In the aftermath of the July 7th, 2005 bombings in London, a woman desperately searches for her missing daughter, who may have been caught up in the attacks.In the aftermath of the July 7th, 2005 bombings in London, a woman desperately searches for her missing daughter, who may have been caught up in the attacks.In the aftermath of the July 7th, 2005 bombings in London, a woman desperately searches for her missing daughter, who may have been caught up in the attacks.
Meg Salter
- Joanne
- (as Megan Salter)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFather and daughter, Greg and Lizzie Nicholson, are played by real life father and daughter, Steven Mackintosh and Martha Mackintosh.
- SoundtracksBuild Me Up, Buttercup
(uncredited)
Written by Mike d'Abo and Tony Macaulay
Performed by The Foundations
Featured review
To be honest, I struggled to get through this. I watched it almost out of a sense of duty, as I was a distant acquaintance of one of the victims of 7/7 (not Jenny Nicholson). The BBC usually handles this sort of thing rather well (they certainly assembled a decent cast), but not in this case. The whole thing was ponderous and ham-fisted, full of pregnant pauses and awkward silences (this is what passes for dramatic tension in our modern world). The lead character came out with portentous statements such as "these are my daughter's Stations of the Cross-I'm her mother-I shall be with her to the end", and "she didn't hate-nor must I", which hardly reconciled with her frustration with the authorities, and anger towards her daughter's murderer...
There was little in the way of character development, yet new additions were introduced all the time, leaving the audience to guess their relationship to the (not yet confirmed) deceased, and nothing to indicate the crisis of faith that the main character faced (she has since resigned her position as a C of E Parish Priest) in coming to terms with her dichotomy of conscience: her anger directed towards Mohammad Sidique Khan, the suicide bomber responsible for her daughter's death, and her duty of care and forgiveness as a priest.
The whole ensemble felt rushed, yet strangely drawn-out and impotent-it should have been explored in greater detail over a two-hour slot (after ten years, surely the BBC could have afforded to dedicate two hours on a Sunday night to the memory of these victims) instead of eighty minutes, and perhaps allocated some decent writers to the project-it felt like I was watching a screenplay written by pre-teens-they know they want to express the emotions of loss, anger, grief and resentment, but they don't really know how to it... I give it 6/10, with an exhortation to try harder next time!..
There was little in the way of character development, yet new additions were introduced all the time, leaving the audience to guess their relationship to the (not yet confirmed) deceased, and nothing to indicate the crisis of faith that the main character faced (she has since resigned her position as a C of E Parish Priest) in coming to terms with her dichotomy of conscience: her anger directed towards Mohammad Sidique Khan, the suicide bomber responsible for her daughter's death, and her duty of care and forgiveness as a priest.
The whole ensemble felt rushed, yet strangely drawn-out and impotent-it should have been explored in greater detail over a two-hour slot (after ten years, surely the BBC could have afforded to dedicate two hours on a Sunday night to the memory of these victims) instead of eighty minutes, and perhaps allocated some decent writers to the project-it felt like I was watching a screenplay written by pre-teens-they know they want to express the emotions of loss, anger, grief and resentment, but they don't really know how to it... I give it 6/10, with an exhortation to try harder next time!..
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