Film Factory Entertainment has acquired world sales rights outside Spain to “Modelo 77,” the next film by Alberto Rodríguez, director of “Marshland” and “The Plague.”

A potential jewel in Spanish cinema’s 2022 crown, “Modelo 77” is produced by Spanish pay TV/VOD giant Movistar Plus and Madrid-based Atípica Films, Rodríguez’s career-long producer. It raises the large question of whether “Modelo 77” will mark a fully-fledged embarkment by Movistar Plus into regular movie co-production with Spain’s film industry.

Few titles, if that were to happen, will tick more boxes than Rodríguez’s “Modelo 77,” which Film Factory will bring onto the open market at this week’s Toronto Festival.

A penitentiary drama-thriller feature directed by Alberto Rodríguez and written by Rafael Cobos and the director, the creative powerhouses behind “Marshland” and Movistar Plus banner series “The Plague,...

Madrid-based Zeta Studios, producer of Netflix phenomenon “Elite,” is set to co-produce “Picadero,” a neo-noir six-part detective series already set up at Colombia’s Fidelio Films, one of the highest-flying companies in Latin America, and fast-emerging Barcelona-based Amor y Lujo, whose co-founder Almudena Monzú created “Picadero.”

Isabel Coixet, one of Spain’s greatest modern filmmakers is attached to direct episodes of the series. Her movies take in “My Life Without Me,” with Sarah Polley, “The Secret Life of Words,” starring Polley and Tim Robbins, and “The Bookshop,” toplining Emily Mortimer.

Monzu and Amor y Lujo co-founder and producer Andrea H. Catalá will pitch the series at next week’s Series Mania Forum on Aug. 30.

Drawing inspiration from Spanish film director Iciar Bollaín’s “Mataharis” and great detective classics, “Picadero” turns on Llanos who sets up in Barcelona to escape a dark family past and makes a living as a private...

Miguel Herrán, who plays Aníbal “Río” Cortés in “Money Heist” and Christian Varela in “Elite,” will star with “Below Zero” lead Javier Gutiérrez in “Modelo 77,” produced by Movistar Plus and Madrid-based Atípica Films.

The feature film will be released in Spanish cinema theaters by Buena Vista Intl. before screening in exclusivity on Movistar Plus.

Directed by Alberto Rodríguez and written by Rafael Cobos and Rodríguez, the creative powerhouses behind Movistar Plus banner series “The Plague,” the movie sees Movistar Plus maintaining in a movie a key talent relationship forged by a drama series. As competition for top talent becomes the key battleground between pay TV operators and platforms the world over, that looks like a crucial coup.

Set to go into production on Aug. 2, “Modelo 77” also begs the question as to whether Movistar Plus, one of Spain’s key drama series investors, will now be driving into movie production in...

Streaming

Over the weekend, the La Biennale di Venezia launched its new Biennale Cinema Channel in collaboration with Italian streamer MYmovies, offering up a streamable selection of films which have featured in previous editions of the Venice International Film Festival but which are not currently available elsewhere in Italy. The channel drops with an initial library of 36 titles which featured in various sections of the festival between 2007 and 2020. In September, the first group of films will be supplemented with titles available on the 2021 festival’s Sala Web from Sept. 1-11, and continuously updated thereafter. The channel is available as a monthly subscription for €7.90 ($9.38) or in three-month blocks for €19.90 ($23.62).

Venice prizewinning titles from the initial lineup include 2014 best screenplay winner “Tales” by Rakhshan Banietemad, Gastón Solnicki’s 2016 Fipresci Award-winner “Kékszakállú” (“Bluebird”), and Amat Escalante’s “La región salvaje” (“The Untamed”), which won the filmmaker the Golden Lion for best director in...

ViacomCBS International Studios (Vis) has boarded Amazon Prime Video and Rtve’s resurrection of Chicho Ibáñez Serrador’s legendary Spanish horror series “Historias Para No Dormir,” (“Stories to Stay Awake”), which started filming this week in Madrid.

Set as a four-part anthology miniseries, “Historias Para No Dormir” boasts a superstar cast and crew on either side of the camera, with episodes to be directed by Oscar-nominated filmmaker Rodrigo Sorogoyen (“Mother”), Spanish Academy Goya-winner Rodrigo Cortés (“Buried”), “[Rec]” writer-director Paco Plaza, and Paula Ortiz, director of “The Bride.” Local outfit Prointel e Isla Audiovisual has been tasked with producing the reboot.

Episode 1, “La Broma” (The Joke) is currently filming in the Spanish capital, written and directed by Rodrigo Cortés. An interpretation of the 1966 original, the episode is the story of a love triangle including three Goya-winning actors in “While at War” co-stars Eduard Fernandez (“30 Coins”) and Nathalie Poza (“Julieta”), and Raúl Arévalo (“Marshland”).

50 years ago,...

Spain’s Oscar entry, “The Endless Trench,” a multi-award-winning feature from the Basque trio of Aitor Arregi, Jon Garaño and Jose Mari Goenaga, has also become a flagship production for the Andalusian film sector.

The film was set and shot in Andalusia, with Andalusian actors and co-produced by Seville-based La Claqueta. Released last year in Spain by eOne, the film was acquired by Netflix, and bowed in the U.S. on Nov. 6.

Inspired by real-life events after the Spanish Civil War, “Trench” mainly filmed in Huelva’s Higuera de la Sierra, Carboneras and Paymogo for its Andalusian leg. Olmo Figueredo and Manuel H. Martín’s outfit La Claqueta was key for “Trench’s” financing, documentation and narrative support.

“Trench” exemplifies the possibilities of inter-regional partnerships in the Spanish film industry, this time between Andalusia and the Basque Country. Co-produced by La Claqueta with Basque companies Irusoin and Moriarti Produkzioak, alongside France’s Manny Films,...

From post-Francoist State Spain to post-reunified Germany, director Christian Alvart moves Alberto Rodríguez and Rafael Cobos’ Goya Award-winning thriller Marshland to a newly democratized remote village outside of Berlin via Free Country. Considering detectives Patrick Stein (Trystan Pütter) and Markus Bach (Felix Kramer) are thrust together despite building their careers in the West and East respectively, Alvart and co-writer Siegfried Kamml have ample room with which to retool things through a prism of their own nation’s potential for dark political secrets and guilt-ridden pasts. So while both men seek to solve a mystery surrounding two missing teenage sisters, they also look to peel back each other’s conditioned layers of subterfuge in order to begin unpacking Patrick’s rejection of authority and Markus’ complicity to a fallen regime.

The fallout of the Berlin Wall’s destruction creates a ripple effect that consumes every single character from a factory strike...

From the outset, the locals don't show much sympathy or concern for the missing sisters. "They liked to have fun. You know what I mean." says one.

"And you don't?" asks Patrick.

Patrick (Trystan Pütter) is a fish out of water. He's not only a city boy in a small town; he's a Westerner in the East. By taking Alberto Rodríguez's 2014 thriller Marshland and relocating it in Germany in 1992, Christian Alvart is able to explore a different set of political subsets. This is a country undergoing deep, fundamental change. The rules that Patrick is used to don't apply. The men he meets are preoccupied with competing for status, or possessed of a lingering fear of those who wielded power under the old regime. The women are cowed and reticent, many dreaming of getting out, building new lives in the west - yet this desire for escape has made them.

As dubbing studios shuttered with Covid-19, Europe’s broadcasters were forced to pull U.S. shows that they couldn’t dub – France’s TF1 with “Grey’s Anatomy” – or, in the case of global platforms, sometimes release foreign series with subtitles but no audio dub.

Dubbing studios are now cautiously returning to work in Spain, France and Germany, though respecting sanitary protocols, such as eliminating physical scripts and installing screens karaoke style.

As the global industry begins gingerly to re-open audio facilities, however, two post-production facilities, both part of the Mediapro Group, have come up with a long-term answer to dubbing challenges that aims to facilitate post-production during and after coronavirus, allowing actors and artists to work remotely, opening up multiple technical and even creative possibilities for post-production audio.

Telson, a 40-year-plus Madrid-based VFX and post-production facility, and Unitecnic, a broadcast S.I (System Integration) and multimedia engineering company, have for...

Witching And Bitching In addition to our weekly Stay-At-Home Seven selection of films to stream or watch on UK TV, we're also going to be bringing you regular themed spotlight articles full of additional suggestions for films you can catch on demand or streaming services - read our Shakespeare on screen suggestions here. While names like Pedro Almodovar and Ja Bayona are familiar to international audiences, the Spanish film industry runs deep, bolstered by key festivals in the country, including San Sebastian for tent-pole films and Gijon and Seville for more indie players. I've previously highlighted The Endless Trench and here's a handful more recent Spanish films to catch on streaming services or VoD.

Marshland, widely available on VoD, including YouTube and Google Play

This oppressive and impressive noir-inflected thriller from Alberto Rodríguez sees two mismatched cops hunt a serial killer in the Guadalquivir marshlands of southern Spain. Like.

German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepool’s world sales arm Global Screen, speaks about the films making their market premieres at this month’s European Film Market in Berlin.

Last year Telepool launched into theatrical distribution in Germany, and continues this year with titles such as “Ironbark,” starring Benedict Cumberbatch. Now the company has acquired the German distribution rights for the next Will Smith movie, “King Richard,” about the father of tennis superstars Venus and Serena Williams, Druskeit says. The film is fully financed by Warner Bros., but co-produced by Smith’s Overbrook Entertainment.

Referring to “King Richard,” Druskeit says: “This...

Barcelona – A Netflix original produced by Spain’s Filmax, “Days of Christmas” marks the new series of Pau Freixas, one of the highest-profile creators on Spain’s vibrant drama series scene. A three-part miniseries, “Days” will be made available worldwide by Netflix on Dec. 6.

The story takes place over three different Christmas days, the first in 1949, the second twenty years later and the last one in current rimes more or less. The plot plumbs the secrets hidden and nurtured over these years by a family living in an isolated house in the mountains. The main characters are four women. Twelve actresses, among the best actors of their generations, play the role of four sisters at different times and stages of their lives. Victoria Abril (Pedro Almodóvar’s “High Heels”), Elena Anaya, (Almodóvar’s “The Skin I Live In”), Nerea Barros (Alberto Rodríguez’ “Marshland”) and Verónica Echegui (Simon Donald’s TV-series “Fortitude”) are some of them.

Seven titles are in the running for the Golden Violet at the 24th Cinespaña Festival, which unspools from 4-13 October with actor Javier Gutiérrez, among others, basking in the limelight. Today, there will be a double opening screening (out of competition) for the 24th edition of Cinespaña, with 7 Reasons to Run Away (from Society) by trio of directors Gerard Quinto, Esteve Soler and David Torras, and Hamada by Eloy Domínguez Serén. From 4-13 October in Toulouse, the gathering will offer an extensive overview of the very best of recent Spanish film output, and will give pride of place to actor Javier Gutiérrez.Seven fiction features are set to lock horns for the 2019 Golden Violet (which will be handed out by a jury chaired by French filmmaker Dominique Cabrera): Seventeen by Daniel Sánchez Arévalo (screened out of competition at San Sebastián and set...

Movistar+ hit a home-run when the first season of historical-fiction thriller “The Plague” – the most ambitious original series of the most forceful push into high-end series production of any telecom in Europe – bowed in Spain in January 2018 to the best results of any series, aired or available, on the Telefonica-owned pay TV giant.

On Jan. 28 this year, the cast and crew of the 16th century adventure drama wrapped shooting on Season 2. Variety was invited to visit the set, and has given exclusive access to some first stills.

A six-hour series, Season 1 of the “The Plague” used 130 locations, a 200-technician crew, 2,000 extras over 250 sequences and multiple Vhf effects to recreate c. 1585 Seville. Its budget of €1.5 million ($1.7 million) per episode, in a country of relatively contained TV production costs, ranked alongside high-end Canal Plus France series such as the Luc Besson produced “Séction Zero.”

“’The Plague’ was originally very ambitious, but also very risky,...

In budget, and even maybe cinematographic values, the weightiest world premiere at this year’s San Sebastian Festival, the biggest movie event in the Spanish-speaking world, will be a TV drama: Movistar Plus’ “Gigantes,” a brutal Madrid crime family saga.

Another Movistar+ original series, Paco Leon’s “Arde Madrid,” a comedy shot in black-and-white about the antics and tribulations of Ava Gardner’s domestic staff in 1961 Madrid, has potential as a crowd-pleaser.

The premium pay-tv operator is seeking to create content that will set it apart from rivals, and “Gigantes” and “Arde Madrid,” its ninth and 10th original series, form part of the most muscular drive into premium TV production by any of Europe’s big telecoms.

Movistar + parent Telefonica, Europe’s second biggest telecom, whose 2017 revenues totaled €50 billion ($60 billion).

The content drive is now showing its first results, not only in Spain but also abroad, where Movistar + cut its first banner deals.

Madrid — Netflix is starting production on its latest Spanish original film, Daniel Sénchez Arévalo’s “Seventeen” (“Diecisiete”) the U.S. streaming giant announced Thursday.

Also written by the director, the road movie marks return to filmmaking of Sénchez Arévalo, one of Spain’s foremost young crossover cineasts, after his first novel, “Alice’s Island” – soon to be released in the U.S. – was selected as a finalist for Spain’s Premio Planeta, one of its most coveted literary awards.

To be shot almost entirely on location in the breathtaking Cantabria, in the North of Spain, a countryside of stunning verdant valleys and abrupt limestone buffs, “Seventeen” tells the story of Hector, aged 17, who’s has been in a youth detention center for two years, and as part of reintegration therapy, is sent to an animal rescue center, where he encounters a dog as shy and elusive as him.

When Oveja,...

The Academy of Motion Pictures Arts and Sciences is out with its 2018 list of invitations for membership. Here is the list of the record 928 folks from 59 countries. Note that 10 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches; they must select one branch upon accepting membership.

New members will be welcomed into the Academy at invitation-only receptions in the fall.

Actors

Hiam Abbass – “Blade Runner 2049,” “The Visitor”

Damián Alcázar – “The Chronicles of Narnia: Prince Caspian,” “El Crimen del Padre Amaro”

Naveen Andrews – “Mighty Joe Young,” “The English Patient”

Gemma Arterton – “Their Finest,” “Quantum of Solace”

Zawe Ashton – “Nocturnal Animals,” “Blitz”

Eileen Atkins – “Gosford Park,” “Cold Mountain”

Hank Azaria – “Anastasia,” “The Birdcage”

Doona Bae – “Cloud Atlas,” “The Host”

Christine Baranski – “Miss Sloane,” “Mamma Mia!”

Carlos Bardem – “Assassin’s Creed,” “Che”

Irene Bedard – “Smoke Signals,” “Pocahontas”

Bill Bellamy – “Any Given Sunday,” “love jones”

Haley Bennett – “Thank You for Your Service,...

Paolo Sorrentino’s Youth was among the big winners on an evening of political messages.Click Here For Full List Of Winners

Paolo Sorrentino’s Youth was the big winner at this year’s 28th European Film Awards on Saturday night in Berlin, taking home the top honour for European Film 2015 as well as the awards for European Director and European Actor.

These awards came only two years after Sorrentino’s previous film The Great Beauty bagged the same clutch of awards (plus Best European Editor) at the corresponding event.

Michael Caine was visibly moved when he came on stage to accept the European Actor trophy for his portrayal of an elderly composer and conductor. “It’s been 50 years and I’ve never won an award in Europe, and I’ve now won two in one evening,” the veteran actor quipped.

Earlier in the evening, nerves had almost got the better of Efa President Wim Wenders when he...

2015 European Film Awards winners and nominations Best European Film A Pigeon Sat on a Branch Reflecting on Existence. En Duva Satt På En Gren Och Funderade På Tillvaron. Sweden, France, Germany, Norway, 96 min. Written and directed by: Roy Andersson. Produced by: Pernilla Sandström. Mustang. France, Germany, Turkey, 100 min. Directed by: Deniz Gamze Ergüven. Written by: Deniz Gamze Ergüven and Alice Winocour. Produced by: Charles Gillibert. Rams. Hrútar. Iceland, Denmark, 93 min. Written and directed by: Grímur Hákonarson. Produced by: Grímar Jónsson. The Lobster. U.K., Ireland, Greece, France, Netherlands, 118 min. Directed by: Yorgos Lanthimos. Written by: Yorgos Lanthimos and Efthimis Filippou. Produced by: Ed Guiney, Lee Magiday, Ceci Dempsey and Yorgos Lanthimos. Victoria. Germany, 138 min. Written and directed by: Sebastian Schipper. Produced by: Jan Dressler. * Youth. Youth – La Giovinezza. Italy, France, U.K., Switzerland, 118 min. Written and directed by: Paolo Sorrentino. Produced by: Nicola Giuliano, Francesca Cima and Carlotta Calori. Best...

Youth proved the big winner of the night scoring a hat-trick; Amy Winehouse documentary, The Lobster and Mustang among other winners.

The more than 3,000 members of the European Film Academy – filmmakers from across Europe – voted for this year’s European Film Awards. At the awards ceremony in Berlin on Saturday (Dec 12) the following awards were presented:

European Film 2015

Youth – La Giovinezza

Written & Directed By: Paolo Sorrentino

Produced By: Nicola Giuliano, Francesca Cima & Carlotta Calori

European Comedy 2015

A Pigeon Sat On A Branch Reflecting On Existence (En Duva Satt PÅ En Gren Och Funderade PÅ Tillvaron) by Roy Andersson

European Discovery 2015 – Prix Fipresci

Mustang by Deniz Gamze Ergüven

European Documentary 2015

Amy by Asif Kapadia

European Animated Feature Film 2015

Song Of The Sea by Tomm Moore

European Short Film 2015

Picnic (Piknik) by Jure Pavlović

European Director 2015

Paolo Sorrentino for Youth (La Giovinezza)

European Actress 2015

Charlotte Rampling in 45 Years

European Actor 2015

Michael Caine in Youth (La Giovinezza...

On Wednesday, May 27th, Premios Platino's hosts Alessandra Rosaldo and Juan Carlos Arciniegas alongside actor Eugenio Derbez, as well as Elvi Cano (Director Egeda Us) and Gonzalo Elvira (Fipca Mexico) will announce the nominees for the Awards in Los Angeles, CA.

During the press conference Mexican actress Kate Del Castillo will announce the recipient of the Premio de Honor (Lifetime Achievement Award). In addition Rick Nicita, Chairman of the American Cinematheque, will accept a special Platino Award to The American Cinematheque for its contribution to Iberoamerican Cinema.

Produced by Egeda, in collaboration with Fipca, the Premios Platino of Iberoamerican Cinema was born with the vocation to establish itself as a major international ceremony, promoting Latin American cinema as a whole and transcending borders. It is one of the most important tools to promote and support our film industry and all the professionals who, day after day, put forth all their effort and commitment so that audiences can enjoy the best films.

The candidates for the 2nd Platino Awards (Premios Platino) were announced during the 18th Málaga Film Festival in Spain. 73 feature films and 18 Ibero- American countries compete for the final nominations in the 14 categories for this prestigious award. The competing films had to be commercially released or premiered in an A-List Film Festival during 2014. The final nominations will be announced tomorrow at the Andaz Hotel West Hollywood. The Premios Platino Award Ceremony will take place on July 18, 2015 at Starlite Marbella in Spain.

As part of the same event The Premios Platino has distinguished the Málaga Film Festival with a special award for its contribution to the circulation and promotion of Spanish and Ibero- American cinema.

Here is the list of preselected candidates in each category ahead of tomorrow's final nominations

Premio Platino for the Best Ibero-American Fictional Film

· "Cantinflas"

(Kenio Films) (Mexico).

· "Conducta" (Behavior)

(Instituto Cubano Del Arte E Industria Cinematográfica, Rtv Comercial) (Cuba).

· "El Mudo" (The Mute)

(Maretazo Cine, Urban Factory) (Peru, Mexico).

· "El Niño"

(Vaca Films Studio, S.L., Telecinco Cinema, S.A., Ikiru Films, S.L., La Ferme! Productions, El Niño la película, A.I.E.) (Spain).

· "La Danza de la Realidad" (The Dance of Reality)

(Camera One, Pathe Y Le Soleil Films) (Chile).

· "La Dictadura Perfecta" (The Perfect Dictatorship)

(Imcine - Instituto Mexicano De Cinematografía, Estudios Churubusco Azteca, S.A., Bandidos Films, Fidecine, Eficine 226) (Mexico).

· "La Isla Mínima" (Marshland)

(Antena 3 Films, S.L., Atípica Films, S.L. y Sacromonte Films S.L.) (Spain).

· "Libertador" (The Liberator)

(Producciones Insurgentes, San Mateo Films) (Venezuela, Spain).

· "Matar a un Hombre" (To Kill a Man)

(Arizona Production, El Remanso Cine Ltda) (Chile).

· "Mr. Kaplan"

(Baobab 66 Films, S.L., Salado Media, Expresso Films) (Uruguay, Spain).

· "O Lobo Atrás da Porta" (A Wolf at the Door)

(Tc Filmes, Gullane Filmes) (Brazil).

· "Os gatos não têm vertigens" (Cats Don't Have Vertigo)

(Mgn Filmes) (Portugal).

· "Pelo Malo" (Bad Hair)

(Sudaca Films, Hanfgarn & Ufer Filmproduktion, Artefactos S.F., Imagen Latina, La Sociedad Post) (Venezuela Peru, Argentina).

· "Refugiado"

(Gale Cine, Burning Blue, El Campo Cine, Staron Films, Bellota Films, Río Rojo Contenidos) (Argentina, Colombia).

. "Relatos Salvajes" (Wild Tales)

(Kramer & Sigman Films, El Deseo P.C - S.A.) (Argentina, Spain).

Premio Platino for Best Directing

Alberto Rodríguez (Spain), for "La Isla Mínima." Alejandro Jodorowsky (Chile), for "La danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr Kaplan." António-Pedro Vasconcelos (Portugal), for "Os gatos não têm vertigens." Claudia Pinto (Venezuela), for "La Distancia más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Monzón (Spain), for "El Niño." Daniel Vega (Peru) and Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Fernando Pérez (Cuba), "La Pared de las Palabras." Luis Estrada (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Miguel Cohan (Argentina), for "Betibú." Sebastián del Amo (Mexico), for "Cantinflas. "

Premio Platino for Best Actor

Benicio Del Toro (Puerto Rico), for Escobar. "Paraíso Perdido." Damián Alcázar (Mexico), for "La Dictadura Perfecta. Dani Rovira (Spain), for "Ocho Apellidos Vascos." Daniel Candia (Chile), for "Matar a un Hombre." Daniel Fanego (Argentina), for "Betibú." Edgar Ramírez (Venezuela), for "Libertador." Fernando Bacilio (Peru), "El Mudo." Ghilherme Lobo (Brazil), "The Way He Looks." Javier Gutiérrez (Spain), for "La Isla Mínima." Jorge Perugorría (Cuba), for "La Pared de las Palabras." Leonardo Sbaraglia (Argentina), for "Relatos Salvajes." Oscar Jaenada (Spain), by "Cantinflas." Salvador del Solar (Peru), for "El Elefante Desaparecido." Viggo Mortensen (USA), for "Jauja." Wagner Moura (Brazil), for "Futuro Beach" .

Premio Platino for Best Actress

Angie Cepeda (Colombia), for "El Elefante Desaparecido." Bárbara Lennie (Spain), by "Magical Girl." Carme Elías (Spain), for "La Distancia Más Larga." Elena Anaya (Spain), for "Todos Están Muertos." Érica Rivas (Argentina), for "Relatos Salvajes." Geraldine Chaplin (USA), for "Dólares de Arena." Isabel Santos (Cuba), for "La Pared de las Palabras." Julieta Díaz (Argentina), for "Refugiado." Laura de la Uz (Cuba), for "Vestido de Novia." Leandra Leal (Brazil), for "O Lobo Atrás da Porta." Maria do Céu Guerra (Portugal), for "Os gatos não têm vertigens." Martha Higareda (Mexico), for "Cásese Quien Pueda." Paulina García (Chile), for "Las Analfabetas." Samantha Castillo (Venezuela), for "Pelo Malo." Silvia Navarro (Mexico), for "La Dictadura Perfecta. "

Premio Platino for Best Original Score

Adán Jodorowsky (Chile), for "La Danza de la Realidad." Antonio Pinto (Brazil), for "Trash. A esperança vem do lixo." Edilio Paredes (Dominican Republic), Ramón Cordero (Dominican Republic), Benjamín de Menil (Dominican Republic), for "Dólares de Arena." Federico Jusid (Argentina), for "Betibú" Gustavo Dudamel (Venezuela), for "Libertador." Gustavo Santaolalla (Argentina), for "Relatos Salvajes." Juan A. Leyva (Cuba), Magda R. Galbán (Cuba), for "Conducta." Julio de la Rosa (Spain), for "La iIsla Mínima." Mikel Salas (Spain), for "Mr Kaplan." Pedro Subercaseaux (Chile), for "Crystal Fairy y el Cactus Mágico." Ricardo Cutz (Brazil), "O lobo atrás da porta." Roque Baños (Spain), for "El Niño." Ruy Folguera (Argentina), for" Olvidados." Selma Mutal (Peru), for "El Elefante Desaparecido." Vicent Barrière (France), for "La Distancia más Larga."

Premio Platino for Best Animated Film

"Até que a Sbórnia nos Separe" (Otto Desenhos Animados) (Brazil). "Dixie y la Rebelión Zombi" (Abra Prod. S.L.) (Spain) "El Ultimo Mago o Bilembambudín" (Fabula Producciones, Aleph Media S.A., Filmar Uno) (Argentina, Chile). "Historia de Cronopios y de Famas" (Prodarte) (Argentina). "La Leyenda de las Momias de Guanajuato" (Ánima Estudios, S.A. De C.V.) (Mexico). "La Tropa de Trapo en la Selva del Arcoíris" (Continental Producciones, S.L, Anera Films, S.L., Abano Producions, S.L. La Tropa De Trapo, S.L.) (Spain, Brazil). "Meñique" (Ficción Producciones, S.L., Estudios De Animación Icaic) (Cuba, Spain). "Mortadelo y Filemón Contra Jimmy el Cachondo" (Zeta Audiovisual y Películas Pendelton) (Spain). "The Boy and the World" (Filme de Papel) (Brazil). "Pichinguitos. Tgus, la Película" (Non Plus Ultra) (Mexico, Honduras). "Ritos de Passagem" (Liberato Produçoes Culturais) (Brazil).

Premio Platino for Best Documentary Film

• "¿Quién es Dayani Cristal?" (Canana Films, Pulse Films Limited) (Mexico).

"2014, Nacido en Gaza" (La Claqueta Pc, S.L.Contramedia Films) (Spain). "Avant" (Trivial Media Srl, Tarkio Film) (Uruguay, Argentina). "Buscando a Gastón" (Chiwake Films) (Peru). "E agora? Lémbra-me" (C.R.I.M. Produçoes, Presente Edições De Autor) (Portugal). "El Color que Cayó del Cielo" (K & S Films) (Argentina). "El Ojo del Tiburón" (Astronauta Films, Gema Films) (Argentina, Spain). "El Río que Nos Atraviesa" (Ochi Producciones, Maraisa Films Producciones) (Venezuela). "El Sueño de Todos" (S3d Films, Tridi Films) (Chile). "El Vals de los Inútiles" (La Pata De Juana, Cusicanqui Films) (Chile, Argentina). "Invasión" (Apertura Films, Ajimolido Films) (Panama, Argentina). "Maracaná" (Coral Cine, S.R.L., Tenfield S.A.) (Uruguay, Brazil). "The Salt of the Earth" (Decia Films) (Brazil) "Paco de Lucía. La búsqueda" (Ziggurat Films, S.L.) (Spain) "Pichuco" (Puente Films) (Argentina).

Premio Platino for Best Screenplay

Alberto Rodríguez (Spain), Rafael Cobos (Spain), for" La Isla Mínima." Alejandro Jodorowsky (Chile), for "La Danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr. Kaplan." Anahí Berneri (Argentina), Javier Van Couter (Argentina), for "Aire Libre." Carlos Vermut (Spain), for "Magical Girl." Claudia Pinto (Venezuela), for "La Distancia Más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Ribeiro (Brazil), for "The Way He Looks." Daniel Vega (Peru), Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Luis Arambilet (Dominican Republic), for "Código Paz." Luis Estrada (Mexico), Jaime Sampietro (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Tiago Santos (Portugal) for "Os gatos não têm vertigens. "

Premio Platino for Best Ibero-American Fiction Debut

"10.000 Km," by Carlos Marqués- Marcet (Lastor Media, S.L., La Panda) (Spain). "23 segundos," by Dimitry Rudakov (Clever Producciones) (Uruguay). "Branco sai, preto fica," by Adirley Queirós (Cinco Da Norte Serviços Audiovisuais) (Brazil). "Ciencias Naturales," by Matías Lucchesi (Tarea Fina, Metaluna Productions) (Argentina). "Código Paz," by Pedro Urrutia (One Alliance Srl) (Dominican Republic). "Feriado" by Diego Araujo (Cepa Audiovisual S.R.L., Abacafilms, S.A., Lunafilms Audiovisual) (Ecuador, Argentina). Historias del Canal (Hypatia Films, Manglar Films, Tvn Films and Wp Films) (Panama). "La Distancia Más Larga," by Claudia Pinto (Castro Producciones Cinematograficas, S.L.U., Sin Rodeos Films C.A., Claudia Lepage) (Venezuela). "Las Vacas con Gafas," by Alex Santiago Pérez (Cozy Light Pictures) (Puerto Rico). "Luna de Cigarras," by Jorge Bedoya (Oima Films, Koreko Gua, S.R.L., Sabate Films) (Paraguay). "Mateo," by Maria Gamboa (Hangar Filmsdiafragma, Fabrica De Peliculas, Cine Sud Promotion) (Colombia). "Perro Guardian," by Bacha Caravedo, Chinón Higashionna (Señor Z)(Peru). "Vestido de Novia," by Marilyn Solaya (Icaic) (Cuba). "Visitantes," by Acan Coen (Sobrevivientes Films, Akira Producciones, Nodancingtoday) (Mexico). "Volantín Cortao," by Diego Ayala and Aníbal Jofré (Gallinazo Films) (Chile)...

Carlos Vermut’s Spanish drama wins best film and best director; Dennis Lehane wins best screenplay for The Drop.Scroll down for other awards

Spanish drama Magical Girl has won the Golden Shell for best film at the 62nd San Sebastian Film Festival (Sept 19-27).

Carlos Vermut also won the Silver Shell for best director for the film, produced by Madrid-based Aquí y Allí Films and is sold by Films Distribution.

Jury chairman Fernando Bovaira described Vermut as “a disturbing, delicate and unique voice”.

The film, which debuted at Toronto and is currently screening at Zurich before going on to Busan, centres on the wish of an ill child who wants the dress in Japanese series Magical Girl Yukiko. Her father sets out to obtain it but enters a world of blackmail and tragedy.

It marks Vermut’s second film after Diamond Flash.

The Special Jury Prize went to Wild Life (Vie Sauvage), the new film by...