Jama

Jama (performance troupe) is a visually stunning and emotional film that paints a vivid portrait of traditional art form of Therukoothu with envy and ambition, both present in world. Pari Elavazhagan's directorial debut captures the essence of the art form with its intricate choreography, and a brilliant background score by Ilayaraja.

The film's narrative is a dance between past and present, creating a intricate tapestry of time. We witness Kalyanam's childhood, his father's legacy, and his present-day struggles to create his own Jama.

All the actors in the film have done well regardless of a few lazy writing. But Thandavam is a stand out (Chetan Kadambi), a man consumed by his passion for Therukoothu. His descent into darkness, driven by his obsession with the art form, is both tragic and compelling. While Thandavam's actions may be reprehensible at times, his character is undeniably compelling. He is a hyperactive man-child, troubled by alcohol and consumed by his own ego. Yet, his fascination with Kalyanam's performance in the climax is a testament to the power of art to transcend even the most hardened hearts.

Pari Elavazhagan's decision to cast himself in the lead role was a stroke of genius. He brings a unique authenticity to the character of Kalyanam, effortlessly portraying femininity without crossing the line into caricature. His performance is a testament to his talent and dedication to the art form.

While Jama excels in its portrayal of Therukoothu, the love story subplot feels somewhat underdeveloped and feels out of character. However, this minor flaw does not detract from the film's overall impact.

In closing, August has been a cinematic feast for Tamil audiences, with a variety of films that have delighted and inspired and Jama is a worthy addition.