Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.
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Storyline
Did you know
- TriviaFilmed at the Diefenbunker, a decommissioned Cold War era nuclear fallout shelter of the Canadian government - now the Canadian Cold War museum. The Sum of All Fears (2002) among other movies have used the location in the past.
- GoofsWhen Quinn presses the button to open the gate to the outside, the supposedly 'concrete' wall flexes under the pressure. (@ 7:24)
- Quotes
Quinn: Synthetics must be used as mining labour. Protocol 7, statute 9. But do you know how much true synthetics cost? The overhead involved? Synthetics... They cost more than orphans. We purchased you from the Strata Group. The company bought you when you were two weeks old. You're a fucking human, Barklay. That barcode we put on you was to fool the OSHA inspectors. We bought a couple of synths just to fool them. You're Canary class, right? What's their job? Your job is to crawl down in the mineshafts, deep down into the asteroids. Your job is to die if you walk into a pocket of poison gas, right? Now, do you think a synthetic would get sick like that? Here, take the gun. Take it. You're going to get out. You're going to tell everyone about this place. About you, about who you are. About the quartz, how it flashes. You tell them.
- ConnectionsReferenced in Ethan Trinh Reacts to (Series) (2017)
This opening scene does ask a lot though, because in addition to the exposition, the male actor is not particularly strong – feeling a bit forced and trying too hard to do what he is doing. Once the beast comes though, the film takes on a great pace and sense of horror. The beast itself is a horrific and chilling piece of body horror; the CGI feels real in the way it moves (and moves not just as one creature, but as a horrid composition of people). Through the escape, there are scenes reminding us of what we already heard – and there is a real horror here which the film does well to link to even if it doesn't have the time itself. Fanning is good in the lead, convincing in her fear and limits.
As with the other shorts in this Volume 1 of release, it doesn't feel like a whole (because it is not) but at the same time there is more than enough here to make it effective.
- bob the moo
- Jul 14, 2017
- Permalink
Details
- Runtime23 minutes
- Color
- Aspect ratio
- 1.78 : 1