Films Boutique, the Berlin-based company behind “Pacifiction” and “The Burdened,” has come on board three international movies slated for the Cannes Film Festival. These include a pair of films set for Cannes’ Un Certain Regard, “Terrestrial Verses” and “The Buriti Flower,” as well as “Tiger Stripes” which will bow at Critics’ Week.
“Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors.
Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.
While the plot remains under wrap, the film’s title is a reference to a poet by famed Iranian Poet Forugh Farrokhzad.
“Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors.
Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.
While the plot remains under wrap, the film’s title is a reference to a poet by famed Iranian Poet Forugh Farrokhzad.
- 4/26/2023
- by Elsa Keslassy
- Variety Film + TV
The six-month programme kicks off with a workshop in May.
The TorinoFilmLab (Tfl) has unveiled the 10 projects at an advanced stage by first or second-time international directors selected for this year’s FeatureLab.
The prestigious six-month programme kicks off with a workshop in May – held online due to the pandemic - and will be followed by second one in September to be held physically in Austria, if possible. The Austrian Film Institute and the Comunidad de Madrid and Ayuntamiento de Madrid are partnering on this iteration of the Lab.
Scroll down for the list of projects
The FeatureLab is led...
The TorinoFilmLab (Tfl) has unveiled the 10 projects at an advanced stage by first or second-time international directors selected for this year’s FeatureLab.
The prestigious six-month programme kicks off with a workshop in May – held online due to the pandemic - and will be followed by second one in September to be held physically in Austria, if possible. The Austrian Film Institute and the Comunidad de Madrid and Ayuntamiento de Madrid are partnering on this iteration of the Lab.
Scroll down for the list of projects
The FeatureLab is led...
- 5/6/2021
- by Gabriele Niola
- ScreenDaily
Locarno, Switzerland — Asian Shadows has acquired international rights to Suba Sivakumaran’s feature debut “House of My Fathers,” a project presented at Locarno’s Open Doors in 2016.
It will be the first Sri Lankan film on the slate of Asian Shadows, the Hong Kong-based sales agency representing Asian talent such as Chinese Wang Bing’s “Mrs. Fang,” a Golden Leopard Winner in 2017, and Thai Nawapol Thamrongrattanarit’s “Die Tomorrow,” premiered in Berlin this year.
“House of My Fathers” is produced by Suba Sivakumaran’s Palmyrah Talkies which is based in London, in co-production with Dominique Welinski at Dw Productions, whose credits include Karim Aïnouz’ “Madame Satã” and Alireza Khatami’s “Oblivion Verses.” Welinski is co-producing Sanjeewa Pushpakumara’s new project “Mother,” which is being presented at this year 71st Locarno Open Doors Hub.
“We were amazed by the strength of the film, in both its style and message. Suba has...
It will be the first Sri Lankan film on the slate of Asian Shadows, the Hong Kong-based sales agency representing Asian talent such as Chinese Wang Bing’s “Mrs. Fang,” a Golden Leopard Winner in 2017, and Thai Nawapol Thamrongrattanarit’s “Die Tomorrow,” premiered in Berlin this year.
“House of My Fathers” is produced by Suba Sivakumaran’s Palmyrah Talkies which is based in London, in co-production with Dominique Welinski at Dw Productions, whose credits include Karim Aïnouz’ “Madame Satã” and Alireza Khatami’s “Oblivion Verses.” Welinski is co-producing Sanjeewa Pushpakumara’s new project “Mother,” which is being presented at this year 71st Locarno Open Doors Hub.
“We were amazed by the strength of the film, in both its style and message. Suba has...
- 8/6/2018
- by Emilio Mayorga
- Variety Film + TV
On the radio that hums in the background, there’s a report of seven whales who, in an apparent act of mass suicide, have washed ashore not far from the sunbaked Chilean nowheresville where “Oblivion Verses” takes place. Rescue efforts are underway, but in the end, only one of the pod is successfully returned to the sea. So later, there’s a question hidden in the strikingly poetic image of a whale flying through the pale sky over the head of our old-man hero. Is it the one whale who lived, perhaps feeling an affinity for a man who has made it his late-life mission similarly to “save” one person from oblivion, amid so many others who were lost? Or is it one of the whales who died, beckoning the old man and all his razor-wire memories to his final rest?
As with so much in this beautiful and strange...
As with so much in this beautiful and strange...
- 7/18/2018
- by Jessica Kiang
- Variety Film + TV
The Karlovy Vary Film Festival jury awarded the Special Jury Prize to
Sueño Florianópolis about four teenage kids who set out from Buenos Aires one sweltering day in a Renault to vacation in the Brazilian resort of Florianópolis. a tale of first love, past lovers, fateful encounters, and fleeting joys by Argentinian director Any Katz, a humorous and melancholic movie, for which also Mercedes Morán received the Best Actress Award.
Once again, Chile was present at Karlovy Vary, this time with two films participating in the festival. The film Cielo, directed by Alison McAlpine, was in the official selection of the Documentary Competition. The film was produced by the Canadian production company Second Sight Pictures, in association with the Documentary Channel, Argus Films, and in co-production with the Chilean company Errante Producciones through Paola Castillo.
The acclaimed co-production Los versos del olvido (Oblivion Verses) was screened out of competition, in the Another View section.
Sueño Florianópolis about four teenage kids who set out from Buenos Aires one sweltering day in a Renault to vacation in the Brazilian resort of Florianópolis. a tale of first love, past lovers, fateful encounters, and fleeting joys by Argentinian director Any Katz, a humorous and melancholic movie, for which also Mercedes Morán received the Best Actress Award.
Once again, Chile was present at Karlovy Vary, this time with two films participating in the festival. The film Cielo, directed by Alison McAlpine, was in the official selection of the Documentary Competition. The film was produced by the Canadian production company Second Sight Pictures, in association with the Documentary Channel, Argus Films, and in co-production with the Chilean company Errante Producciones through Paola Castillo.
The acclaimed co-production Los versos del olvido (Oblivion Verses) was screened out of competition, in the Another View section.
- 7/17/2018
- by Sydney Levine
- Sydney's Buzz
Blending elements of magical realism, political strife and Kafkaesque ennui to partially satisfying effect, Oblivion Verses (Los Versos del Olvido) marks an intriguing if rather elusive feature debut for Iranian writer-director Alireza Khatami.
Set in an unknown Latin American state (the film was presumably shot in Chile), there are moments that recall Pablo Lorrain’s second feature, Post Mortem, which also dealt with morgues, death squads and the trauma of unclaimed corpses in a corrupted land. But here, the narrative is much more opaque, pushing viewers to clutch at straws in order to follow Khatami’s different plot strands, which shuttle between...
Set in an unknown Latin American state (the film was presumably shot in Chile), there are moments that recall Pablo Lorrain’s second feature, Post Mortem, which also dealt with morgues, death squads and the trauma of unclaimed corpses in a corrupted land. But here, the narrative is much more opaque, pushing viewers to clutch at straws in order to follow Khatami’s different plot strands, which shuttle between...
- 9/2/2017
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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