A female assassin receives a dangerous mission to kill a political leader in eighth-century China.A female assassin receives a dangerous mission to kill a political leader in eighth-century China.A female assassin receives a dangerous mission to kill a political leader in eighth-century China.
- Nominated for 1 BAFTA Award
- 36 wins & 75 nominations total
Nikki Hsieh
- Huji,Tian Ji'an's concubine
- (as Hsieh Hsin-ying)
Ethan Juan
- Xia Jing, the aide-de-camp
- (as Juan Ching-Tian)
Storyline
Did you know
- TriviaIn the film, the actors speak classical Chinese which was mostly used for literary texts and almost never spoken. The final version henceforth includes Chinese subtitles.
- Alternate versionsIn Japan, the film has been released with an additional footage contains the scene involving the Mirror Polisher (Satoshi Tsumabuki) and the wife of the Mirror Polisher (Shiori Kutsuna). This version is only available on Japanese Blu-Ray from Shochiku Home Video but without English subs.
- ConnectionsFeatured in The EE British Academy Film Awards (2016)
Featured review
Hou Hsiao-Hsien is one of those directors the mere mention of whose name sends filmsnobs into paroxysms of pleasure. 'The Assassin' is the first of his films that I myself have seen, and I've got to say I have mixed feelings.
I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.
But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.
But those sets *are* gorgeous...
I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.
But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.
But those sets *are* gorgeous...
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Thích Khách Nhiếp Ẩn Nương
- Filming locations
- Kyoto, Japan(castle park and garden)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $632,542
- Opening weekend US & Canada
- $47,892
- Oct 18, 2015
- Gross worldwide
- $11,991,669
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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